Wang is The King of Masks, an aged street performer who practices the change-mask opera art of bian lian. He laments that he has no male heirs to carry on his mysterious and complicated art and trade. At an illegal child market, Wang buys what he believes to be an orphan boy to become his adopted grandson and apprentice.
Jalsaghar depicts the end days of a decadent zamindar (landlord) in Bengal, and his efforts to uphold his family prestige even when faced with economic adversity. The landlord, Biswambhar Roy (Chhabi Biswas), is a just but other-worldly man who loves to spend time listening to music and putting up spectacles rather than managing his properties ravaged by floods and the abolition of zamindari system by the Indian government. He is challenged by a commoner who has attained riches through business dealings, in putting up spectacles and organising music fests. This is the tale of a zamindar who has nothing left but respect and sacrifices his family and wealth trying to retain it.
In a small Hutsul village in the Carpathian mountains of Ukraine, a young man, Ivan, falls in love with the daughter of the man who killed his father. Though their families share a bitter enmity, Ivan and Marichka have known each other since childhood. In preparation for their marriage, Ivan leaves the village to work and earn money for a household. While he is gone, Marichka accidentally slips into a river and drowns while trying to rescue a lost lamb.
La vie de Georges Gurdjieff, de sa jeunesse jusqu'à ses voyages initiatiques à la recherche de la Sagesse. On suit sa quête spirituelle en Asie centrale, notamment à Boukhara, et dans le désert de Gobi, où il découvre différentes disciplines comme la musique et la danse lui permettant encore de progresser.
In a jumak (a tavern) on a small pass called Soritjae of Boseong County, South Jeolla Province, during the early 1960s, Dong-ho who is in his 30s, recalls his past as he is listening to a rendition of "pansori" sung by the jumak owner. Dong-ho and his sister were raised by the pansori singer Yu-bong, who treats them sternly and with a strict training regimen in his attempts to make serious artists of them as Yu-bong feels that a truly great pansori artist must suffer. Eventually Dong-ho runs away but his sister stays behind. Some critics have stated that this movie glorifies the father's patriarchal power as he seeks to limit his daughter's sexuality.
Khorshid lives with his mom in a house near a river somewhere in Tajikistan. The landlord comes around every morning to ask for the rent. Khorshid has to provide the money or else they'll have to leave. His blindness has given him an amazing skill in tuning musical instruments which gets him a job at an instrument making workshop. But the problem is That Khorshid is mesmerized by sonorous music all the time; whenever he hears a great musician play, he loses track of time and place. For this, he always gets lost and gets to work late. How is he going to make a balance between his love of music and his task as a breadwinner.
The film documents how Ry Cooder, long-time friend of Wenders, brought together the ensemble of legendary Cuban musicians to record an album (also called Buena Vista Social Club) and to perform two times with a full line-up: in April 1998 in Amsterdam (two nights) and the 1st of July 1998 in the United States (at the Carnegie Hall, New York City). Although they are geographically close, travel between Cuba and the United States is restricted due to the political tension between the two countries, so many of the artists were travelling there for the first time. The film shows their reactions to this experience, as well as including footage of the resultant sell-out concert. It also includes interviews with each of the main performers.
The viewer is not intended to like nor dislike either character. Zano is meant to be brooding and profound to the point of being sulky, and world-hating and Naima wildly passionate to the point of appearing wanton and unstable; and both far too self-absorbed to care about either one or the other.
Le film superpose deux histoires : dans la première, La Voix d'Isra, un jeune gitan refuse de chanter depuis le décès de son père, malgré son appartenance à une vieille lignée de chanteurs de flamenco. Il songe à voyager loin de sa terre natale... Dans le second film La Voix de Makiko, une Japonaise débarque à Cadix afin d'être enseigné dans l'art du chant de maître Camarón.
A musical documentary depicting the against-all-odds rise of Staff Benda Bilili, a dynamic band of street musicians from the Democratic Republic of Congo who overcame extreme poverty and physical disability to become beloved stars of the world music circuit. Charting the group’s progress across several years, Benda Bilili! tells a real-life Cinderella story spanning humble beginnings in Kinshasa and a triumphant European tour.
In 1856, Townsend Harris (John Wayne) is sent by President Pierce to serve as the first U.S. Consul-General to Japan, following the treaty written by Commodore Matthew Perry. Accompanied only by his translator-secretary, Huesken (Jaffe), comes ashore at the town of Shimoda, as specified in the treaty as the location for an American consulate.
Le chanteur Goopy et le percussionniste Bagha, tous deux chassés de leurs villages respectifs à cause de leurs horribles prestations, font connaissance dans la forêt. Là, ils rencontrent le roi des fantômes, qui content d'eux leur accorde trois vœux. Pour les rendre effectifs, ils doivent en même temps prononcer leur souhait et se frapper la main mutuellement. Munis du pouvoir d'obtenir de la nourriture par magie, de chaussures qui les emmènent instantanément là où ils veulent et surtout d'une merveilleuse habileté au chant et aux percussions, nos deux héros entament un périple fantastique qui les mène à la Cour d'un roi dont ils gagnent les faveurs en remportant un tournoi musical. Ils parviendront à empêcher le déclenchement d'une guerre imminente entre les États voisins de Shundi et Halla, pourtant dirigés par deux frères, mais dont l'un est sous l'influence néfaste d'un magicien qui a du reste également ensorcelé toute la population en la rendant muette. De fil en aiguille, grâce à leur habileté, les deux héros vont combattre les forces du mal et rétablir l'harmonie entre les frères et les royaumes, obtenant même de chacun la main d'une princesse.
The main story concerns an innocent young man, Nur-e-Din (Franco Merli), who comes to fall in love with a slave girl, Zumurrud (Ines Pellegrini), who selected him as her master. After a foolish error of his causes her to be abducted, he travels in search of her. Meanwhile, Zumurrud manages to escape and, disguised as a man, comes to a far-away kingdom where she becomes king. Various other travellers who recount their own tragic and romantic experiences include stories of a young man who becomes enraptured by a mysterious woman on his wedding day, and a man who is determined to free a woman from a demon (Franco Citti). Interwoven are Nur-e-Din's continuous search for Zumurrud and his (mostly erotic) adventures. In the end he arrives at the far-away kingdom and is finally reunited with Zumurrud. The tales contain abundant nudity, sex and slapstick humor.
L'action se passe en Ruthénie subcarpathique au XIX siècle : pendant que les soldats austro-hongrois passent joyeusement la soirée au quartier, les Roms Loïko Sobar et trois comparses, s'emparent de leurs chevaux pour les vendre à un maquignon qui leur verse un acompte et promet de verser le solde à Pâques.