Guillermo del Toro is a Actor, Director, Scriptwriter, Casting, Assistant Editor, Makeup Effects Designer and Makeup Effects Mexicain born on 9 october 1964 at Guadalajara (Mexique)
Guillermo del Toro
Guillermo del Toro Gómez ([ɡiˈʝeɾmo ðel ˈtoɾo]; born October 9, 1964) is a Mexican film director, screenwriter, producer, and novelist. In his filmmaking career, del Toro has alternated between Spanish-language dark fantasy pieces, such as the gothic horror film The Devil's Backbone (2001), and Pan's Labyrinth (2006), and more mainstream American action movies, such as the vampire superhero action film Blade II (2002), the supernatural superhero film Hellboy (2004), its sequel Hellboy II: The Golden Army (2008), and the science fiction monster film Pacific Rim (2013).
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In addition to his directing works, del Toro is a prolific producer, his producing works including acclaimed and/or successful films such as The Orphanage (2007), Julia's Eyes (2010), Biutiful (2010), Kung Fu Panda 2 (2011), Puss in Boots (2011), and Mama (2013). He was originally chosen by Peter Jackson to direct The Hobbit films; he left the project due to production problems but was still credited as co-writer for his numerous contributions to the script.
Del Toro's work is characterised by a strong connection to fairy tales and horror, with an effort to infuse visual or poetic beauty. He has a lifelong fascination with monsters, which he considers symbols of great power. Del Toro is known for his use of insectile and religious imagery, the themes of Catholicism and celebrating imperfection, underworld and clockwork motifs, practical special effects, dominant amber lighting, and his frequent collaborations with actors Ron Perlman and Doug Jones.
He is married to Lorenza Newton, cousin of Mexican singer Guadalupe Pineda. He started dating Lorenza when both were studying at the Guadalajara School of Sciences. He currently lives in Agoura Hills, California with his wife and two daughters Mariana and Marisa. In addition to the home in which he lives with his family, he owns a separate house exclusively to house his books, poster artwork and other belongings pertaining to his work, explaining, "As a kid, I dreamed of having a house with secret passages and a room where it rained 24 hours a day. The point of being over 40 is to fulfill the desires you've been harboring since you were 7."
In a 2007 interview, del Toro described his political position as "a little too liberal." He pointed out that the villains in most of his films, such as the industrialist in Cronos, the Nazis in Hellboy, and the Francoists in Pan's Labyrinth, are united by the common attribute of authoritarianism. "I hate structure. I'm completely anti-structural in terms of believing in institutions. I hate them. I hate any institutionalised social, religious, or economic holding."
In 2009, in an interview with Charlie Rose, del Toro described his Roman Catholic upbringing as excessively "morbid," saying, "I mercifully lapsed as a Catholic, I say, but as Buñuel used to say, 'I'm an atheist, thank God.'" Though insisting that he is spiritually "not with Buñuel" and that "once a Catholic, always a Catholic, in a way," he followed by saying, "I believe in man. I believe in mankind, as the worst and the best that has happened to this world." He has also responded to the observation that he views his art as his religion by saying, "It is. To me, art and storytelling serve primal, spiritual functions in my daily life. Whether I'm telling a bedtime story to my kids or trying to mount a movie or write a short story or a novel, I take it very seriously."
In 2010, del Toro revealed that he was a fan of video games, describing them as "the comic books of our time" and "a medium that gains no respect among the intelligentsia." He has stated that the only games he considers masterpieces are Ico and Shadow of the Colossus.
Del Toro's favorite film monsters are Frankenstein's monster, the Alien, Gill-man, Godzilla, and the Thing. Frankenstein in particular has a special meaning for him, in both film and literature, as he claims he has a "Frankenstein fetish to a degree that is unhealthy," and that it's "the most important book of my life, so you know if I get to it, whenever I get to it, it will be the right way."
In an interview with Robert K. Elder for his book The Best Film You've Never Seen, del Toro explains his careful methodology: “I’m as thorough and as well-prepared as I can be in my filmmaking, and that came from the discipline of having to work as a make-up effects artist many, many, many times in my life.”