Lully (Boris Terral) starts to gain the favour of the 14-year-old King Louis in 1653 by giving him specially designed shoes for Ballet de la Nuit. His subsequent rise draws hostility from the old cadres of the court, particularly the royal composer Cambert (Johan Leysen). However, following Cardinal Mazarin's death, Louis (Benoît Magimel) installs himself in full power as the king in 1661 and he is now at stake with the religious establishment created and controlled by his mother Anne of Austria (Colette Emmanuelle) at the Palais-Royal. On the other hand, Lully's animosity with Cambert comes to a novel dimension after Cambert's mistress Madeleine Lambert (Cécile Bois), the daughter of Michel Lambert, marries Lully in 1662. Lully and another Versailles favourite Molière (Tchéky Karyo) are keen to further disarm the old court but they get to understand their limits when conflict becomes more manifest at events such as staging (and consequent ban) of Tartuffe in 1664. Meanwhile, the passing years bring an end to Lully's position as the king's dance teacher and choreographer and he also has to face the emotional tensions growing with his wife's niece Julie (Claire Keim), which will culminate at the gala of Cambert's Pomone in 1671.
In September 1939, Władysław Szpilman (Adrien Brody), a Polish-Jewish pianist, is playing live on the radio in Warsaw when the station is bombed during Nazi Germany's invasion of Poland which caused the outbreak of World War II. Hoping for a quick victory, Szpilman celebrates with his posh family at home when learning that Britain and France have declared war on Germany. German troops soon enter Warsaw and the Nazi authorities implement measures to identify, isolate, financially ruin and reduce the Jewish population in Warsaw. Jews are ordered to provide their own identifying armbands with the Star of David.
In 1965, Glenn Holland (Richard Dreyfuss) is a professional musician and composer who has been relatively successful in the exhausting life of a musician. However, in an attempt to enjoy more free time with his young wife, Iris (Glenne Headly), and to enable him to compose a piece of orchestral music, the 30-year-old Holland accepts a high school teaching position.
Le film est composé de sept séquences illustrant huit morceaux de musique classique, réorchestrés et dirigés par le chef d'orchestre Leopold Stokowski à la tête de l'Orchestre de Philadelphie. La dernière séquence illustre deux morceaux et un intermède sépare la séquence 4 et 5. Chaque séquence est précédée d'une courte introduction où l'orchestre est en ombre chinoise.
In an African desert millions of years ago, a tribe of man-apes is driven from their water hole by a rival tribe. They wake to find a featureless black monolith has appeared before them. One man-ape realizes how to use a bone as a tool and weapon; the tribe kills the leader of their rivals and reclaims the water hole.
A former world-famous conductor of the Bolshoi Theatre orchestra, known as "The Maestro," Andrey Simonovich Filipov, had had his career publicly broken by Leonid Brezhnev for defending Jewish musicians and is reduced to working as a mere janitor in the theatre where he once conducted, becoming an alcoholic in the process.
Cinquante-huit ans après Fantasia, ce film est composé de huit séquences illustrant huit morceaux de musique classique, interprétés pour la plupart par l'Orchestre symphonique de Chicago sous la direction de James Levine. Chaque séquence est précédée d'une courte présentation par des artistes ayant travaillé pour les studios Disney.
The story begins in 1823 as the elderly Antonio Salieri (F. Murray Abraham) attempts suicide by slitting his throat while loudly begging forgiveness for having killed Wolfgang Amadeus Mozart (Tom Hulce) in 1791. Placed in a lunatic asylum for the act, Salieri is visited by Father Vogler (Richard Frank), a young priest who seeks to hear his confession. Salieri is sullen and uninterested but eventually warms to the priest and launches into a long "confession" about his relationship with Mozart.
A mute Scotswoman named Ada McGrath is sold by her father into marriage to a New Zealand frontiersman named Alisdair Stewart, bringing her young daughter Flora with her. The voice that the audience hears in the opening narration is "not her speaking voice, but her mind's voice". Ada has not spoken a word since she was six years old and no one, including herself, knows why. She expresses herself through her piano playing and through sign language, for which her daughter has served as the interpreter. Flora later dramatically tells two women in New Zealand that her mother has not spoken since the death of her husband who died as a result of being struck by lightning. Ada cares little for the mundane world, occupying herself for hours every day with the piano. Flora, it is later learned, is the product of a relationship with a teacher with whom Ada believed she could communicate through her mind, but who "became frightened and stopped listening," and thus left her.
The film opens with a montage of images of Manhattan and other parts of New York City accompanied by George Gershwin's Rhapsody in Blue, with Isaac Davis (Woody Allen) narrating drafts of an introduction to a book about a man who loves the city. Isaac is a twice-divorced, 42-year-old television comedy writer dealing with the women in his life who quits his unfulfilling job. He is dating Tracy (Mariel Hemingway), a 17-year-old girl attending the Dalton School. His best friend, college professor Yale Pollack (Michael Murphy), married to Emily (Anne Byrne), is having an affair with Mary Wilkie (Diane Keaton). Mary's ex-husband and former teacher, Jeremiah (Wallace Shawn), also appears. Isaac's ex-wife Jill Davis (Meryl Streep) is writing a confessional book about their marriage. Jill has also since come out of the closet as a lesbian and lives with her partner, Connie (Karen Ludwig).
A man (Geoffrey Rush) wanders through a heavy rainstorm finding his way into a restaurant. The restaurant's employees try to determine if he needs help. Despite his manic mode of speech being difficult to understand, Sylvia learns that his name is David Helfgott and that he is staying at a local hotel. She returns him to the hotel and despite his attempts to engage her with his musical knowledge and ownership of various musical scores, she leaves.
In futuristic London, Alex DeLarge is the leader of his "droogs", Georgie, Dim and Pete. One night, after getting intoxicated on "drencrom" (milk laced with drugs), they engage in an evening of "ultra-violence," which includes beating an elderly vagrant and fighting a rival gang led by Billyboy. After stealing a car, they drive to the country home of writer F. Alexander, where they beat Mr. Alexander to the point of crippling him for life. Alex then rapes his wife while singing "Singin' in the Rain".
Claude Eastman (Dudley Moore) is a composer and the conductor of a prestigious symphony who has recently married beautiful Daniella (Nastassja Kinski), a much younger woman. While travelling, he sends a message to his friend Norman Robbins (Albert Brooks) to keep an eye on his wife, but the message is garbled by Claude's Italian valet Giuseppe (Richard Libertini), and instead of looking after Daniella, Norman hires a private detective named Keller (Richard B. Shull) to investigate her.
The protagonist, Lolita Cassard, lacks confidence and self-esteem because she doesn't look like the women who fill the pages of fashion magazines. Her father, Étienne Cassard, is a respected novelist, but rarely considers the feelings of others, only thinking of himself and worrying about aging. Pierre Millet, a younger writer, doubts he will ever be successful. Meanwhile, Sylvia Millet, a singing teacher, believes in her husband's talent, but doubts her own and that of her student, Lolita. When Sylvia discovers that Lolita is the daughter of Étienne, an author whom she admires, she befriends Lolita in order to gain access to Étienne for her husband's sake. Lolita does not believe or see that Sylvia is just another person being generous to her because her father is famous. She begins to confide in Sylvia about her father, love life, and self-confidence issues. Sylvia surprisingly takes a liking to Lolita and begins to see Étienne for the man he really is. Throughout the film Sébastien, a young journalist, befriends Lolita. He is the only one with pure intents, even after he finds out who her father is. He takes a liking to Lolita, but she refuses to show any interests and is only infatuated with another boy, Mathieu. Mathieu is everything Sébastien is not. Mathieu only has interest for Lolita because of her father and mistreats her. Lolita casts all of these same behaviors on Sébastien and does not realize that he truly does like her for herself. After a crazy weekend at Étienne's cottage, Sylvia leaves Pierre because he has become just like Étienne, Lolita goes after Sébastien because she realizes he has honest intentions, and Étienne is repeatedly reminded that he is an indifferent father to Lolita.