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Damian Pettigrew is a Director and Scriptwriter Canadien

Damian Pettigrew

Damian Pettigrew
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Birth name Damian (Damien) Pettigrew
Nationality Canada
Birth at Quebec (Canada)

Damian (also Damien) Pettigrew (born in Quebec) is a Canadian filmmaker, screenwriter, producer, author, and multimedia artist, best known for his cinematic portraits of Balthus, Federico Fellini and Jean Giraud.

Released theatrically in fifteen countries, his film Fellini: I'm a Born Liar won the Rockie Award for Best Documentary at the Banff World Television Festival and was nominated for the Prix Arte at the European Film Awards, Europe's equivalent of the Oscars.

Biography

Pettigrew's mother was a child psychologist who trained with Anna Freud at the Hampstead Child Therapy Course in 1947. His father, Dr. J.F. Pettigrew, was the first Canadian surgeon to diagnose the heart condition known as aortic coarctation in 1953.

After reading English, French and Italian Literature at the universities of Bishop's, Oxford, and Glasgow (where he discovered the work of Scottish film director Bill Douglas), Pettigrew studied cinema at IDHEC in Paris. At the Cinémathèque Française, he met Brion Gysin and Steve Lacy and began frequenting their artists' circle. If his work is influenced by Gysin's celebrated cut-up technique, the profound and lasting effect on his life was his friendship with Samuel Beckett.

In 1983, Pettigrew launched a remake of Film (film) (1965) starring Klaus Kinski, with Beckett as consultant and Raoul Coutard as cameraman. Kinski’s scheduling, however, proved intractable. Beckett next proposed Jack Lemmon for the role but the project was abandoned when Lemmon explained he was incapable of competing with Buster Keaton (who first played the roles of O and E in 1965). With Beckett and Pettigrew in 1984, the actor David Warrilow initiated Take 2, a tentative sequel to Film, but the project remained unfinished at the playwright's death in 1989. In 1990, Pettigrew settled in Paris to devote himself to filmmaking.

In 1999, he co-founded Portrait et Compagnie with French producer Olivier Gal. He spends a short part of each year on Lake Memphremagog in the Eastern Townships of Quebec.

Usually with

Source : Wikidata

Filmography of Damian Pettigrew (3 films)

Display filmography as list

Director

Métamoebius, 1h10
Directed by Damian Pettigrew
Origin France
Genres Documentary
Themes La bande dessinée, Documentary films about the visual arts, Documentaire sur une personnalité, Documentaire sur la bande dessinée
Actors Jean Giraud, Jean Pierre Dionnet

Plusieurs facettes inconnues du célèbre auteur de Blueberry sont exposées, notamment l'étonnant connaisseur des textes d'Italo Calvino et de la poésie d’Arseni Tarkovski, parmi d'autres. Sortant du cadre de l'interview classique par le biais de sa passion d'acteur manqué, Giraud-Mœbius se met à nu devant la caméra imaginaire du cinéaste Govam Taboun, personnage inventé par Mœbius pour son Désert B. À partir de dessins animés, d'archives et d'œuvres rares, les screen tests coécrits et joués par l'artiste révèlent d'une façon inédite la psyché de l'un des plus influents dessinateurs du XX siècle.
Fellini: I'm a Born Liar, 1h42
Directed by Damian Pettigrew
Origin France
Genres Documentary
Themes Films about films, Documentary films about business, Documentary films about the film industry, Documentaire sur une personnalité
Actors Federico Fellini, Roberto Benigni, Terence Stamp, Donald Sutherland, Dante Ferretti, Tullio Pinelli
Rating69% 3.485993.485993.485993.485993.48599
A camera tracks crosswise alongside a wide, brightly appointed beach, in what appears to be the dead of winter. No bathers are in sight, only a rolling parade of empty cabanas, with a tranquil blue seascape in the distance beyond. The wistful, melancholy music of Nino Rota lends these vistas a dreamy familiarity. We then jump from color to luminous black & white, and a quick glimpse of Federico Fellini's 1963 masterpiece, 8½, in which the monumentally buxom harlot, La Saraghina, is preparing to perform her rumba on the beach for a flock of fugitive schoolboys. It's the very same beach we were just staring at, but magically denuded of 40 years of succeeding development, and made mythic through the eyes of a master. From this point of departure, Pettigrew juxtaposes archival footage and fresh interviews with Fellini's collaborators, interspersed with classic clips and the fruits of his own present-day visits to the haunting locales where I Vitelloni (1953), Nights of Cabiria (1957), La Dolce Vita (1960), Fellini Satyricon (1969) and other cinematic wonders first came to life. The goal is to fuse these ingredients thematically, to a degree that may better illuminate Fellini's conscience and philosophies.
Balthus through the Looking-Glass, 1h12
Directed by Damian Pettigrew
Origin France
Genres Documentary
Themes Documentary films about the visual arts, Documentaire sur une personnalité
Actors Philippe Noiret
Rating86% 4.3143254.3143254.3143254.3143254.314325
The feature length documentary highlights the painter's complex creative process with rare footage of the artist at work in his studio in the Swiss mountain village of Rossinière. Conversations with Balthus and his wife Setsuko, his daughter Harumi, his sons Stanislaus and Thadée, interviews with art critics Jean Leymarie, Jean Clair, Pierre Rosenberg, and James Lord, and with French painter François Rouan (who often assisted Balthus during his tenure at the Villa Medici), contribute to form a psychological portrait of a secretive and controversial artist.

Scriptwriter

Fellini: I'm a Born Liar, 1h42
Directed by Damian Pettigrew
Origin France
Genres Documentary
Themes Films about films, Documentary films about business, Documentary films about the film industry, Documentaire sur une personnalité
Actors Federico Fellini, Roberto Benigni, Terence Stamp, Donald Sutherland, Dante Ferretti, Tullio Pinelli
Rating69% 3.485993.485993.485993.485993.48599
A camera tracks crosswise alongside a wide, brightly appointed beach, in what appears to be the dead of winter. No bathers are in sight, only a rolling parade of empty cabanas, with a tranquil blue seascape in the distance beyond. The wistful, melancholy music of Nino Rota lends these vistas a dreamy familiarity. We then jump from color to luminous black & white, and a quick glimpse of Federico Fellini's 1963 masterpiece, 8½, in which the monumentally buxom harlot, La Saraghina, is preparing to perform her rumba on the beach for a flock of fugitive schoolboys. It's the very same beach we were just staring at, but magically denuded of 40 years of succeeding development, and made mythic through the eyes of a master. From this point of departure, Pettigrew juxtaposes archival footage and fresh interviews with Fellini's collaborators, interspersed with classic clips and the fruits of his own present-day visits to the haunting locales where I Vitelloni (1953), Nights of Cabiria (1957), La Dolce Vita (1960), Fellini Satyricon (1969) and other cinematic wonders first came to life. The goal is to fuse these ingredients thematically, to a degree that may better illuminate Fellini's conscience and philosophies.