Alice (Ruth Gilbert) meets the White Rabbit (Ralph Hertz), the bad-tempered Cook (Lillian Ardell) and the Duchess (Mabel Wright). She joins a mad tea-party with the Mad Hatter (Leslie King), the March Hare (Meyer Berensen) and the Dormouse (Raymond Schultz), while the Cheshire Cat (Tom Corless) leaves his grin behind.
Alice (Kristine DeBell) offends her boyfriend William (Ron Nelson) by rejecting his advances. Upset, she falls asleep reading Alice in Wonderland. The white rabbit (Larry Gelman) appears to her in a dream and takes her into a sexual wonderland. The story loosely follows Carroll's original plot, and includes many of his characters, but with considerable sexual license.
Young Alice, having become a celebrity for her adventures in Wonderland, is in her bedroom dreaming about visiting Paris and sharing adventures with the storybook girl Madeline. While no comment is made as to where this Alice comes from or what time the film is set in, Alice seems to be American, as she likes Cheese Burgers and is having a great deal of trouble when it comes to getting to France. As Alice points out, “Getting to Wonderland was easy – all I had to do was fall down the rabbit hole. But let’s face it – it takes money to get to Paris!”.
While leaving her husband, whom she has grown to despise, Alice (Sylvia Kristel) drives into the pristine countryside but must stop at an old house after her windshield cracks mysteriously. An old man and his butler welcome her at the mansion as if she were expected. The old man insists on her staying overnight. They even offer to have her car repaired in the morning. She is woken up in the middle of the night by a booming noise. The next day the car is there with a new windshield but she is alone in the deserted house. After a good breakfast laid out for her she jumps into the car again but she cannot find the gateway to the country house from whence she came. A tree trunk seems to be in the way. Reluctantly she returns to the old house. She then tries to walk the way with her suitcase and she meets a young man who tells her to accept the fact that there is no way out. Is she in limbo? She has to spend a second night in the mansion. The old man is there again and provides some explanations. The following day is a bright morning full of birdsong. Once more breakfast is ready for her in the lonely house. She takes the car again and here is the path and the gate to the highway. Is she really out? A few more strange characters come her way. Her windshield cracks again.
Mickey, qui s'est endormi en lisant le célèbre roman de Lewis Carroll De l'autre côté du miroir, se « dédouble ». Son subconscient traverse alors la glace accrochée au mur de sa chambre, de l'autre côté de laquelle les meubles et autres objets sont vivants. Après avoir dégusté une noix, notre héros grandit puis rapetisse jusqu'à ressembler à une véritable souris. Le téléphone, posé sur une table, reçoit un appel et lance sa ligne à Mickey. Celui-ci s'en aide pour rejoindre le combiné téléphonique et au terme d'un dialogue de sourd, l'appareil se sert de son fil comme d'une corde à sauter — prétexte à un numéro de claquettes puisqu'une radio s'est allumée toute seule et diffuse de la musique. Le danseur est envoyé dans un cendrier, dont un élément amovible devient un haut-de-forme tandis qu'une allumette fait office de canne. Nouveau numéro jusqu'à la découverte de cartes à jouer qui exécutent à leur tour une marche militaire suivie d'une chorégraphie plutôt élaborée.
The film begins on the ship bearing Alice (Coral Browne) and Lucy from England to New York. As she and Lucy (Nicola Cowper) disembark, they are set upon by several journalists, all trying to get a story or quote from her. Clearly bewildered by all the excitement, she is befriended by an ex-reporter, Jack Dolan (Peter Gallagher), who helps her and Lucy through the legions of the press. Dolan quickly becomes her agent and finds endorsement opportunities for her. Throughout it all, a romance develops between Jack and Lucy.
In Care-a-lot, the Care Bears are visited by the White Rabbit, the uncle of Swift Heart Rabbit. The White Rabbit gives the Care Bears the task of finding the missing Princess of Heart, who is to be crowned queen in Wonderland, otherwise the villainous Wizard of Wonderland will gain the throne. Tenderheart, Grumpy, Good Luck, Brave Heart, Lotsa Heart, Swift Heart and the White Rabbit search all over the world for the Princess, but to no avail. Grumpy is pointed to a girl who resembles the Princess, Alice. The Care Bears decide that Alice could act as the Princess until the real one is found. The group is separated by the power of the Wizard, forcing Grumpy, Swift Heart and the White Rabbit to use a rabbit hole to reach Wonderland.
A jet-propelled white rabbit flies through the vulva of a supine woman into a wonderland where people and objects turn inside out, changing shapes and identities at warp speed. Events roughly follow Lewis Carroll's Alice in Wonderland. The Caterpillar, the Cheshire Cat, the Mad Hatter, and the Queen of Hearts make appearances, as does Alice. Images and symbols are often sexual. At the end, Alice says, "Oh, I've had such a curious dream."
A modern take on the famous fairy tale by Carroll, it is about a university student (Maggie Grace) who is knocked over by a black cab in London. When she wakes up, she has amnesia, lost in a world that is a long way from home—Wonderland. She is dragged through a crazy, twisted underworld filled with bizarre individuals and low-lifers, by the cab driver, Whitey (Danny Dyer). Confused, she tries to find out who she is, where she is from, and use what wits she has left to get back home safe.