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Films with theme "Films based on Greco-Roman mythology", sorted by revenue

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Malpertuis
Malpertuis (1971)
, 1h50
Directed by Harry Kümel
Origin German
Genres Drama, Fantastic, Fantasy, Horror
Themes Films based on mythology, Films based on Greco-Roman mythology, Films based on Greco-Roman mythology
Actors Orson Welles, Susan Hampshire, Michel Bouquet, Mathieu Carrière, Jean-Pierre Cassel, Daniel Pilon

Malpertuis is the name of an old, rambling mansion which is in reality a labyrinth where characters from Greek mythology are imprisoned by the bedridden Cassavius (Welles). He manages to keep them (as well as his nephew and niece) prisoners even after his death, through a binding testament. As Jan, the nephew, (Carrière) unravels the mystery, he discovers that he cannot escape the house because Malpertuis is far more significant than he was led to believe.
The Trojan Women, 1h45
Directed by Michael Cacoyannis
Origin United-kingdom
Genres Drama
Themes Films based on mythology, Théâtre, Films based on Greco-Roman mythology, Political films, Films based on plays, Dans la Grèce mythologique, Films based on Greco-Roman mythology
Actors Katharine Hepburn, Vanessa Redgrave, Geneviève Bujold, Irène Papas, Brian Blessed, Patrick Magee

The Trojan Women was one of a trilogy of plays dealing with the suffering created by the Trojan Wars. Hecuba (Katharine Hepburn), Queen of the Trojans and mother of Hector, one of Troy's most fearsome warriors, looks upon the remains of her kingdom; Andromache (Vanessa Redgrave), widow of the slain Hector and mother of his son Astyanax, must raise her son in the war's aftermath; Cassandra (Geneviève Bujold), Hecuba's daughter who has been driven insane by the ravages of war, waits to see if King Agamemnon will drive her into concubinage; Helen of Troy (Irene Papas), waits to see if she will live. But the most awful truth is unknown to them until Talthybius (Brian Blessed), the messenger of the Greek king, comes to the ruined city and tells them that King Agamemnon and his brother Menelaus have decreed that Hector's son Astyanax must die — the last of the male royalty of Troy must be executed to ensure the extinction of the line.
Iphigenia
Iphigenia (1977)
, 2h7
Directed by Michael Cacoyannis
Origin Grece
Genres Drama, Action
Themes Films based on mythology, Théâtre, Films based on Greco-Roman mythology, Political films, Films based on plays, Dans la Grèce mythologique, Films based on Greco-Roman mythology
Actors Irène Papas, Tatiána Papamóschou, Kóstas Kazákos, Panos Mihalopoulos

Approximately 2,500 years ago, the Athenian tragedians -- Sophocles, Aeschylus, Euripides -- said it all in the most eloquent and poetic terms. Everyone else has followed in their footsteps, from Goethe and Shakespeare to Mann and Beckett. More than ever, the ancient tragedies are relevant today, for their subject matter is the universal nature of man: his hunger for domination, his greed and his lust. The plays are the confirmation of the human tragedy for all times and all places. The Greek myths upon which these tragedies are based combine marvelous storytelling with symbolic associations that are the foundations of the collective unconscious of our modern world.
Atlas Against the Cyclops, 1h40
Directed by Antonio Leonviola
Origin Italie
Genres Fantasy, Adventure, Peplum
Themes Films about magic and magicians, Films based on mythology, Films based on Greco-Roman mythology, Dans la Grèce mythologique, Films based on Greco-Roman mythology
Actors Gordon Mitchell, Vira Silenti, Aldo Bufi Landi, Raffaella Carrà, Fabio Lanzoni, Tullio Altamura

Queen Capys is doomed to a life of slavery by the Powers of Darkness until the last descendant of Ulysses is put to death to please the Cyclops. This is almost accomplished in a raid on a village by the Queen's soldiers where a descendant of Ulysses is killed and his wife enslaved; however, their infant son is taken away to be protected by Maciste.
Ulysses' Gaze, 2h56
Directed by Theo Angelopoulos
Origin France
Genres Drama, War, Historical
Themes Films based on mythology, Transport films, Films about automobiles, Films based on Greco-Roman mythology, Road movies, Films based on Greco-Roman mythology
Actors Harvey Keitel, Erland Josephson, Maia Morgenstern, Thanasis Veggos, Ljuba Tadić, Dragan Maksimović

A successful Greek filmmaker A (Harvey Keitel) is returning home and sets out on an epic journey across the battered Balkans in search of three lost reels of film by the Manaki brothers, the pioneering photographers who introduced movies into the Balkans at the beginning of the century.
Vulcan, Son of Giove, 1h20
Genres Drama, Fantasy, Action
Themes Films based on mythology, Films based on Greco-Roman mythology, Films based on Greco-Roman mythology
Actors Gordon Mitchell, Annie Gorassini, Furio Meniconi, Roger Browne, Isarco Ravaioli, Edda Ferronao

Following a dispute between Jupiter and Mars the latter ascends to Earth. Together with Venus he instructs the Thracians how to erect a castle which is supposed to become more beautiful than Mount Olympus. Jupiter assigns Vulcan and Etna to find Mars. Eventually the Thracians capture Etna and torture her. Vulcan saves her life and incites the slaves of the Thracians into an uprising. Mars und Venus try to return to Olympus but Jupiter sends Mars back to Earth to be with Etna.
Thor and the Amazon Women, 1h35
Directed by Antonio Leonviola, Tonino Ricci
Origin Italie
Genres Fantasy, Action, Adventure, Peplum
Themes Films based on mythology, Films based on Greco-Roman mythology, Films based on Norse mythology, Dans la Grèce mythologique, Films based on Greco-Roman mythology
Actors Joe Robinson, Harry Baird, Maria Fiore

Thor and the Amazon Women (original title: Le Gladiatrici) is a sword and sandal picture that features a civilization of women warriors ruled by the evil Black Queen who has subjugated the men in her land. Thor and his friend Ubaratutu live in a distant village with a young blonde woman named Tamar and her young brother Homolke. Tamar’s father was the king of a seaside village who had been killed several years earlier when the Black Queen’s Amazon warriors raided the village.
Medea
Medea (1970)
, 1h50
Directed by Pier Paolo Pasolini, Sergio Citti
Origin Italie
Genres Drama, Fantasy
Themes Films based on mythology, Films based on Greco-Roman mythology, Films based on plays, Dans la Grèce mythologique, Films based on Greco-Roman mythology
Actors Massimo Girotti, Laurent Terzieff, Piera Degli Esposti, Maria Cumani Quasimodo, Pino Colizzi, Enrico Maria Salerno

The first half sums up the story of Jason and the Argonauts as they travel to Medea's barbarian land in search of the golden fleece. In fitting with the soundtrack (which features North African tribal music), Pasolini depicts Medea's people as a tribal people who perform rituals and sacrifices to secure their harvests. Their costumes and dances are based on those of Eastern European Mummers such as the Romanian Calusari ceremonies and their counterparts in the Balkans.
Dionysus in '69, 1h25
Directed by Brian De Palma, Bruce Joel Rubin
Origin USA
Genres Drama, Documentary
Themes Films based on mythology, Théâtre, Documentary films about the visual arts, Films based on Greco-Roman mythology, Films based on plays, Films based on Greco-Roman mythology
Actors William Finley

Le film est une captation d'une représentation des Bacchantes d'Euripide par la troupe théâtrale Performance Group, mise en scène par Richard Schechner. L'écran est divisé en deux par le système de l'écran divisé, montrant d'un côté la scène, de l'autre le public qui assiste à la représentation.
Notes Towards an African Orestes, 1h5
Directed by Pier Paolo Pasolini
Origin Italie
Genres Documentary
Themes Films about films, Films based on mythology, Documentary films about business, Documentary films about the film industry, Documentaire sur une personnalité, Films based on Greco-Roman mythology, Documentary films about films, Autobiographical documentary films, Films based on Greco-Roman mythology
Actors Gato Barbieri, Pier Paolo Pasolini

En 1969, Pasolini voyage à travers la Tanzanie et l’Ouganda à la recherche des décors et des personnages de son prochain film : une adaptation de L'Orestie" d’Eschyle dans l’Afrique contemporaine. Il commente à voix haute, interroge les visages, les paysages, les situations et lit de larges et significatifs passages d’Eschyle. Il confronte ses idées, ses notes de voyage avec un groupe d’étudiants africains installés à l’université de Rome. Le film ne verra jamais le jour, mais ces notes filmées (et montées) par le cinéaste offrent une médiation sur l’indépendance, les promesses de la démocratie et le passage de l’âge archaïque à la civilisation moderne.