Saptapadi deals with the transformation of an individual so devoted to (mired in) the concept of rituals, that it takes an act of God (will be discussed shortly) for him to realize the true spirit behind the rituals and true meaning of the prayers. Yajulu is a man of great conviction. According to him rules and customs, that have been passed down generations thus standing the test of the time, are there for a reason and hence are immutable; traditions are trademarks of a culture and customs, its signature. He does not mind losing his daughter for his principles.
Frederick Douglass and the White Negro is a documentary telling the story of ex-slave, abolitionist, writer and politician Frederick Douglass and his escape to Ireland from America in the 1840s. The film follows Douglass' life from slavery as a young man through to his time in Ireland where he befriended Daniel O'Connell, toured the country spreading the message of abolition and was treated as a human being for the first time by white people. His arrival in Ireland coincided with the Great Famine and he witnessed white people in what he considered to be a worse state than his fellow African Americans back in the US. The film follows Douglass back to America where he buys his freedom with funds raised in Ireland and Britain. Fellow passengers on his return journey include the Irish escaping the famine who arrive in their millions and would go on to play a major role in the New York Draft Riot of 1863 which Douglass could only despair over. The film examines (with contributions from the author of How The Irish Became White Noel Ignatiev amongst others) the turbulent relationship between African Americans and Irish Americans during the American Civil War, what drew them together and what drove them apart and how this would shape the America of the twentieth century and beyond.
The film visits five continents, and over twenty countries while charting the legacy of slavery and identifies a direct, or indirect link to crime, drugs, HIV/AIDS, poor education, inferiority complex, low expectations, poverty, corruption, poor health, and underdevelopment to African people globally.
En Valachie au début du dix-neuvième siècle, Costandin, un policier local, est embauché par le boyard Iordache, pour retrouver Carfin, son esclave tzigane qui a fui après avoir eu une liaison avec sa femme, Sultana.
The series begins with the friendly relationship between James Jackson Jr. (Tim Daly), the son of the plantation owner, and one of the slaves, Easter (Jasmine Guy), at the Jackson estate, known as Forks of Cypress, near Florence in northern Alabama. James and Easter have grown up together (within the social limits of the plantation culture), and gradually their feelings for each other have developed into romance. Easter is the daughter of an African-American house slave, Captain Jack (Paul Winfield), and his true love, Annie, another slave, who is part-Cherokee, and who is no longer on the Jackson property.
In 1796 William Wilberforce is severely ill and taking a recuperative holiday in Bath, Somerset, with his cousin, Henry Thornton. It is here that William is introduced to his future wife, Barbara Spooner. Although he initially resists any romantic overtures, she convinces him to relate the story of his career.
An 18-year-old girl, Catherine Miles, graduates from her boarding school and visits her parents on the Amazon. While on a boat ride, her parents are brutally murdered and she is taken prisoner by a local cannibal tribe. In order to survive, she adopts the customs of the tribe with the help of a warrior who has fallen in love with her, all the while planning vengeance for her parents' death. She later escapes, and now free, she goes to find who exactly was behind the death of her parents.
The story is based on two distinct early 19th-century themes, including the attempts by abolitionists (Cooper and Raft) to end the slave trade. Although the U.S. Constitution ended the importation of slaves in 1808, slaves were still being brought into the country under foreign flags. The abolition of slavery by Great Britain helped reduce legal trade in slaves by putting the British navy into action against slave traders, but even Britain had its supporters of the trade (here represented by Wilcoxon, as a British naval officer acting for the slave interests). The collision between Cooper and Wilcoxon is complicated by Wilcoxon's sister (Dee) falling in love with Cooper.
Amistad is the name of a slave ship traveling from Cuba to the U.S. in 1839. It is carrying a cargo of Africans captured in Sierra Leone who have been sold into slavery in Cuba, taken on board, and chained in the cargo hold of the ship. As the ship is crossing from Cuba to the U.S., Cinqué, a leader of the Africans, leads a mutiny and takes over the ship. The mutineers spare the lives of two Spanish navigators to help them sail the ship back to Africa. Instead, the navigators deceive the Africans and sail north to the east coast of the United States, where the ship is stopped by the American navy and the 44 living Africans imprisoned as runaway slaves. In an unfamiliar country and not speaking a word of English, it seems like they are doomed to die for killing their captors. A lawyer named Baldwin, hired by the abolitionist Tappan and his black associate Joadson (a fictional character) decides to take their case, arguing that the Africans had been captured in Africa to be sold in the Americas illegally, and therefore were free citizens of another country and not slaves at all. With help from James Covey, who speaks both Mende and English, Baldwin is able to start communicating with Cinque. The judge rules in favor of the Africans, but the case is eventually appealed to the Supreme Court. At this point, former U.S. President John Quincy Adams makes an impassioned and eloquent plea for their release, and is successful.
Une fois que Joffrey a sauvé son navire des flammes, il poursuit d'Escrainville, qui a enlevé Angélique, sur la Méditerranée. Mais quand il arraisonne son navire, Angélique n'est plus à bord. À Alger, Escrainville l'a vendue à Mezzo Morte, qui compte la proposer pour le harem du sultan de Mikenez. Pour sauver Angélique, Joffrey se fait abandonner dans une barque par son équipage, et se fait volontairement prendre par un navire à destination d'Alger, où il est contraint à l'esclavage. Il parvient à s'échapper de la prison où il est conduit, à l'aide de complicités.