Search a film or person :
FacebookConnectionRegistration
Caterina Sylos Labini is a Actor Italienne born on 5 october 1954 at Matera (Italie)

Caterina Sylos Labini

Caterina Sylos Labini
  • Infos
  • Photos
  • Best films
  • Family
  • Characters
  • Awards
If you like this person, let us know!
Nationality Italie
Birth 5 october 1954 (69 years) at Matera (Italie)

Caterina Sylos Labini (née le 5 octobre 1954 à Matera, en Basilicate) est une actrice italienne.

Biography

Caterina Sylos Labini est diplômée de l'Académie "Silvio D'Amico" à Rome et est connue pour avoir interprété le personnage de Caterina Cecchini dans la série Un sacré détective.

Usually with

Source : Wikidata

Filmography of Caterina Sylos Labini (6 films)

Display filmography as list

Actress

The Friends at the Margherita Café, 1h31
Directed by Pupi Avati
Origin Italie
Genres Drama, Comedy
Actors Diego Abatantuono, Laura Chiatti, Luigi Lo Cascio, Fabio De Luigi, Luisa Ranieri, Neri Marcorè
Roles Beatrice
Rating58% 2.93752.93752.93752.93752.9375
Bologna, 1954. In the Margherita Cafè the young Taddeo meets a group of strange characters, led by the old Al. Al is a man who likes pretty girls, and soon Taddeo gets hired as his driver to take him to brave nights. While consume the stories of the other characters, who regularly go at the bar Margherita every day, Taddeo meets a beautiful librarian of his own age, and plans to marry her. However, the ambitions of the young Taddeo are too hasty, and so the fate repays him with a bad joke.
Natale a Rio, 1h54
Directed by Neri Parenti
Origin Italie
Genres Comedy
Themes Christmas films
Actors Christian De Sica, Ludovico Fremont, Fabio De Luigi, Vittorio Emanuele Propizio, Massimo Ghini, Paolo Ruffini
Roles Bruna
Rating45% 2.2677952.2677952.2677952.2677952.267795
Fabio Speranza (Fabio de Luigi) has always been in love with his colleague Linda Vita (Michelle Hunziker) but she has never seen in four years despite attempts to Fabio. The latter contact but due to a mistake she believes is her boyfriend (Paolo Conticini), thus creating a series of misunderstandings.
A Whole Life Ahead, 1h29
Directed by Paolo Virzì
Origin Italie
Genres Drama, Comedy, Romance
Themes Films about the labor movement
Actors Isabella Ragonese, Micaela Ramazzotti, Sabrina Ferilli, Valerio Mastandrea, Massimo Ghini, Elio Germano
Roles Customer (voice)
Rating68% 3.435753.435753.435753.435753.43575
The events of a freshly graduated young woman in the universe of precarious work.
Stefano Quantestorie
Directed by Maurizio Nichetti
Genres Comedy
Themes Alternate history films
Actors Maurizio Nichetti, Elena Sofia Ricci, Amanda Sandrelli, Milena Vukotic, Caterina Sylos Labini, Renato Scarpa
Roles Costanza
Rating69% 3.4534753.4534753.4534753.4534753.453475
Stefano, at forty years old, is looking back at his life and at the lost opportunities to living it in a different way: if at seventeen he had moved in America, if he had become an aviator, if he had graduated and had become a professor, if he had become a police officer... destiny will give him a chance to meet all his doppelgangers.
The Icicle Thief, 1h30
Directed by Maurizio Nichetti
Genres Comedy
Actors Maurizio Nichetti, Caterina Sylos Labini, Renato Scarpa, Ernesto Calindri
Roles Maria Piermattei
Rating69% 3.4968653.4968653.4968653.4968653.496865
The movie begins with an egotistical film director, played by director Maurizo Nichetti himself, discussing his latest film on an intellectual Italian TV channel which is about to broadcast it at short notice in place of a more highly regarded competitor’s. His "masterpiece" follows the bleak travails of a poverty-stricken unemployed man (again played by Nichetti) who finds work in a chandelier factory, but cannot resist stealing one of the gleaming lights for his wife. The pompous director is initially pleased with the seriousness with which his work is analysed, but he then becomes distraught when his black-and-white opus is repeatedly interrupted by full-colour commercials. The TV audience, watching in their homes, are completely oblivious of the interruptions and the "outrages" perpetrated on the director’s artistic intentions.