Modern Times portrays Chaplin as a factory worker employed on an assembly line. There, he is subjected to such indignities as being force-fed by a "modern" feeding machine and an accelerating assembly line where he screws nuts at an ever-increasing rate onto pieces of machinery. He finally suffers a nervous breakdown and runs amok, throwing the factory into chaos. He is sent to a hospital. Following his recovery, the now unemployed factory worker is mistakenly arrested as an instigator in a Communist demonstration. In jail, he accidentally ingests smuggled cocaine, mistaking it for salt. In his subsequent delirium, he gets out of the jail. When he returns, he stumbles upon a jailbreak and knocks the convicts unconscious. He is hailed a hero and is released.
Filmmakers James Hanlon and the Naudet brothers were originally filming Tony Benetatos, a probationary firefighter of the New York City Fire Department assigned to the Engine 7/Ladder 1/Battalion 1 Firehouse on Duane Street in Lower Manhattan with the intention of making a film about the "probie's" first experience as a firefighter. On the morning of September 11, the firehouse, under the direction of Battalion Chief Joseph Pfeifer, was called out on a reported "odor of gas" at Church and Lispenard Streets. Jules rode with Pfeifer to investigate, while Gedeon stayed behind at the firehouse with the "probie.
Calvin Clifford (C. C.) "Bud" Baxter (Jack Lemmon) is a lonely office drudge at a national insurance corporation in a high-rise building in New York City. In order to climb the corporate ladder, Bud allows four company managers, who reinforce their position over him by regularly calling him "Buddy Boy", to take turns borrowing his Upper West Side apartment for their various extramarital liaisons, which are so noisy that his neighbors assume that he is bringing home different women every night.
In post-World War II Val Melaina neighbourhood of Rome, Antonio Ricci (Lamberto Maggiorani) is desperate for work to support his wife Maria (Lianella Carell), his son Bruno (Enzo Staiola), and his small baby. He is offered a position posting advertising bills, but tells Maria that he cannot accept because the job requires a bicycle. Maria resolutely strips the bed of her dowry bedsheets—prized possessions for a poor family—and takes them to the pawn shop, where they bring enough to redeem Antonio's pawned Fides brand bicycle.
In 1967, during the Vietnam War, a group of new U.S. Marine Corps recruits arrive at Parris Island, South Carolina, for basic training. After having their heads shaved, they meet Senior Drill Instructor Gunnery Sergeant Hartman, who employs excessively aggressive tactics to turn the recruits into hardened, combat-ready Marines. Among the recruits are privates "Joker", "Cowboy", and the overweight, bumbling Leonard Lawrence, who earns the nickname "Gomer Pyle" after attracting Hartman's wrath.
In the future of 2026, wealthy industrialists rule the vast city of Metropolis from high-rise tower complexes, while a lower class of underground-dwelling workers toil constantly to operate the machines that provide its power. Joh Fredersen is the city's master. Joh's son Freder idles away his time in a pleasure garden with other rich children. Freder is interrupted by the arrival of a young woman named Maria, who has brought a group of workers' children to witness the lifestyle led by the rich. Maria and the children are quickly ushered away, but Freder is fascinated by Maria and goes to the workers' portion of the city to find her.
In a hidden realm, fairy tale characters inhabit nine magical kingdoms where an Evil Queen plots to rule them. She is trapped in the Fourth Kingdom Prison under the rule of Prince Wendell; the spoiled, arrogant grandson of Snow White. Weeks before his coronation ceremony, the Queen enlists the help of the brutal Troll King and his three children to release her before the Prince makes his annual visit to the prison.
Travis Bickle, an honorably discharged U.S. Marine, is a lonely and depressed man in New York City. He becomes a taxi driver to cope with chronic insomnia, driving passengers every night around the boroughs of New York City. He also spends time in seedy porn theaters and keeps a diary. Travis becomes infatuated with Betsy, a campaign volunteer for Senator and presidential candidate Charles Palantine. After watching her interact with fellow worker Tom through her window, Travis enters to volunteer as a pretext to talk to her, and takes her out for coffee. On a later date, he takes her to see a Swedish sex education film, which offends her, and she goes home alone. His attempts at reconciliation by sending flowers are rebuffed, so he berates her at the campaign office, before being kicked out by Tom.
Frenchmen Mario and Jo, Dutchman Bimba and Italian Luigi are stuck in the isolated Southern Mexican town of Las Piedras. Surrounded by desert, the town is linked to the outside world only by a small airport, but the airfare is beyond the means of the men. There is little opportunity for employment aside from the American corporation that dominates the town, Southern Oil Company (SOC), which operates the nearby oil fields and owns a walled compound within the town. SOC is suspected of unethical practices such as exploiting local workers and taking the law into its own hands, but the townspeople's dependence upon it is such that they suffer in silence.
The documentary is split into five parts. It begins by examining how Iceland was highly deregulated in 2000 and the privatization of its banks. When Lehman Brothers went bankrupt and AIG collapsed, Iceland and the rest of the world went into a global recession.
Kopple initially intended to make a film about Kenzie, Miners for Democracy and the attempt to unseat Tony Boyle. When miners at the Brookside Mine in Harlan County, Kentucky went on strike in June 1972, Kopple went there to film the strike against Duke Power Company which the UMWA had helped to organize. The strike proved a more interesting subject, so Kopple switched the focus of her film.
The first portion, "Rust," follows a group of factory workers in three state-run factories: a smelting plant, an electric cable factory and a sheet metal factory. Workers of all three are hindered by sub-standard equipment, hazardous waste, and a lack of safety precautions. Perhaps even worse, the declining need for heavy industry results in a constant shortage of raw materials, leaving the workers idle and concerned for their future.
La dette des gouvernements, des entreprises et des ménages a atteint des proportions astronomiques : Comment l'expliquer ? Comment en est-on arrivé là ? D'où vient tout cet argent ? Comment peut-il y avoir autant d'argent à prêter ? La réponse est... qu'il n'y en a pas. De nos jours l'argent est fait de dette. S'il n'y avait pas de dette, il n'y aurait pas d'argent. Si tout ceci vous laisse perplexe, rassurez-vous, très peu de gens comprennent ce système, même si nous sommes tous touchés. Ce long métrage d'animation, dynamique, pédagogique et divertissant va vous expliquer, de manière compréhensible par tous, les effets magiques et pervers du système actuel d'argent-dette. Un film indispensable pour comprendre les origines de la crise mondiale !
In 1963 Jackson, Mississippi, Aibileen Clark (Viola Davis) is a black maid spending her life raising white children after the death of her only son from an industrial accident. She works for the Leefolt family, principally taking care of the children of Elizabeth Leefolt, a young woman gripped with postpartum depression who refuses to acknowledge her daughter except when disciplining her. Aibileen's best friend is Minny Jackson (Octavia Spencer), an outspoken black maid who has long worked for Hilly Holbrook's (Bryce Dallas Howard) mother, Mrs. Walters (Sissy Spacek), to the point that they are very comfortable with each other. Minny's stormy temper is tolerated due to respect for her great cooking skills. Eugenia "Skeeter" Phelan (Emma Stone) is an independent thinking young white woman returning to the family plantation after graduating from the University of Mississippi to find that her beloved childhood maid, Constantine (Cicely Tyson), has quit while she was away. She is perplexed as she believes Constantine would not have left without writing her, and she eventually learns that Constantine was fired by Skeeter's mother Charlotte (Allison Janney).