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Ephraim Kishon is a Actor, Director, Scriptwriter and Producer Israelien born on 23 august 1924 at Budapest (Hongrie)

Ephraim Kishon

Ephraim Kishon
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Birth name Ferenc Hoffmann
Nationality Israel
Birth 23 august 1924 at Budapest (Hongrie)
Death 29 january 2005 (at 80 years) at Appenzell Innerrhoden (Suisse)
Awards Israel Prize, Verdienstkreuz 1. Klasse des Verdienstordens der Bundesrepublik Deutschland

About this sound Ephraim Kishon (Hebrew: אפרים קישון‎, August 23, 1924 – January 29, 2005) was an Israeli author, dramatist, screenwriter, and Oscar-nominated film director. He was one of the most widely read contemporary satirists in the world.

Biography

Ephraim Kishon was born on August 23, 1924 by the name of Ferenc Hoffmann into a middle-class Jewish family in Budapest, Hungary. In his youth he did not know Hebrew nor Yiddish. His father worked as a bank manager and his mother was a former secretary. Kishon also had a sister who was a writer.

His writing talent became evident in his youth. In 1940 he won his first prize for writing a novel for high school students. Due to the racial laws applied in Hungary during World War II, he was not allowed to continue his studies at the university and therefore he began to study jewelry making in 1942.

During World War II the Nazis imprisoned him in several concentration camps. At one camp his chess talent helped him survive, as the camp commandant was looking for an opponent. In another camp, the Germans lined up the inmates and shot every tenth person, but passed him by. He later wrote in his book The Scapegoat, "They made a mistake—they left one satirist alive". He eventually managed to escape the concentration camps while being transported to the Sobibor extermination camp in Poland, and hid the remainder of the war disguised as "Stanko Andras", a Slovakian laborer.

After the war when he returned to Budapest he discovered that his parents and sister had survived, but many other family members had been murdered in the gas chambers at Auschwitz. In 1945, he changed his surname from Hoffmann to Kishont to disguise his Jewish origins, and returned to Hungary, where he continued to study art and writing. In 1948 he completed his studies in metal sculpturing and art history and began publishing humorous articles under the name Franz Kishunt.

In 1949 he immigrated to the newly founded state of Israel, together with his first wife Eva (Chawa) Klamer, to escape the Communist regime. When arriving in Israel an immigration officer officially Hebraicized his name to "Ephraim Kishon". According to Kishon, the Jewish Agency clerk asked him for his name and when he answered "Ferenc" the clerk said: There is no such thing, and wrote "Ephraim", and afterwards he went ahead and Hebraicized his family name as well.

His first marriage to Eva (Chawa) Klamer in 1946 ended in divorce. In 1959, he married Sara (née Lipovitz), who died in 2002. In 2003, he married the Austrian writer Lisa Witasek. Kishon had three children: Raphael (b. 1957), Amir (b. 1963), and Renana (b. 1968).

In 1981, Kishon established a second home in the rural Swiss canton of Appenzell after feeling unappreciated in Israel, but remained a staunch Zionist.

Kishon died on January 29, 2005 at his home in Switzerland at the age of 80 following a cardiac arrest. His body was flown to Israel and he was buried at the Trumpeldor Cemetery in Tel Aviv.

Being a popular Israeli writer, he still felt he was getting negative treatment from the Israeli media due to the fact he was rather Right wing in politics.

Usually with

Shaike Ophir
Shaike Ophir
(4 films)
Mosko Alkalai
Mosko Alkalai
(3 films)
Chaim Topol
Chaim Topol
(2 films)
Itzik Kol
Itzik Kol
(2 films)
Gila Almagor
Gila Almagor
(2 films)
Source : Wikidata

Filmography of Ephraim Kishon (5 films)

Display filmography as list

Actor

The Big Dig, 1h35
Directed by Ephraim Kishon
Origin Israel
Genres Comedy
Actors Shaike Ophir, Mosko Alkalai, Uri Zohar, Ephraim Kishon
Roles Driver
Rating76% 3.8275553.8275553.8275553.8275553.827555
A lunatic with a digging compulsion (Blaumilch) escapes from an asylum, steals a jackhammer and proceeds to open up a main street and traffic artery in Tel Aviv (Allenby Street). Rather than question his actions, the police, as well as city officials, assume he is operating under the municipality’s orders and aid him as much as they can. Complaints from local residents, whose lives become a living hell due to the noise and traffic jams, lead to infighting amongst city departments. To speed up the work, so that it would be completed before the start of the municipal elections, the city sends armies of construction workers and heavy equipment to help the lone compressor, turning a mere annoyance into a full blown disaster.
Ervinka
Ervinka (1967)

Directed by Ephraim Kishon
Genres Comedy, Crime, Romance
Actors Chaim Topol, Mosko Alkalai, Gila Almagor, Shaike Ophir, Ephraim Kishon, Yossi Banai
Roles Motorradwerbespotregisseur
Rating67% 3.367873.367873.367873.367873.36787
Ervinka is a young man living in Tel Aviv of the 1960s. He does not believe in work, morality, law and order, and settling down. He ekes out a living as a petty con man by charging parking fees to a lot that doesn’t belong to him, stealing electricity from his neighbors, eating for free in family events he is not invited to, and extorting money from movie directors by revving up his moped engine near their film sets. He also finds ways to con the authorities, taking advantage of the stupidity, laziness, and inefficiency of bureaucrats (a favorite subject of Kishon's work). Ervinka even ingratiates himself with the local underworld by getting them out of trouble with the law over a robbery. His only dream is to win the lottery so he would not have to get by on his wits anymore.

Director

The Fox in the Chicken Coop, 1h30
Directed by Ephraim Kishon
Origin Israel
Genres Comedy
Themes Films about religion, Films about Jews and Judaism
Actors Shaike Ophir, Sefi Rivlin, Mosko Alkalai
Rating73% 3.663583.663583.663583.663583.66358
Amitz Dolniker, an aging Israeli Parliament member known for his high-winded babbling and tireless lecturing, is told he needs to take a break from politics after he collapses during a speech. Fainting, he starts out on a dream trip to spend some weeks in a far-away, backward Israeli village that has little contact with civilization. The farmers’ bucolic and carefree life repels him at first (and especially the fact that they have never heard of him), but then he decides to introduce some “order” to the innocent society. As none of the villagers agree to become the village head (they don’t want the trouble), Dolniker hires a local horse and buggy and puts it at the service of the village barber, declaring him village head “de facto”. The barber objects at first, but as he becomes used to the perks that come along with the position, his grip on power tightens. This leads to a rivalry with other villagers (especially the cobbler) who think themselves equally worthy of becoming the village head (with free horse-and-buggy, of course), which is what Dolniker has expected. He suggests an election to determine the leader. The result, however, bears no resemblance to the orderly political process he is used to, and Dolniker finds himself entangled in silly power struggles, taxes imposed on 3-door closets, corruption, petty bureaucracy, and a ruination of the simple way of life the village once knew. Dolniker comes back to his senses, mildly laughing about himself.
The Policeman, 1h27
Directed by Ephraim Kishon
Origin Israel
Genres Drama, Comedy, Comedy-drama
Themes Films about religion, Films about Jews and Judaism
Actors Shaike Ophir, Yosef Shiloach
Rating73% 3.684913.684913.684913.684913.68491
Officer Avraham Azoulay is a patrolman in Tel-Aviv's district of Jaffa. He is an honest man, though extremely naive, and because of his character, has never been promoted during his twenty years in the force. He is married to a dull woman (played by veteran actress Zaharira Harifai); the couple have no children.
The Big Dig, 1h35
Directed by Ephraim Kishon
Origin Israel
Genres Comedy
Actors Shaike Ophir, Mosko Alkalai, Uri Zohar, Ephraim Kishon
Rating76% 3.8275553.8275553.8275553.8275553.827555
A lunatic with a digging compulsion (Blaumilch) escapes from an asylum, steals a jackhammer and proceeds to open up a main street and traffic artery in Tel Aviv (Allenby Street). Rather than question his actions, the police, as well as city officials, assume he is operating under the municipality’s orders and aid him as much as they can. Complaints from local residents, whose lives become a living hell due to the noise and traffic jams, lead to infighting amongst city departments. To speed up the work, so that it would be completed before the start of the municipal elections, the city sends armies of construction workers and heavy equipment to help the lone compressor, turning a mere annoyance into a full blown disaster.
Ervinka
Ervinka (1967)

Directed by Ephraim Kishon
Genres Comedy, Crime, Romance
Actors Chaim Topol, Mosko Alkalai, Gila Almagor, Shaike Ophir, Ephraim Kishon, Yossi Banai
Rating67% 3.367873.367873.367873.367873.36787
Ervinka is a young man living in Tel Aviv of the 1960s. He does not believe in work, morality, law and order, and settling down. He ekes out a living as a petty con man by charging parking fees to a lot that doesn’t belong to him, stealing electricity from his neighbors, eating for free in family events he is not invited to, and extorting money from movie directors by revving up his moped engine near their film sets. He also finds ways to con the authorities, taking advantage of the stupidity, laziness, and inefficiency of bureaucrats (a favorite subject of Kishon's work). Ervinka even ingratiates himself with the local underworld by getting them out of trouble with the law over a robbery. His only dream is to win the lottery so he would not have to get by on his wits anymore.
Sallah
Sallah (1964)
, 1h50
Directed by Ephraim Kishon
Origin Israel
Genres Drama, Comedy
Themes Films about religion, Films about Jews and Judaism
Actors Chaim Topol, Arik Einstein, Gila Almagor
Rating71% 3.5911453.5911453.5911453.5911453.591145
The film begins with Sallah Shabati, a Mizrahi Jewish immigrant, arriving with his family in Israel. Upon arrival he is brought to live in a ma'abara, or transit camp. He is given a broken down, one room shack in which to live with his family and spends the rest of the movie attempting to make enough money to purchase adequate housing. His money-making schemes are often comical and frequently satirize the political and social stereotypes in Israel of the time.

Scriptwriter

The Fox in the Chicken Coop, 1h30
Directed by Ephraim Kishon
Origin Israel
Genres Comedy
Themes Films about religion, Films about Jews and Judaism
Actors Shaike Ophir, Sefi Rivlin, Mosko Alkalai
Roles Writer
Rating73% 3.663583.663583.663583.663583.66358
Amitz Dolniker, an aging Israeli Parliament member known for his high-winded babbling and tireless lecturing, is told he needs to take a break from politics after he collapses during a speech. Fainting, he starts out on a dream trip to spend some weeks in a far-away, backward Israeli village that has little contact with civilization. The farmers’ bucolic and carefree life repels him at first (and especially the fact that they have never heard of him), but then he decides to introduce some “order” to the innocent society. As none of the villagers agree to become the village head (they don’t want the trouble), Dolniker hires a local horse and buggy and puts it at the service of the village barber, declaring him village head “de facto”. The barber objects at first, but as he becomes used to the perks that come along with the position, his grip on power tightens. This leads to a rivalry with other villagers (especially the cobbler) who think themselves equally worthy of becoming the village head (with free horse-and-buggy, of course), which is what Dolniker has expected. He suggests an election to determine the leader. The result, however, bears no resemblance to the orderly political process he is used to, and Dolniker finds himself entangled in silly power struggles, taxes imposed on 3-door closets, corruption, petty bureaucracy, and a ruination of the simple way of life the village once knew. Dolniker comes back to his senses, mildly laughing about himself.
The Policeman, 1h27
Directed by Ephraim Kishon
Origin Israel
Genres Drama, Comedy, Comedy-drama
Themes Films about religion, Films about Jews and Judaism
Actors Shaike Ophir, Yosef Shiloach
Roles Writer
Rating73% 3.684913.684913.684913.684913.68491
Officer Avraham Azoulay is a patrolman in Tel-Aviv's district of Jaffa. He is an honest man, though extremely naive, and because of his character, has never been promoted during his twenty years in the force. He is married to a dull woman (played by veteran actress Zaharira Harifai); the couple have no children.
The Big Dig, 1h35
Directed by Ephraim Kishon
Origin Israel
Genres Comedy
Actors Shaike Ophir, Mosko Alkalai, Uri Zohar, Ephraim Kishon
Roles Ecrivain
Rating76% 3.8275553.8275553.8275553.8275553.827555
A lunatic with a digging compulsion (Blaumilch) escapes from an asylum, steals a jackhammer and proceeds to open up a main street and traffic artery in Tel Aviv (Allenby Street). Rather than question his actions, the police, as well as city officials, assume he is operating under the municipality’s orders and aid him as much as they can. Complaints from local residents, whose lives become a living hell due to the noise and traffic jams, lead to infighting amongst city departments. To speed up the work, so that it would be completed before the start of the municipal elections, the city sends armies of construction workers and heavy equipment to help the lone compressor, turning a mere annoyance into a full blown disaster.
Ervinka
Ervinka (1967)

Directed by Ephraim Kishon
Genres Comedy, Crime, Romance
Actors Chaim Topol, Mosko Alkalai, Gila Almagor, Shaike Ophir, Ephraim Kishon, Yossi Banai
Rating67% 3.367873.367873.367873.367873.36787
Ervinka is a young man living in Tel Aviv of the 1960s. He does not believe in work, morality, law and order, and settling down. He ekes out a living as a petty con man by charging parking fees to a lot that doesn’t belong to him, stealing electricity from his neighbors, eating for free in family events he is not invited to, and extorting money from movie directors by revving up his moped engine near their film sets. He also finds ways to con the authorities, taking advantage of the stupidity, laziness, and inefficiency of bureaucrats (a favorite subject of Kishon's work). Ervinka even ingratiates himself with the local underworld by getting them out of trouble with the law over a robbery. His only dream is to win the lottery so he would not have to get by on his wits anymore.
Sallah
Sallah (1964)
, 1h50
Directed by Ephraim Kishon
Origin Israel
Genres Drama, Comedy
Themes Films about religion, Films about Jews and Judaism
Actors Chaim Topol, Arik Einstein, Gila Almagor
Roles Writer
Rating71% 3.5911453.5911453.5911453.5911453.591145
The film begins with Sallah Shabati, a Mizrahi Jewish immigrant, arriving with his family in Israel. Upon arrival he is brought to live in a ma'abara, or transit camp. He is given a broken down, one room shack in which to live with his family and spends the rest of the movie attempting to make enough money to purchase adequate housing. His money-making schemes are often comical and frequently satirize the political and social stereotypes in Israel of the time.

Producer

The Fox in the Chicken Coop, 1h30
Directed by Ephraim Kishon
Origin Israel
Genres Comedy
Themes Films about religion, Films about Jews and Judaism
Actors Shaike Ophir, Sefi Rivlin, Mosko Alkalai
Roles Producer
Rating73% 3.663583.663583.663583.663583.66358
Amitz Dolniker, an aging Israeli Parliament member known for his high-winded babbling and tireless lecturing, is told he needs to take a break from politics after he collapses during a speech. Fainting, he starts out on a dream trip to spend some weeks in a far-away, backward Israeli village that has little contact with civilization. The farmers’ bucolic and carefree life repels him at first (and especially the fact that they have never heard of him), but then he decides to introduce some “order” to the innocent society. As none of the villagers agree to become the village head (they don’t want the trouble), Dolniker hires a local horse and buggy and puts it at the service of the village barber, declaring him village head “de facto”. The barber objects at first, but as he becomes used to the perks that come along with the position, his grip on power tightens. This leads to a rivalry with other villagers (especially the cobbler) who think themselves equally worthy of becoming the village head (with free horse-and-buggy, of course), which is what Dolniker has expected. He suggests an election to determine the leader. The result, however, bears no resemblance to the orderly political process he is used to, and Dolniker finds himself entangled in silly power struggles, taxes imposed on 3-door closets, corruption, petty bureaucracy, and a ruination of the simple way of life the village once knew. Dolniker comes back to his senses, mildly laughing about himself.
The Policeman, 1h27
Directed by Ephraim Kishon
Origin Israel
Genres Drama, Comedy, Comedy-drama
Themes Films about religion, Films about Jews and Judaism
Actors Shaike Ophir, Yosef Shiloach
Roles Producer
Rating73% 3.684913.684913.684913.684913.68491
Officer Avraham Azoulay is a patrolman in Tel-Aviv's district of Jaffa. He is an honest man, though extremely naive, and because of his character, has never been promoted during his twenty years in the force. He is married to a dull woman (played by veteran actress Zaharira Harifai); the couple have no children.
The Big Dig, 1h35
Directed by Ephraim Kishon
Origin Israel
Genres Comedy
Actors Shaike Ophir, Mosko Alkalai, Uri Zohar, Ephraim Kishon
Roles Producer
Rating76% 3.8275553.8275553.8275553.8275553.827555
A lunatic with a digging compulsion (Blaumilch) escapes from an asylum, steals a jackhammer and proceeds to open up a main street and traffic artery in Tel Aviv (Allenby Street). Rather than question his actions, the police, as well as city officials, assume he is operating under the municipality’s orders and aid him as much as they can. Complaints from local residents, whose lives become a living hell due to the noise and traffic jams, lead to infighting amongst city departments. To speed up the work, so that it would be completed before the start of the municipal elections, the city sends armies of construction workers and heavy equipment to help the lone compressor, turning a mere annoyance into a full blown disaster.