Un documentaire sur les drag queens de New York. Des homosexuels noirs et des latinos se déguisent en femme et inventent une nouvelle danse imitant les poses des modèles sur les couvertures des magazines.
"We all get dressed for Bill", says Vogue editor Anna Wintour. The Bill in question is New York Times photographer Bill Cunningham. For decades, this Schwinn-riding cultural anthropologist has been obsessively and inventively chronicling fashion trends and high-society charity soirées for the Times 's Style section in his columns "On the Street" and "Evening Hours".
Dans le monde de la mode du Londres des années 1950, le couturier Reynolds Woodcock, proche de sa sœur Cyril, est engagé pour dessiner les vêtements des gens de la haute société, tel que les stars de cinéma, les héritières ou les mondains, et de la famille royale. Un jour, il rencontre Alma, une jeune femme qui devient sa maîtresse et surtout sa muse.
Au sein d'un groupe de jeunes femmes, étudiantes à Alger, durant la décennie noire, Nedjma (personnage interprété par Lyna Khoudri), étudiante en français, rêve de devenir styliste de mode. Elle se faufile régulièrement avec son amie Wassila hors de sa résidence universitaire pour aller en boîte de nuit et en profite pour vendre ses créations à d'autres jeunes filles. Mais elle est confrontée à la violence de la guerre civile et aux pressions de plus en plus fortes pour qu'elle se conforme aux normes morales et vestimentaires dictées par les islamistes. Sa soeur Linda est assassinée. Elle refuse de se soumettre et décide d’organiser un défilé de mode au sein de sa résidence universitaire, et de dessiner les modèles sur le thème du haïk, la grande pièce rectangulaire qui fait le vêtement traditionnel aux femmes algériennes. Confrontée à de nombreux obstacles, dont la destruction de sa collection par des extrémistes islamistes, elle et ses amies décident d'organiser le défilé coûte que coûte. Il sera interrompu par des hommes armés de mitraillettes, et Nedjma n'échappera à la mort que de justesse.
A cold young child on a pier puts on thick high heeled red shoes with bows when it seems the coast is clear and starts dancing. An older man chides him when seen through a window. Simultaneously, a young boy more interested in football is being explained the value of shoes and the family livelihood as shoemakers.
Maggie Prescott (Kay Thompson) is a fashion magazine publisher and editor, for Quality magazine, who is looking for the next big fashion trend. She wants a new look for the magazine. Maggie wants the look to be both "beautiful" and "intellectual". She and famous fashion photographer Dick Avery (Fred Astaire) want models who can "think as well as they look." The two brainstorm and come up with the idea to find a "sinister-looking" book store in the Greenwich Village neighborhood of Manhattan. They subsequently find a bookstore named "Embryo Concepts."
In 1951, Myrtle "Tilly" Dunnage returns to her hometown of Dungatar, to take care of her ill mother, Molly. Tilly was sent out of town at the age of ten because of false accusations of murder. Tilly, an expert dressmaker trained by Madeleine Vionnet in Paris, transforms the locals with her couture creations and in the process, exacts revenge on the people who wrongly accused her of murder all those years ago.
John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band).
The film revolves around the making of the Vogue September 2007 issue. (The September Vogue is traditionally the biggest, most important issue of the year.) It depicts the effort that goes into making the magazine, and the passion that Grace Coddington, a former model turned creative director and the only person who dares to stand up to Anna Wintour, has for the highly regarded fashion magazine. In the film, Coddington is often portrayed as the leading victim to Wintour's aggressive personality. The relationship between Wintour and Coddington reveals itself to be symbiotic, as Wintour recognizes Coddington's expertise and keen eye for design. In the end, Wintour approves most of Coddington's ideas and they appear in the final version of the September issue.
Micheline (Micheline Presle), a young woman from the provinces, arrives in Paris to prepare for her marriage to a silk manufacturer from Lyon, Daniel Rousseau (Jean Chevrier). But she falls in love with the best friend of her husband-to-be, the fashion designer Philippe Clarence (Raymond Rouleau). He is an impenitent Don Juan who seduces her when he feels the need for some creative inspiration and then drops her just as quickly when he comes to devote himself to a new collection. Micheline no longer feels she can go ahead and get married. A few weeks later Clarence tries to reconquer her but it is too late. She refuses. Clarence goes mad and throws himself from a window.
Andrea "Andy" Sachs (Anne Hathaway) is an aspiring journalist fresh out of Northwestern University. Despite her ridicule for the shallowness of the fashion industry, she lands a job "a million girls would kill for," junior personal assistant to Miranda Priestly (Meryl Streep), the icy editor-in-chief of Runway fashion magazine. Andy plans to put up with Miranda's bizarre and humiliating treatment for one year in hopes of getting a job as a reporter or writer somewhere else.