Tonia (Krystyna Janda) is a cabaret singer in post-World War II Poland towards the end of the life of Soviet leader Joseph Stalin. After she performs for soldiers, she is arrested without being told why, and placed in a political military prison to be interrogated. Over a course of some years, she is humiliated and tortured by prison officials into confessing to crimes she did not commit. After failing to sign a document detailing a false confession, she is taken to the prison shower block and locked into a small cage between the floors. The water is turned on and the room is slowly flooded. She is released at the last moment and told to sign the confession form again, which she continues to refuse to do. While in prison, she demands that she sees her husband. One day he visits the prison, but is told by the officials of her alleged infidelities prior to her arrest, and he tells her that he doesn't want to see her again. She unsuccessfully attempts suicide. She develops a romantic relationship with an officer, one of the interrogating prison officials, whom she tells of the absurdity of the system he believes in. She becomes pregnant by him and, like other female inmates, is forced to give up her child for adoption, before eventually being released and reunited with her child. The officer secures her release and her ability to reclaim their child and then commits suicide.
The film starts with a figure running desperately towards a motorway bridge, with a factory belching smoke in the background, to a soundtrack of Mein Herz brennt by Rammstein. When the figure turns around the film introduces the audience to Lilja, who has recently been brutally beaten. The film reveals her past.
A scholarly dissertation on the appearances of demons and witches in primitive and medieval culture, a number of photographs of statuary, paintings, and woodcuts are used as demonstrative pieces. In addition, several large scale models are employed to demonstrate medieval concepts of the structure of the solar system and the commonly accepted depiction of Hell.
A married 19-year-old, Marie Allen (Eleanor Parker), is sent to prison after a botched armed robbery attempt with her equally young husband, Tom, who is killed. While receiving her initial prison physical, she finds out that she is two months pregnant.
American-born Agnes Keith (Colbert) and her British husband Harry Keith (Patric Knowles) live a cushioned colonial life in North Borneo with their young son George in 1942. Keith is the only American in Sandakan. Worried about the rumors surrounding Japanese invasion, Harry asks Agnes if she would leave for the United States along with George. Agnes replies that she would send George but not go herself. In the meantime, the Pearl Harbor attack takes place. Japanese soldiers led by Colonel Suga (Sessue Hayakawa) capture the place. Suga is fluent in English and has read a book on Borneo authored by Mrs. Keith. During the Japanese invasion of Sandakan, Agnes has a miscarriage. Europeans living there are moved to prison camps. Harry lives in the camp meant for men while George and Agnes live in another camp. After a few days, women and children are taken to another camp.
In 1927, Roxie Hart sees star Velma Kelly perform ("All That Jazz") at a Chicago theater. Wanting stardom for herself, she begins an affair with Fred Casely, who claims to know the manager. After the show, Velma is arrested for killing her husband Charlie and sister Veronica, who were in bed together. A month later, Casely admits to Roxie that he has no showbiz connections and just wanted her body. Enraged, she shoots him dead. She convinces her husband Amos to take the blame, telling him she killed a burglar in self-defense. As Amos confesses to the detective, Roxie fantasizes that she is singing a song devoted to her husband ("Funny Honey"). However, when the detective brings up evidence that Roxie and Casely were having an affair, Amos recants; Roxie furiously admits what really happened and is arrested. Ambitious District Attorney Harrison announces he will seek the death penalty.
Nami Matsushima (Meiko Kaji) is set up by her boyfriend, a crooked police detective named Sugimi (Isao Natsuyagi) to win favor with the Yakuza. She is raped by several drug dealers. She makes a failed attempt to stab Sugimi on the steps of the Tokyo Metropolitan Police Headquarters. She is sentenced to do hard time in a women's prison. Matsushima is given the number 701. The prison is run by sadistic and lecherous male guards. The prisoners are forced to walk up and down a stair-like contraption naked with male guards watching from below. While in prison she meets inmates like Yuki Kida (Yayoi Watanabe) who was committed for fraud and theft, Otsuka (Akemi Negishi), jailed for burglary and extortion, and Katagiri (Rie Yokoyama) who has been impounded for arson and illegally disposing of a body. On the outside, Sugimi and the Japanese mafia orchestrate a plan in which Matsushima will succumb to an "accidental" death in prison. They enlist the help of Katagiri, pulling on her ties to both Sugimi and the mafia, and quickly set their plan in motion.
Sister Marie Fenche is a woman on the verge of collapse. Unable to distinguish reality from fantasy, Marie's life is thrown into turmoil when she awakens one morning, alone in a room with a corpse in the bathtub. The truth is not even Marie knows for sure. Marie's only grounding in this confused world is Jamie, an innocent young nun who is both equally enamored and repulsed by her. Jamie can only help so much, however, and Marie's world comes crashing down when she encounters a mysterious stranger who triggers dark and dangerous memories. Unable to sleep and addled by pills Marie releases her final grip on reality as her dementia leads her deeper and deeper into a world of violence, sex and drugs.
A pair of college students from the small California town of Montgomery go to the local lovers lane, Hidden Point, to have sex, and are stabbed to death by a hooded figure with a hook for a hand. The next night, another young couple is attacked in the same area. The man's throat is slit, and the woman narrowly escapes, being chased through the woods and to the road, where she flags down a passing car. As the ten-year college reunion, student prom, and tourist season are all fast approaching, the mayor and governor call the FBI for assistance, to the annoyance of the case's initial investigator, Deputy Sarah Blake. Sarah believes these killings could be connected to the similar and still unsolved murders of her sister Laura and Laura's boyfriend, which occurred ten years ago at Hidden Point.
Three neo-Nazi supremacists (Dallas Chalmers and his white "posse" Chane Adams and Bud Cockerham) go to the residence of the Blakes (Bobby Blake and his brother Chris Blake and Flex-Deon Blake) and shout racial slurs, harassing and bullying them in an attempt to get them to leave the neighborhood. However, the muscular black neighbors have finally had enough and get their revenge on the white harassers. They capture them and put them in a cage. Then they proceed to beat them up, urinate on them and sexually degrade and torture them until they completely break down and submit to the power of their black masters. The film is violent with scenes of BDSM, rimming, pissing, fisting and verbal abuse. They also invite Eric Top Stud, a light-skinned Puerto Rican stud to take part in abusing the neo-Nazis. There are also scenes of taboo incest between Chris and Bobby Blake with Chris being the sole submissive black in the film.
Nami Matsushima is locked up and bound in underground solitary confinement. She makes a weapon out of a spoon by holding it in her mouth and grinding it against the concrete floor. The chief warden, Goda, is to be promoted to a higher post shortly. When an inspector visits the prison, Matsushima is brought out of confinement for one day. During the inspection, Matsushima makes a surprise attack on Goda and scratches his face. The other prisoners start to riot, but the guards defuse the situation. The prisoners are punished by being sent to an intensive labour camp. Goda believes that Matsushima may inspire the other prisoners to revolt. He assigns four guards to publicly rape her. Returning from the intensive labour camp, Matsushima is in a van with six other convicts, one of whom is Oba (Kayoko Shiraishi). The other convicts beat Matsushima, who falls lifeless and bleeding. The guards are alerted that Matsushima is feared dead. When they stop the van to inspect her, Matsushima strangles and kills one of the guards, and Oba and the other convicts get the other guard and blow up the van. When Goda sees the van's ruins, he sends search parties to look for Matsushima.
The storyline in Yield to the Night bears a superficial resemblance to the Ruth Ellis case, which had occurred the previous year. However, the film is based on the novel of the same title published in 1954 by Joan Henry. Coincidentally, Ruth Ellis appeared as an uncredited beauty queen in the 1951 film Lady Godiva Rides Again, also starring Diana Dors.
Sasori is outside the prison and on the run from the police, wanted for breaking out of prison and murder. On her trail is detective Kondo (Mikio Narita). She takes refuge with a woman who has a brother with a learning disability. The woman and her brother are also involved in an incestuous relationship. Both the police and an ex-prison mate of Sasori's pursue her.