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Dorothy Jeakins is a Actor and Costume Design American born on 11 january 1914 at San Diego (USA)
Dorothy Jeakins (January 11, 1914 – November 21, 1995) was a costume designer.
Born in San Diego, California, she went to public school in Los Angeles from first grade through high school. When she was a senior at Fairfax High School, she was offered a scholarship to study at the Otis Art Institute (now known as Otis College of Art and Design)[1].
Jeakins got her start working on WPA projects and as a Disney artist in the 1930s. Her fashion career began as a designer at I. Magnin's, where she was spotted by director Victor Fleming. Hired as a sketch artist for Joan of Arc (1948), Jeakins worked on the costumes along with Barbara Karinska and shared an Oscar with her. This was the first Oscar ever awarded for costumes.
Jeakins was unusual in that she freelanced, never signing a long-term contract with any one studio. She worked steadily for the next thirty-nine years, winning another two Oscars, for Samson and Delilah (1949, shared with Edith Head and others), and The Night of the Iguana (1964), and another 12 nominations. She was perhaps best known for her period costumes, in such films as The Ten Commandments (1956), The Music Man (1962), The Sound of Music (1965), Little Big Man (1970), The Way We Were (1973), Young Frankenstein (1974) and The Dead (1987). Her modern-dress excursions included Niagara (1953), Three Coins in the Fountain (1954), South Pacific (1958) and On Golden Pond (1981).
Jeakins also worked on stage productions, including South Pacific (in which Motley was the principal costume designer), King Lear, Winesburg, Ohio and The World of Suzie Wong (for which she received her third Tony nomination), and such television productions as the 1957 production of Annie Get Your Gun, and Mayerling . For ten years beginning in 1953, she served as designer for the Los Angeles Civic Light Opera Company, and was curator of that city's textile and costume collection at the County Museum of Art. In 1987, she was awarded the Women in Film Crystal Award for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry. Jeakins, who retired in 1990, once summed up her designing: "I can put my world down to two words: Make beauty. It's my cue and my private passion.
(1965)
(Costume Design)
(1956)
(Costume Design)
(1982)
(Costume Design)
(1974)
(Costume Design)
(1973)
(Costume Design)
(1952)
(Costume Design)
Source : Wikidata
Dorothy Jeakins
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- Best films
- Family
- Characters
- Awards
Nationality USA
Birth 11 january 1914 at San Diego (USA)
Death 21 november 1995 (at 81 years) at Santa Barbara (USA)
Birth 11 january 1914 at San Diego (USA)
Death 21 november 1995 (at 81 years) at Santa Barbara (USA)
Born in San Diego, California, she went to public school in Los Angeles from first grade through high school. When she was a senior at Fairfax High School, she was offered a scholarship to study at the Otis Art Institute (now known as Otis College of Art and Design)[1].
Jeakins got her start working on WPA projects and as a Disney artist in the 1930s. Her fashion career began as a designer at I. Magnin's, where she was spotted by director Victor Fleming. Hired as a sketch artist for Joan of Arc (1948), Jeakins worked on the costumes along with Barbara Karinska and shared an Oscar with her. This was the first Oscar ever awarded for costumes.
Jeakins was unusual in that she freelanced, never signing a long-term contract with any one studio. She worked steadily for the next thirty-nine years, winning another two Oscars, for Samson and Delilah (1949, shared with Edith Head and others), and The Night of the Iguana (1964), and another 12 nominations. She was perhaps best known for her period costumes, in such films as The Ten Commandments (1956), The Music Man (1962), The Sound of Music (1965), Little Big Man (1970), The Way We Were (1973), Young Frankenstein (1974) and The Dead (1987). Her modern-dress excursions included Niagara (1953), Three Coins in the Fountain (1954), South Pacific (1958) and On Golden Pond (1981).
Jeakins also worked on stage productions, including South Pacific (in which Motley was the principal costume designer), King Lear, Winesburg, Ohio and The World of Suzie Wong (for which she received her third Tony nomination), and such television productions as the 1957 production of Annie Get Your Gun, and Mayerling . For ten years beginning in 1953, she served as designer for the Los Angeles Civic Light Opera Company, and was curator of that city's textile and costume collection at the County Museum of Art. In 1987, she was awarded the Women in Film Crystal Award for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry. Jeakins, who retired in 1990, once summed up her designing: "I can put my world down to two words: Make beauty. It's my cue and my private passion.
Best films
(1965)(Costume Design)
(1956)(Costume Design)
(1982)(Costume Design)
(1974)(Costume Design)
(1973)(Costume Design)
(1952)(Costume Design)
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Filmography of Dorothy Jeakins (57 films)
Actress
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Hawaii (1966)
, 3h9Directed by George Roy Hill, James Blue, Richard Talmadge
Origin USA
Genres Drama, Adventure, Historical, Romance
Themes Seafaring films, Transport films
Actors Julie Andrews, Max von Sydow, Gene Hackman, Jocelyne LaGarde, Richard Harris, Carroll O'Connor
Roles Hepzibah Hale
Rating64%
The story follows Prince Keoki Kanakoa, the Reverend Abner Hale and his wife Jerusha, who join the prince on mission to the Islands of Hawaii for the Calvinist church with the promise to make Kanakoa a minister. Upon their arrival to the islands, the ship stops in Lahaina, Maui before going on to Honolulu, Oahu where the main church has been established. There they are greeted by the aliʻi nui, Malama Kanakoa, Keoki's mother, who stops the Hales from traveling further when she demands Jerusha remain in Lahaina to teach her to write. Reverend Hale attempts to teach her of the Christian God first but she refuses until she, herself can write. Only after that will she listen to Abner's Christian teachings. As Hale learns, there is a serious difference between a destiny calling to him and the call to recognize the needs of others.
Costume and makup
The Dead (1987)
, 1h23Directed by John Huston
Origin United-kingdom
Genres Drama, Romance
Themes Cooking films, Films about writers
Actors Anjelica Huston, Donal McCann, Colm Meaney, Dan O'Herlihy, Donal Donnelly, Helena Carroll
Roles Costume Designer
Rating71%
L'histoire se passe à Dublin, chez les trois demoiselles Morhan, en 1904. C'est le réveillon, toute la famille se réunit autour d'une dinde et de whiskeys. Le repas ne commence qu'après des danses familiales, un morceau de piano, une vieille chanson et une étrange histoire bien racontée. Au dîner, sous l'effet de la bonne nourriture et des alcools, les langues vont se délier et chacun pourra exprimer ses idées ou ses souvenirs. Un discours de Gabriel très émouvant aidera chacun à se révéler. Lors du départ, un air lointain fredonné provoquera une grande nostalgie chez Gretta qui évoquera à son mari, de retour chez eux, son amour de jeunesse. Des photos de paysages irlandais clôturent ce testament cinématographique de John Huston.
On Golden Pond (1982)
, 1h49Directed by Mark Rydell
Origin USA
Genres Drama, Comedy-drama, Adventure, Romance
Themes Films about animals, Films about families, Seafaring films, Théâtre, Transport films, Films based on plays
Actors Katharine Hepburn, Henry Fonda, Jane Fonda, Troy Garity, Doug McKeon, Dabney Coleman
Roles Costume Design
Rating75%
An aging couple, Ethel and Norman Thayer, continue the long tradition of spending each summer at their cottage on a lake in the far reaches of northern New England called Golden Pond. When they first arrive, Ethel notices the loons calling on the lake "welcoming them home". As they resettle into their summer home, Norman's memory problems arise when he is unable to recognize several family photographs, which he copes with by frequently talking about death and growing old. They are visited by their only child, a daughter, Chelsea, who is somewhat estranged from her curmudgeon of a father. She introduces her parents to her fiance Bill and his thirteen-year-old son Billy. Norman tries to play mind games with Bill, an apparent pastime of his, but Bill won't hear of it, saying he can only take so much. In another conversation, Chelsea discusses with Ethel her frustration over her relationship with her overbearing father, feeling that even though she lives thousands of miles away in Los Angeles, she still feels like she's answering to him. Before they depart for a European vacation, Chelsea and Bill ask the Thayers to permit Billy to stay with them while they have some time to themselves. Norman, seeming more senile and cynical than usual due to his 80th birthday and heart palpitations, agrees to Billy's staying. Ethel tells him that he's the sweetest man in the world, but she is the only one who knows it.
, 2h2Directed by Bob Rafelson
Origin USA
Genres Drama, Thriller, Crime, Romance
Themes Cooking films, Films about sexuality
Actors Jack Nicholson, Jessica Lange, Michael Lerner, Anjelica Huston, William Traylor, Christopher Lloyd
Roles Costume Design
Rating65%
Frank Chambers (Jack Nicholson), a drifter, stops at a rural California diner for a meal, and ends up working there. The diner is operated by a young, beautiful woman, Cora Smith (Jessica Lange), and her much older husband, Nick Papadakis (John Colicos), who is an immigrant from Greece. Frank and Cora start to have an affair soon after they meet. Cora is tired of her situation, married to a man she does not love, and working at a diner that she wishes to own and improve. She and Frank scheme to murder Nick in order to start a new life together without her losing the diner. Their first attempt at the murder is a failure, but they eventually succeed.
Love and Bullets (1979)
, 1h43Directed by John Huston, Stuart Rosenberg
Origin United-kingdom
Genres Drama, Action, Crime
Themes Transport films, Road movies, Chase films
Actors Charles Bronson, Jill Ireland, Rod Steiger, Henry Silva, Bradford Dillman, Strother Martin
Roles Costume Design
Rating56%
Phoenix Police Detective Charlie Congers is tasked to assist the FBI in bringing a gangster's girlfriend, Jackie Pruitt, back to the USA to testify. The FBI thinks she can give inside information to law enforcement that will put Joe Bomposa behind bars once and for all.
North Dallas Forty (1979)
, 1h59Directed by Ted Kotcheff
Origin USA
Genres Drama, Comedy, Comedy-drama
Themes Sports films, American football films
Actors Nick Nolte, Mac Davis, Charles Durning, Dayle Haddon, Bo Svenson, Steve Forrest
Roles Costume Design
Rating68%
Wide receiver Phil Elliott (Nolte) plays for a 1970s era professional football team based in Dallas, Texas named the North Dallas Bulls, which closely resembles the Dallas Cowboys.
The Betsy (1978)
, 2h6Directed by Daniel Petrie
Origin USA
Genres Drama, Romance
Themes Transport films, Films about automobiles, Road movies
Actors Laurence Olivier, Tommy Lee Jones, Robert Duvall, Clifford David, Katharine Ross, Jane Alexander
Roles Costume Design
Rating52%
A fading family-owned automobile manufacturer and its owners pin their hopes for a return to profitability on a new model named for the great-granddaughter of the firm's founder.
Audrey Rose (1977)
, 1h53Directed by Robert Wise
Origin USA
Genres Drama, Science fiction, Thriller, Fantastic, Fantasy, Horror
Themes Films about religion, Ghost films
Actors Marsha Mason, Anthony Hopkins, John Beck, Susan Swift, Norman Lloyd, Robert Walden
Roles Costume Design
Rating57%
Ivy Templeton (Susan Swift) is a ten-year-old girl, living with her parents, Janice and Bill Templeton (Marsha Mason and John Beck), in New York City. Her parents notice a stranger stalking them over the course of a few weeks, and discover, over lunch with him, that his name is Elliot Hoover (Anthony Hopkins). Hoover is convinced that Ivy is a reincarnation of his daughter Audrey Rose, who died in a fiery car accident, along with his wife, two minutes before Ivy was born. Hoover had come to believe this through information given to him by two clairvoyant psychics. Bill asks a friend of his, an attorney, to hide in their apartment to hear Hoover's full story to build a case against him, but when Hoover speaks Audrey's name out loud, Ivy hears him from her room and enters an altered state where she cannot be calmed down without the assistance of Hoover. In this state, she bangs her hands on a window and becomes burned, which Hoover says is a result of his daughter's experience of being burned alive in the car.
I Will, I Will...For Now (1976)
, 1h47Directed by Norman Panama
Origin USA
Genres Comedy, Romantic comedy, Romance
Actors Elliott Gould, Diane Keaton, Paul Sorvino, Victoria Principal, Robert Alda, Warren Berlinger
Roles Costume Design
Rating48%
The marriage of Les and Katie Bingham is in big trouble. They've already split up once, and now they're giving it one more try, but the bedroom of their New York apartment is not a happy place. Les finds her too cold. Katie finds him too fast.
The Hindenburg (1975)
, 1h45Directed by Robert Wise, Howard Kazanjian
Origin USA
Genres Drama, War, Thriller, Action, Adventure, Historical
Themes La fin du monde, Transport films, Aviation films, Disaster films, American disaster films, Films about aviation accidents or incidents
Actors George C. Scott, Anne Bancroft, William Atherton, Roy Thinnes, Gig Young, Burgess Meredith
Roles Costume Design
Rating62%
Kathie Rauch (Ruth Schudson), a psychic from Milwaukee, Wisconsin, sends a letter to the German Embassy in Washington, D.C. claiming the Hindenburg zeppelin will explode after flying over New York. In the meantime, Luftwaffe Colonel Franz Ritter (George C. Scott) boards with the intention of protecting the Hindenburg as various threats have been made to down the airship, which some see as a symbol of Nazi Germany.
Young Frankenstein (1974)
, 1h41Directed by Mel Brooks, Gene Wilder
Origin USA
Genres Science fiction, Comedy, Horror comedy, Horror
Themes Films about computing, Films based on science fiction novels, Comedy science fiction films, Frankenstein films, Comedy horror films, Cyberpunk films, Children's films
Actors Gene Wilder, Peter Boyle, Marty Feldman, Madeline Kahn, Cloris Leachman, Teri Garr
Roles Costume Design
Rating79%
Dr. Frederick Frankenstein (Gene Wilder) is a physician lecturer at an American medical school and engaged to the tightly wound socialite Elizabeth (Madeline Kahn). He becomes exasperated when anyone brings up the subject of his grandfather, the infamous mad scientist. To disassociate himself from his forebear, Frederick insists that his surname is pronounced "Fronkensteen."
The Yakuza (1974)
, 1h52Directed by Sydney Pollack
Origin USA
Genres Drama, Thriller, Action, Crime
Themes Mafia films, Seafaring films, Transport films, Yakuza films, Gangster films
Actors Robert Mitchum, Ken Takakura, Keiko Kishi, Richard Jordan, Brian Keith, Herb Edelman
Roles Costume Design
Rating71%
Retired detective Harry Kilmer (Robert Mitchum) is called upon by an old friend, George Tanner (Brian Keith). Tanner has been doing business with a yakuza gangster, Tono (Eiji Okada), who has kidnapped Tanner's daughter to apply pressure in a business deal involving the sale of guns. Tanner hopes that Kilmer can rescue the girl using his Japanese connections.
The Savage Is Loose (1974)
, 1h40Directed by George C. Scott
Genres Adventure
Themes Films about families, Films about sexuality
Actors George C. Scott, Trish Van Devere, John David Carson, Lee Montgomery
Roles Costume Design
Rating53%
In 1902, John (Scott), his much younger wife Maida (Scott's real-life wife, Trish Van Devere) and their infant son David (played by both Lee Montgomery and John David Carson) are the only survivors of a ship that crashes into the rocky beach of an uncharted island during a violent storm. By 1912, David, now a seemingly happy 12-year-old boy, begins to enter puberty. By the time he is 17, David is consumed by lust for his mother, which drives a wedge between him and his father to the point where they hunt each other down for the affections of the only woman on the island.
The Way We Were (1973)
, 1h58Directed by Sydney Pollack
Origin USA
Genres Drama, Musical, Romance
Themes Films about religion
Actors Barbra Streisand, Robert Redford, Bradford Dillman, Lois Chiles, Patrick O'Neal, Viveca Lindfors
Roles Costume Design
Rating69%
Told partly in flashback, it is the story of Katie Morosky (Barbra Streisand) and Hubbell Gardiner (Robert Redford). Their differences are immense: she is a stridently vocal Marxist Jew with strong anti-war opinions, and he is a carefree WASP with no particular political bent. While attending the same college, she is drawn to him because of his boyish good looks and his natural writing skill, which she finds captivating, although he doesn't work very hard at it. He is intrigued by her conviction and her determination to persuade others to take up social causes. Their attraction is evident, but neither of them act upon it, and lose touch after graduation.
Fat City (1972)
, 1h40Directed by John Huston
Origin USA
Genres Drama
Themes Sports films, Martial arts films, Boxing films, Le boxe anglaise
Actors Stacy Keach, Jeff Bridges, Susan Tyrrell, Candy Clark, Nicholas Colasanto, Al Silvani
Roles Costume Design
Rating72%
Billy Tully (Keach), a boxer past his prime, goes to a Stockton, California gym to get back into shape and spars with Ernie Munger (Bridges), an eighteen-year-old he meets there. Seeing potential in the youngster, Tully suggests that Munger look up his former manager and trainer, Ruben (Nicholas Colasanto). Tully later tells combative barfly Oma (Tyrrell) and her easygoing boyfriend Earl (Curtis Cokes) how impressed he is with the kid. Newly inspired, Tully decides to get back into boxing himself.