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Barbara Stanwyck is a Actor and Scriptwriter American born on 16 july 1907 at New York City (USA)
Barbara Stanwyck (née Ruby Catherine Stevens; July 16, 1907 – January 20, 1990) was an American actress. She was a film and television star, known during her 60-year career as a consummate and versatile professional with a strong, realistic screen presence, and a favorite of directors including Cecil B. DeMille, Fritz Lang and Frank Capra. After a short but notable career as a stage actress in the late 1920s, she made 85 films in 38 years in Hollywood, before turning to television.
Orphaned at the age of four and partially raised in foster homes, by 1944 Stanwyck had become the highest-paid woman in the United States. She was nominated for the Academy Award for Best Actress four times, for Stella Dallas (1937), Ball of Fire (1941), Double Indemnity (1944) and Sorry, Wrong Number (1948). For her television work, she won three Emmy Awards, for The Barbara Stanwyck Show (1961), The Big Valley (1966) and The Thorn Birds (1983). The Thorn Birds also won her a Golden Globe. She received an Honorary Oscar at the 1982 Academy Award ceremony and the Golden Globe Cecil B. DeMille Award in 1986. She was also the recipient of honorary lifetime awards from the American Film Institute (1987), the Film Society of Lincoln Center (1986), the Los Angeles Film Critics Association (1981) and the Screen Actors Guild (1967). Stanwyck received a star on the Hollywood Walk of Fame in 1960 and was ranked as the 11th greatest female star of classic American cinema by the American Film Institute.
While playing in The Noose, Stanwyck reportedly fell in love with her married co-star, Rex Cherryman. Cherryman had become ill early in 1928 and his doctor advised him to take a sea voyage to Paris where he and Stanwyck had arranged to meet. While still at sea, he died of septic poisoning, at the age of 31.
On August 26, 1928, Stanwyck married her Burlesque co-star, Frank Fay. She and Fay later claimed they disliked each other at first, but became close after Cherryman's death. A botched abortion at age fifteen had resulted in complications which left Stanwyck unable to have children, according to her biographer. After moving to Hollywood, the couple adopted a ten month old son on December 5, 1932. They named him Dion, later amending the name to Anthony Dion, nicknamed "Tony". The marriage was a troubled one. Fay's successful career on Broadway did not translate to the big screen, whereas Stanwyck achieved Hollywood stardom. Fay was reportedly physically abusive to his young wife, especially when he was inebriated. Some claim that this union was the basis for A Star Is Born. The couple divorced on December 30, 1935. Stanwyck won custody of their adoptive son whom she had raised with a strict authoritarian hand and demanding expectations. Stanwyck and her son were estranged after his childhood, meeting only a few times after he became an adult. The child whom she had adopted in infancy, "resembled her in just one respect: both were, effectively orphans".
In 1936, while making the film His Brother's Wife (1936), Stanwyck became involved with her co-star, Robert Taylor. Rather than a torrid romance, their relationship was more one of mentor and pupil. Stanwyck served as support and adviser to the younger Taylor, a transplant from a small Nebraska town, guiding his career and acclimating him to the sophisticated Hollywood culture. The couple began living together, sparking newspaper reports about the two. Stanwyck was hesitant to remarry after the failure of her first marriage. However, their 1939 marriage was arranged with the help of Taylor's studio Metro-Goldwyn-Mayer, a common practice in Hollywood's golden age. Louis B. Mayer had insisted on the two stars marrying and went as far as presiding over arrangements at the wedding. She and Taylor enjoyed time together outdoors during the early years of their marriage, and owned acres of prime West Los Angeles property. Their large ranch and home in the Mandeville Canyon section of Brentwood, Los Angeles, is still referred to by the locals as the old "Robert Taylor ranch."
In 1950, Stanwyck and Taylor mutually decided to divorce, and after his insistence, she proceeded with the official filing of the papers. There have been many rumors regarding the cause of their divorce, but after World War II, Taylor had attempted to create a life away from Hollywood, a goal that Stanwyck did not share. Taylor had romantic affairs, and there were unsubstantiated rumors about Stanwyck having had affairs as well. After the divorce, they acted together in Stanwyck's last feature film, The Night Walker (1964). She never remarried and cited Taylor as the love of her life, according to her friend and Big Valley co-star, Linda Evans. She took his death in 1969 very hard and took a long break from film and television work.
Stanwyck was one of the most well-liked actors in Hollywood and was friends with many of her fellow actors (as well as crew members of her films and TV shows), including Joel McCrea and his wife Frances Dee, George Brent, Robert Preston, Henry Fonda (who had a lifelong crush on her and a rumored affair), James Stewart, Linda Evans, Joan Crawford, Jack Benny and his wife Mary Livingstone, William Holden, Gary Cooper, Fred McMurray, and many others.
Stanwyck had a romantic affair with actor Robert Wagner, whom she met on the set of Titanic (1953). Wagner, who was 22, and Stanwyck, who was 45 at the beginning of the relationship, had a four-year romance, which is described in Wagner's memoir, Pieces of My Heart (2008). Stanwyck ended the relationship. In the 1950s, Stanwyck also, reportedly, had a one-night stand with the much younger Farley Granger, which he wrote about in his autobiography Include Me Out: My Life from Goldwyn to Broadway (2007).
Political views
Stanwyck opposed the presidency of Franklin Delano Roosevelt. She felt that if someone from her disadvantaged background had risen to success, others should be able to do the same without government intervention or assistance. For Stanwyck, indisputably, "hard work with the prospect of rich reward was the American way." Stanwyck became an early member of the Motion Picture Alliance for the Preservation of American Ideals (MPA) with its founding in 1944. The mission of this special interest group, a coalition to monitor the content of Hollywood films, was to "... combat ... subversive methods [used in the industry] to undermine and change the American way of life." She went on to publicly support the investigations of HUAC, House Committee on Un-American Activities, both she and her husband Robert Taylor appearing to testify as what was termed friendly witnesses. Stanwyck shared conservative Republican affiliation with such contemporaries as Walt Disney, Hedda Hopper, Randolph Scott, Robert Young, Ward Bond, William Holden, Ginger Rogers, Jimmy Stewart, George Murphy, Gary Cooper, Bing Crosby, John Wayne, Walter Brennan, Shirley Temple, Bob Hope, Adolphe Menjou, Helen Hayes, director Frank Capra, and her Double Indemnity co-star, Fred McMurray.
She was a fan of libertarian activist and author Ayn Rand, having persuaded Jack L. Warner at Warner Bros. to buy the rights to The Fountainhead before it was a best seller and writing to the author of her admiration of Atlas Shrugged.
Religion
Stanwyck was a devout Protestant and was baptized in June 1916 by the Reverend J. Frederic Berg of the Protestant Dutch Reformed Church.
She converted to Roman Catholicism when she married her first husband, Frank Fay.
Brother
Her older brother, Malcolm Byron Stevens (1905-1964), also became a prolific actor, though a much less successful one. According to IMDb, as Bert L. Stevens, he played hundreds of uncredited parts in film and television, but was only credited in two television episodes. He appeared in two films that starred his famous sibling: The File on Thelma Jordon and No Man of Her Own, both released in 1950.
He and actress Caryl Lincoln married in 1934 and remained together until his death from a heart attack. They had one son, Brian.
Source : Wikidata
Barbara Stanwyck
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- Best films
- Family
- Characters
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Birth name Ruby Catherine Stevens
Nationality USA
Birth 16 july 1907 at New York City (USA)
Death 20 january 1990 (at 82 years) at Santa Monica (USA)
Nationality USA
Birth 16 july 1907 at New York City (USA)
Death 20 january 1990 (at 82 years) at Santa Monica (USA)
Barbara Stanwyck (née Ruby Catherine Stevens; July 16, 1907 – January 20, 1990) was an American actress. She was a film and television star, known during her 60-year career as a consummate and versatile professional with a strong, realistic screen presence, and a favorite of directors including Cecil B. DeMille, Fritz Lang and Frank Capra. After a short but notable career as a stage actress in the late 1920s, she made 85 films in 38 years in Hollywood, before turning to television.
Orphaned at the age of four and partially raised in foster homes, by 1944 Stanwyck had become the highest-paid woman in the United States. She was nominated for the Academy Award for Best Actress four times, for Stella Dallas (1937), Ball of Fire (1941), Double Indemnity (1944) and Sorry, Wrong Number (1948). For her television work, she won three Emmy Awards, for The Barbara Stanwyck Show (1961), The Big Valley (1966) and The Thorn Birds (1983). The Thorn Birds also won her a Golden Globe. She received an Honorary Oscar at the 1982 Academy Award ceremony and the Golden Globe Cecil B. DeMille Award in 1986. She was also the recipient of honorary lifetime awards from the American Film Institute (1987), the Film Society of Lincoln Center (1986), the Los Angeles Film Critics Association (1981) and the Screen Actors Guild (1967). Stanwyck received a star on the Hollywood Walk of Fame in 1960 and was ranked as the 11th greatest female star of classic American cinema by the American Film Institute.
Biography
Marriages and relationshipsWhile playing in The Noose, Stanwyck reportedly fell in love with her married co-star, Rex Cherryman. Cherryman had become ill early in 1928 and his doctor advised him to take a sea voyage to Paris where he and Stanwyck had arranged to meet. While still at sea, he died of septic poisoning, at the age of 31.
On August 26, 1928, Stanwyck married her Burlesque co-star, Frank Fay. She and Fay later claimed they disliked each other at first, but became close after Cherryman's death. A botched abortion at age fifteen had resulted in complications which left Stanwyck unable to have children, according to her biographer. After moving to Hollywood, the couple adopted a ten month old son on December 5, 1932. They named him Dion, later amending the name to Anthony Dion, nicknamed "Tony". The marriage was a troubled one. Fay's successful career on Broadway did not translate to the big screen, whereas Stanwyck achieved Hollywood stardom. Fay was reportedly physically abusive to his young wife, especially when he was inebriated. Some claim that this union was the basis for A Star Is Born. The couple divorced on December 30, 1935. Stanwyck won custody of their adoptive son whom she had raised with a strict authoritarian hand and demanding expectations. Stanwyck and her son were estranged after his childhood, meeting only a few times after he became an adult. The child whom she had adopted in infancy, "resembled her in just one respect: both were, effectively orphans".
In 1936, while making the film His Brother's Wife (1936), Stanwyck became involved with her co-star, Robert Taylor. Rather than a torrid romance, their relationship was more one of mentor and pupil. Stanwyck served as support and adviser to the younger Taylor, a transplant from a small Nebraska town, guiding his career and acclimating him to the sophisticated Hollywood culture. The couple began living together, sparking newspaper reports about the two. Stanwyck was hesitant to remarry after the failure of her first marriage. However, their 1939 marriage was arranged with the help of Taylor's studio Metro-Goldwyn-Mayer, a common practice in Hollywood's golden age. Louis B. Mayer had insisted on the two stars marrying and went as far as presiding over arrangements at the wedding. She and Taylor enjoyed time together outdoors during the early years of their marriage, and owned acres of prime West Los Angeles property. Their large ranch and home in the Mandeville Canyon section of Brentwood, Los Angeles, is still referred to by the locals as the old "Robert Taylor ranch."
In 1950, Stanwyck and Taylor mutually decided to divorce, and after his insistence, she proceeded with the official filing of the papers. There have been many rumors regarding the cause of their divorce, but after World War II, Taylor had attempted to create a life away from Hollywood, a goal that Stanwyck did not share. Taylor had romantic affairs, and there were unsubstantiated rumors about Stanwyck having had affairs as well. After the divorce, they acted together in Stanwyck's last feature film, The Night Walker (1964). She never remarried and cited Taylor as the love of her life, according to her friend and Big Valley co-star, Linda Evans. She took his death in 1969 very hard and took a long break from film and television work.
Stanwyck was one of the most well-liked actors in Hollywood and was friends with many of her fellow actors (as well as crew members of her films and TV shows), including Joel McCrea and his wife Frances Dee, George Brent, Robert Preston, Henry Fonda (who had a lifelong crush on her and a rumored affair), James Stewart, Linda Evans, Joan Crawford, Jack Benny and his wife Mary Livingstone, William Holden, Gary Cooper, Fred McMurray, and many others.
Stanwyck had a romantic affair with actor Robert Wagner, whom she met on the set of Titanic (1953). Wagner, who was 22, and Stanwyck, who was 45 at the beginning of the relationship, had a four-year romance, which is described in Wagner's memoir, Pieces of My Heart (2008). Stanwyck ended the relationship. In the 1950s, Stanwyck also, reportedly, had a one-night stand with the much younger Farley Granger, which he wrote about in his autobiography Include Me Out: My Life from Goldwyn to Broadway (2007).
Political views
Stanwyck opposed the presidency of Franklin Delano Roosevelt. She felt that if someone from her disadvantaged background had risen to success, others should be able to do the same without government intervention or assistance. For Stanwyck, indisputably, "hard work with the prospect of rich reward was the American way." Stanwyck became an early member of the Motion Picture Alliance for the Preservation of American Ideals (MPA) with its founding in 1944. The mission of this special interest group, a coalition to monitor the content of Hollywood films, was to "... combat ... subversive methods [used in the industry] to undermine and change the American way of life." She went on to publicly support the investigations of HUAC, House Committee on Un-American Activities, both she and her husband Robert Taylor appearing to testify as what was termed friendly witnesses. Stanwyck shared conservative Republican affiliation with such contemporaries as Walt Disney, Hedda Hopper, Randolph Scott, Robert Young, Ward Bond, William Holden, Ginger Rogers, Jimmy Stewart, George Murphy, Gary Cooper, Bing Crosby, John Wayne, Walter Brennan, Shirley Temple, Bob Hope, Adolphe Menjou, Helen Hayes, director Frank Capra, and her Double Indemnity co-star, Fred McMurray.
She was a fan of libertarian activist and author Ayn Rand, having persuaded Jack L. Warner at Warner Bros. to buy the rights to The Fountainhead before it was a best seller and writing to the author of her admiration of Atlas Shrugged.
Religion
Stanwyck was a devout Protestant and was baptized in June 1916 by the Reverend J. Frederic Berg of the Protestant Dutch Reformed Church.
She converted to Roman Catholicism when she married her first husband, Frank Fay.
Brother
Her older brother, Malcolm Byron Stevens (1905-1964), also became a prolific actor, though a much less successful one. According to IMDb, as Bert L. Stevens, he played hundreds of uncredited parts in film and television, but was only credited in two television episodes. He appeared in two films that starred his famous sibling: The File on Thelma Jordon and No Man of Her Own, both released in 1950.
He and actress Caryl Lincoln married in 1934 and remained together until his death from a heart attack. They had one son, Brian.
Best films
Usually with
Filmography of Barbara Stanwyck (93 films)
| Year | Name | Job | Roles |
|---|---|---|---|
| 1982 | Dead Men Don't Wear Plaid | Actress | (in "Sorry - Wrong Number") (archive footage) |
| 1981 | This Is Elvis | Actress | Maggie Morgan (archive footage) (uncredited) |
| 1975 | Brother, Can You Spare a Dime? | Actress | Self (archive footage) |
| 1971 | A Taste of Evil | Actress | Miriam Jennings |
| 1970 | The House That Would Not Die | Actress | Ruth Bennett |
| 1964 | Roustabout | Actress | Maggie Morgan |
| 1964 | The Night Walker | Actress | Irene Trent |
| 1962 | Walk on the Wild Side | Actress | Jo Courtney |
| 1957 | Trooper Hook | Actress | Cora Sutliff |
| 1957 | Forty Guns | Actress | Jessica Drummond |
| 1956 | There's Always Tomorrow | Actress | Norma Miller Vale |
| 1956 | These Wilder Years | Actress | Ann Dempster |
| 1956 | Crime of Passion | Actress | Kathy Ferguson |
| 1956 | The Maverick Queen | Actress | Kit Banion |
| 1955 | Escape to Burma | Actress | Gwen Moore |
| 1955 | The Violent Men | Actress | Martha Wilkison |
| 1954 | Cattle Queen of Montana | Actress | Sierra Nevada Jones |
| 1954 | Executive Suite | Actress | Julia O. Tredway |
| 1954 | Witness to Murder | Actress | Cheryl Draper |
| 1953 | All I Desire | Actress | Naomi Murdoch |
| 1953 | Blowing Wild | Actress | Marina Conway |
| 1953 | Titanic | Actress | Julia Sturges |
| 1953 | The Moonlighter | Actress | Rela |
| 1953 | Jeopardy | Actress | Helen Stilwin |
| 1952 | Clash by Night | Actress | Mae Doyle D'Amato |
| 1951 | The Man with a Cloak | Actress | Lorna Bounty |
| 1950 | No Man of Her Own | Actress | Helen Ferguson |
| 1950 | The Furies | Actress | Vance Jeffords |
| 1950 | To Please a Lady | Actress | Regina Forbes |
| 1949 | East Side, West Side | Actress | Jessie Bourne |
| 1949 | The File on Thelma Jordon | Actress | Thelma Jordon |
| 1949 | The Lady Gambles | Actress | Joan Phillips Boothe |
| 1948 | Sorry, Wrong Number | Actress | Leona Cotterell Stevenson |
| 1948 | B.F.'s Daughter | Actress | Pauline 'Polly' Fulton Brett |
| 1947 | The Other Love | Actress | Karen Duncan |
| 1947 | California | Actress | Lily Bishop |
| 1947 | The Two Mrs. Carrolls | Actress | Sally Morton Carroll |
| 1947 | Cry Wolf | Actress | Sandra Marshall |
| 1947 | Variety Girl | Actress | Barbara Stanwyck |
| 1946 | The Bride Wore Boots | Actress | Sally Apley Warren |
| 1946 | My Reputation | Actress | Jessica Drummond |
| 1946 | The Strange Love of Martha Ivers | Actress | Martha Ivers |
| 1945 | Christmas in Connecticut | Actress | Elizabeth Lane |
| 1945 | Hollywood Victory Caravan | Actress | Barbara Stanwyck |
| 1944 | Double Indemnity | Actress | Phyllis Dietrichson |
| 1944 | Hollywood Canteen | Actress | Self |
| 1943 | Lady of Burlesque | Actress | Dixie Daisy |
| 1943 | Flesh and Fantasy | Actress | Joan Stanley (segment 3) |
| 1942 | Ball of Fire | Actress | Sugarpuss O’Shea |
| 1942 | The Gay Sisters | Actress | Fiona Gaylord |
| 1942 | The Great Man's Lady | Actress | Hannah Sempler Hoyt |
| 1941 | Meet John Doe | Actress | Ann Mitchell |
| 1941 | You Belong to Me | Actress, Scriptwriter | Helen Hunt |
| 1941 | The Lady Eve | Actress | Jean Harrington |
| 1940 | Remember the Night | Actress | Lee Leander |
| 1939 | Golden Boy | Actress | Lorna Moon |
| 1939 | Union Pacific | Actress | Mollie Monahan |
| 1938 | Always Goodbye | Actress | Margot Weston |
| 1938 | The Mad Miss Manton | Actress | Melsa Manton |
| 1937 | Breakfast for Two | Actress | Valentine Ransome |
| 1937 | Internes Can't Take Money | Actress | Janet Haley |
| 1937 | Stella Dallas | Actress | Stella Dallas |
| 1937 | This Is My Affair | Actress | Lil Duryea |
| 1936 | The Bride Walks Out | Actress | Carolyn Martin |
| 1936 | His Brother's Wife | Actress | Rita Wilson Claybourne |
| 1936 | The Plough and the Stars | Actress | Nora Clitheroe |
| 1936 | Banjo on My Knee | Actress | Pearl Elliott Holley |
| 1936 | A Message to Garcia | Actress | Raphaelita Maderos |
| 1935 | Annie Oakley | Actress | Annie Oakley |
| 1935 | Red Salute | Actress | Drue Van Allen |
| 1935 | The Woman in Red | Actress | Shelby Barret Wyatt |
| 1934 | A Lost Lady | Actress | Marian Ormsby Forrester |
| 1934 | Gambling Lady | Actress | Jennifer Lady Lee |
| 1934 | The Secret Bride | Actress | Ruth Vincent |
| 1934 | The Secret Bride | Actress | Ruth Vincent |
| 1933 | Baby Face | Actress | Lily Powers |
| 1933 | The Bitter Tea of General Yen | Actress | Megan Davis |
| 1933 | Ladies They Talk About | Actress | Nan Taylor / Nan Ellis / Mrs. Andrews |
| 1933 | Ever in My Heart | Actress | Mary Archer Wilbrandt |
| 1932 | Forbidden | Actress | Lulu |
| 1932 | So Big! | Actress | Selina Peake De Jong |
| 1932 | The Purchase Price | Actress | Joan Gordon Gilson |
| 1932 | Shopworn | Actress | Kitty Lane |
| 1931 | Night Nurse | Actress | Lora Hart |
| 1931 | The Stolen Jools | Actress | Mrs. Frank Fay |
| 1931 | Illicit | Actress | Anne Vincent |
| 1931 | The Miracle Woman | Actress | Florence Fallon |
| 1931 | Ten Cents a Dance | Actress | Barbara O'Neill |
| 1930 | Ladies of Leisure | Actress | Kay Arnold |
| 1929 | Mexicali Rose | Actress | Mexicali Rose |
| 1929 | The Locked Door | Actress | Ann Carter |
| 1927 | Broadway Nights | Actress | Showgirl (uncredited) |
| 1927 | Broadway Nights | Actress | Showgirl (uncredited) |