Kiran (Arvind Swamy) is a Cop. His beautiful and alluring wife Manjari (Nagma) is a reputed actress. Misunderstanding creeps into their relationship and they do not live together. Their only son Raju (Master Raju) is living with his mother Manjari. Rajus only friends is Narayan and both go to school together. A group of corrupt politicians plan to kill Dr. Hameed Ali (Charu Hassan) who is a well known Nuclear scientist. Accidentally, a thief comes to know the murder plans of the scientist Dr. Hameed Ali.
Managing Editor Sam Gatlin arrives in the afternoon and leaves early the next morning, having put together a morning newspaper for Los Angeles. During the active day in the life of a big city newspaper, Sam and his wife Peggy argue about adopting a child named Billy. A reporter's grandson pilots a military plane from Honolulu to New York. A child is lost in the LA sewers (Gatlin composes a warning headline with picture: "Children Stay Out of These"). And copy boy Earl Collins considers quitting after failing to properly deliver a bet by city editor Jim Bathgate on the sex of children being born to a famous actress. A downpour is occurring during basically the whole movie.
Jill Kelso (Bess Armstrong) is a Des Moines, Iowa television news anchor, whose younger sister, an aspiring actress, has entered a life of prostitution in Los Angeles. When the sister becomes the eleventh victim of a sex murderer, Kelso conducts her own undercover investigation into Hollywood's night world of commercial sex. Along the way, chemistry develops with a sympathetic cop (Max Gail) who tries to save her from becoming a victim herself.
While making out on the beach, a couple is attacked by a blade-wielding man dressed like a hippie. After beheading the man with a machete, the hippie slashes the woman to death with a crooked dagger, then sexually assaults her corpse. Charged with solving "the Lake Front Butcher" murders (as the media have dubbed them) are Sergeant Connor and Detective Haller, whose main suspect is the man who found the bodies, a retired army colonel named Peter Wayne. Routinely intruding upon the investigation is stubborn local reporter Susan Rather, the occasional lover of Assistant District Attorney Ralph Kennedy.
TV newswoman Lee Carter (Paula Prentiss) is one of many witnesses to the public assassination of presidential candidate Senator Charles Carroll (Bill Joyce) atop the Seattle Space Needle. A waiter armed with a revolver is chased but falls to his death. Meanwhile, a second waiter, also armed, leaves the crime scene unnoticed. A Congressional special committee determines that the assassination was the work of a lone gunman.
The film features a series of exclusive interviews including discussions with Blair and former executive editor Howell Raines, who stepped down after Blair's plagiarism was uncovered and staff at The Times complained that the breach should have been handled sooner. Raines took the mantle of executive editor in September, 2001, just days before the 9/11 terrorist attacks on The World Trade Center and The Pentagon, leading the paper to "an unprecedented seven Pulitzer prizes." Despite the paper's success under Raines, many reporters expressed feelings of being under pressure and bullied by his demanding management style. Discontent reached an apex after Blair's resignation when a 14,000-word expose of the journalist's plagiarism was published in the Sunday edition of The Times and staff discovered that the paper's metro editor, Jonathan Landman, sent Raines an unheeded memo urging him "to stop Jayson from writing for The Times. Right now.
"With the Internet surpassing print as our main news source, and newspapers going bankrupt, ... Page One chronicles the media industry’s transformation and assesses the high stakes for democracy ... The film deftly makes a beeline for the eye of the storm or, depending on how you look at it, the inner sanctum of the media, gaining unprecedented access to the New York Times newsroom for a year. At the media desk, a dialectical play-within-a-play transpires as writers like salty David Carr track print journalism’s metamorphosis even as their own paper struggles to stay vital and solvent, publishing material from WikiLeaks and encouraging writers to connect more directly with their audience. Meanwhile, rigorous journalism—including vibrant cross-cubicle debate and collaboration, tenacious jockeying for on-record quotes, and skillful page-one pitching—is alive and well. The resources, intellectual capital, stamina, and self-awareness mobilized when it counts attest there are no shortcuts when analyzing and reporting complex truths."
Stories and issues
Miami liquor wholesaler Michael Gallagher (Newman), who is the son of a deceased criminal, awakes one day to find himself a front-page story in the local newspaper, indicating that he is being investigated in the disappearance and presumed murder of a local longshoreman union official, Joey Diaz.
Disheartened when his story about Canadian snipers possibly mutilating corpses in Afghanistan is buried, Luke (Nick Stahl) quits his job but is even more determined to return to Afghanistan to get the real story. With his offbeat buddy, Tom (Nicolas Wright), tagging along, Luke returns to Afghanistan and intends to gather enough evidence to get his old story into print. But he soon finds that the country is an even more dangerous place than when he left. To make matters worse, his old friend and fixer, Mateen (Stephen Lobo) has been hired away by Luke's journalistic nemesis, Imran Sahar (Vik Sahay). Soon the trip for Luke and Tom in Afghanistan turns into a surreal and perilous adventure, a journey into an alternate reality, filtered through a haze of gun smoke. They encounter Taliban raids, bombings and unfinished business with an Afghanistan businessman. Luke still makes his way through the wilderness with Canadian troops and Arabian guides to find out if his story is true or not. In the end, he realises that the rumour about Canadians mutilating fingers is a lie and that his people still have some morality in this war torn land. Just as he is about to leave, He and Sgt. Rick (a Canadian soldier who is the leader of the squad with whom he had been travelling) come under fire from a Taliban sniper, but the Taliban runs out of bullets and walks off, while Luke thinks he killed him. While they move back to the base, Luke runs into Matteen, where he finds out that they really do share a friendship. The last scene is where Luke decides to go home.
Headed towards Hollywood, Rex (Richard Grieco) is a mentally ill drifter with a penchant for balls-to-the-wall gunplay. Trapped in a delusion that he is a modern 'Old West' gunslinger, Rex begins a murder spree that leaves police and law enforcement dead in his path. Meanwhile, hard-drinking cop John Shepard (Nick Mancuso) is suddenly thrust into the spotlight by newsanchor Maggie Hewitt (Nancy Allen) after killing one of L.A.'s most notorious drug dealers in a skilled shoot out. When Rex learns of this heroic deed, he becomes fixated on both Hewitt, who he begins to stalk and terrorize, and Shepard, who he vows to shoot and kill. As a tense high noon battle looms on the horizon, John and Maggie scramble to outwit and outshoot this delusional maniac.
Newspaper reporter Bill Bradford is deputized as a treasury agent by the Internal Revenue Bureau and assigned to find enough evidence to charge gangster Alexander Carston with tax evasion.
After serving in the RAF during the Second World War, Nat Hearn (Norman Wooland) returns to his prewar job as a reporter on the Tormouth Clarion. He is now working alongside Sally Thorpe (Sarah Churchill), who had taken his job when he enlisted. Later, Nat becomes the owner of the paper, but his employees strike, disagreeing with Nat's stance on Tormouth's housing scheme. The town supports Nat in the dispute.