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Katharine Hepburn is a Actor and Scriptwriter American born on 12 may 1907 at Hartford (USA)
Katharine Houghton Hepburn (May 12, 1907 – June 29, 2003) was an American actress. Known for her fierce independence and spirited personality, Hepburn was a leading lady in Hollywood for more than 60 years. She appeared in a range of genres, from screwball comedy to literary drama, and received four Academy Awards for Best Actress—a record for any performer. In 1999, Hepburn was named by the American Film Institute as the greatest female star of Classic Hollywood Cinema.
Raised in Connecticut by wealthy, progressive parents, Hepburn began to act while studying at Bryn Mawr College. After four years in the theatre, favorable reviews of her work on Broadway brought her to the attention of Hollywood. Her early years in the film industry were marked with success, including an Academy Award for her third picture, Morning Glory (1933), but this was followed by a series of commercial failures which led her to be labeled "box office poison" in 1938. Hepburn masterminded her own comeback, buying out her contract with RKO Radio Pictures and acquiring the film rights to The Philadelphia Story, which she sold on the condition that she be the star. In the 1940s she was contracted to Metro-Goldwyn-Mayer, where her career focused on an alliance with Spencer Tracy. The screen-partnership spanned 25 years, and produced nine movies.
Hepburn challenged herself in the latter half of her life, as she regularly appeared in Shakespearean stage productions and tackled a range of literary roles. She found a niche playing middle-aged spinsters, such as in The African Queen (1951), a persona the public embraced. Three more Oscars came for her work in Guess Who's Coming to Dinner (1967), The Lion in Winter (1968) and On Golden Pond (1981). In the 1970s she began appearing in television films, which became the focus of her career in later life. She remained active into old age, making her final screen appearance in 1994 at the age of 87. After a period of inactivity and ill health, Hepburn died in 2003 at the age of 96.
Hepburn famously shunned the Hollywood publicity machine, and refused to conform to society's expectations of women. She was outspoken, assertive, athletic, and wore trousers before it was fashionable for women to do so. She married once, as a young woman, but thereafter lived independently. A 26-year affair with her co-star Spencer Tracy was hidden from the public. With her unconventional lifestyle and the independent characters she brought to the screen, Hepburn epitomized the "modern woman" in 20th century America and is remembered as an important cultural figure.
Hepburn was known for being fiercely private, and would not give interviews or talk to fans for much of her career. She distanced herself from the celebrity lifestyle, uninterested in a social scene she saw as tedious and superficial, and she wore casual clothes that went strongly against convention in an era of glamour. She rarely appeared in public, even avoiding restaurants, and once wrestled a camera out of a photographer's hand when he took a picture without asking. Despite her zeal for privacy, she enjoyed her fame, and later confessed that she would not have liked the press to ignore her completely. The protective attitude thawed as she aged; beginning with a two-hour-long interview on The Dick Cavett Show in 1973, Hepburn became increasingly open with the public.
"I strike people as peculiar in some way, although I don't quite understand why. Of course, I have an angular face, an angular body and, I suppose, an angular personality, which jabs into people."
"I'm a personality as well as an actress. Show me an actress who isn't a personality and you'll show me a woman who isn't a star."
—Hepburn commenting on her personality.
Hepburn's relentless energy and enthusiasm for life is often cited in biographies, while a headstrong independence became key to her celebrity status. This self-assuredness meant she could be controlling and difficult; her friend Garson Kanin likened her to a schoolmistress, and she was famously blunt and outspoken. Katharine Houghton commented that her aunt could be "maddeningly self-righteous and bossy". Hepburn confessed to being, especially early in life, "a me me me person". She saw herself as having a happy nature, reasoning "I like life and I've been so lucky, why shouldn't I be happy?" A. Scott Berg knew Hepburn well in her later years, and said that while she was demanding, she retained a sense of humility and humanity.
The actress led an active private life, reportedly swimming and playing tennis every morning. In her eighties she was still playing tennis regularly, as indicated in her 1993 documentary All About Me. She also enjoyed painting, which became a passion later in life. When questioned about politics, Hepburn told an interviewer, "I always just say be on the affirmative and liberal side. Don't be a 'no' person." The anti-Communism hysteria in 1940s Hollywood prompted her to political activity, and her name was mentioned at the hearings of the House Un-American Activities Committee although Hepburn denied being a Communist sympathizer. Later in life, she openly promoted birth control and supported abortion. She practiced Albert Schweitzer's theory of "Reverence for Life", but did not believe in religion or the afterlife. In 1991, Hepburn told a journalist, "I'm an atheist, and that's it. I believe there's nothing we can know except that we should be kind to each other and do what we can for other people." Her public declarations of these beliefs led the American Humanist Association to award her the Humanist Arts Award in 1985.
Relationships
Hepburn's only husband was Ludlow Ogden Smith, a socialite-businessman from Philadelphia whom she met while a student at Bryn Mawr. The couple married on December 12, 1928, when she was 21 and he was 29. Hepburn had Smith change his name to S. Ogden Ludlow so that she would not be known as "Kate Smith", which she considered too plain. She never fully committed to the marriage and prioritized her career. The move to Hollywood in 1932 cemented the couple's estrangement, and in 1934, she traveled to Mexico to get a quick divorce. Hepburn often expressed her gratitude toward Smith for his financial and moral support in the early days of her career, and in her autobiography called herself "a terrible pig" for exploiting his love. The pair remained friends until his death in 1979.
Soon after moving to California, Hepburn began a relationship with her agent, Leland Hayward, although they were both married. Hayward proposed to the actress once they had each divorced but she declined, later explaining, "I liked the idea of being my own single self." They were involved for four years. In 1936, while she was touring Jane Eyre, Hepburn began a relationship with entrepreneur Howard Hughes. They first met while Hepburn was filming Sylvia Scarlett, when they were introduced by their mutual friend Cary Grant. Hughes wished to marry her, and the tabloids reported their impending nuptials, but at that time Hepburn was too focused on resurrecting her failing career. They separated in 1938, when Hepburn left Hollywood after being labeled "box office poison".
Hepburn stuck to her decision not to remarry, and made a conscious choice not to have children. She believed that motherhood should be a full-time commitment, and said it was not one she was willing to make. "I would have been a terrible mother," she told Berg, "because I'm basically a very selfish human being." She felt she had partially experienced parenthood through her much younger siblings, which fulfilled any need to have children of her own. Rumors have existed since the 1930s that Hepburn may have been a lesbian or bisexual, which she often joked about. In 2007, William J. Mann released a biography of the actress in which he argued this was the case. In response to this speculation about her aunt, Katharine Houghton said, "I've never discovered any evidence whatsoever that she was a lesbian."
Spencer Tracy
The most significant relationship of Hepburn's life was with Spencer Tracy. In her autobiography she wrote, "It was a unique feeling that I had for [Tracy]. I would have done anything for him." Lauren Bacall, a close friend, later wrote of how "blindingly" in love Hepburn was with the actor. The relationship has subsequently received much publicity, and it is often cited as one of Hollywood's legendary love affairs. Meeting when she was 34 and he was 41, Tracy was initially wary of Hepburn, unimpressed by her dirty fingernails and suspecting that she was a lesbian, but Hepburn said she "knew right away that I found him irresistible." Tracy remained married throughout their relationship; although he and his wife Louise had been living separate lives since the 1930s, there was never an official split and neither party pursued a divorce. Hepburn did not interfere, and never fought for marriage.
With Tracy determined to conceal the relationship with Hepburn from his wife, it had to remain private. They were careful not to be seen in public together, and maintained separate residences. Tracy was an alcoholic and was frequently depressed; Hepburn described him as "tortured", and she devoted herself to making his life easier. Reports from people who saw them together describe how Hepburn's entire demeanor changed when around Tracy. She mothered and obeyed him, and Tracy became heavily dependent on her. They often spent stretches of time apart due to their work, particularly in the 1950s when Hepburn was largely abroad for career commitments.
Tracy's health declined significantly in the 1960s, and Hepburn took a five-year break in her career to care for him. She moved into Tracy's house for this period, and was with him when he died on June 10, 1967. Out of consideration for Tracy's family, she did not attend his funeral. It was only after Louise Tracy's death, in 1983, that Hepburn began to speak publicly about her feelings for her frequent co-star. In response to the question of why she stayed with Tracy for so long, despite the nature of their relationship, she said, "I honestly don't know. I can only say that I could never have left him." She claimed to not know how he felt about her and that they "just passed twenty-seven years [sic] together in what was to me absolute bliss."
Final years and death
Hepburn stated in her eighties, "I have no fear of death. Must be wonderful, like a long sleep." Her health began to deteriorate not long after her final screen appearance. In the winter of 1996 she was hospitalized with pneumonia. By 1997 she had become very weak, was speaking and eating very little, and it was feared she would die. She showed signs of dementia in her final years. In May 2003, an aggressive tumor was found in Hepburn's neck. The decision was made not to medically intervene, and she died on June 29, 2003, at the Hepburn family home in Fenwick, Connecticut. She was 96 years old and was buried in Cedar Hill Cemetery in Hartford. Hepburn requested that there be no memorial service.
Hepburn's death received considerable public attention. Many tributes were held on television, and newspapers and magazines dedicated issues to the actress. American president George W. Bush said Hepburn "will be remembered as one of the nation's artistic treasures." In honor of her extensive theatre work, the lights of Broadway were dimmed for the evening of July 1, 2003. In 2004, in accordance with Hepburn's wishes, her belongings were put up for auction with Sotheby's in New York. The event garnered $5.8 million, which Hepburn willed to her family.
(1982)
(Actress)
(1967)
(Actress)
(1968)
(Actress)
(1952)
(Actress)
(1941)
(Actress)
(1942)
(Actress)
Source : Wikidata
Katharine Hepburn
- Infos
- Photos
- Best films
- Family
- Characters
- Awards
Birth name Katharine Houghton Hepburn
Nationality USA
Birth 12 may 1907 at Hartford (USA)
Death 29 june 2003 (at 96 years) at Old Saybrook (USA)
Awards Academy Award for Best Actress, List of awards and nominations received by Katharine Hepburn
Nationality USA
Birth 12 may 1907 at Hartford (USA)
Death 29 june 2003 (at 96 years) at Old Saybrook (USA)
Awards Academy Award for Best Actress, List of awards and nominations received by Katharine Hepburn
Raised in Connecticut by wealthy, progressive parents, Hepburn began to act while studying at Bryn Mawr College. After four years in the theatre, favorable reviews of her work on Broadway brought her to the attention of Hollywood. Her early years in the film industry were marked with success, including an Academy Award for her third picture, Morning Glory (1933), but this was followed by a series of commercial failures which led her to be labeled "box office poison" in 1938. Hepburn masterminded her own comeback, buying out her contract with RKO Radio Pictures and acquiring the film rights to The Philadelphia Story, which she sold on the condition that she be the star. In the 1940s she was contracted to Metro-Goldwyn-Mayer, where her career focused on an alliance with Spencer Tracy. The screen-partnership spanned 25 years, and produced nine movies.
Hepburn challenged herself in the latter half of her life, as she regularly appeared in Shakespearean stage productions and tackled a range of literary roles. She found a niche playing middle-aged spinsters, such as in The African Queen (1951), a persona the public embraced. Three more Oscars came for her work in Guess Who's Coming to Dinner (1967), The Lion in Winter (1968) and On Golden Pond (1981). In the 1970s she began appearing in television films, which became the focus of her career in later life. She remained active into old age, making her final screen appearance in 1994 at the age of 87. After a period of inactivity and ill health, Hepburn died in 2003 at the age of 96.
Hepburn famously shunned the Hollywood publicity machine, and refused to conform to society's expectations of women. She was outspoken, assertive, athletic, and wore trousers before it was fashionable for women to do so. She married once, as a young woman, but thereafter lived independently. A 26-year affair with her co-star Spencer Tracy was hidden from the public. With her unconventional lifestyle and the independent characters she brought to the screen, Hepburn epitomized the "modern woman" in 20th century America and is remembered as an important cultural figure.
Biography
Public image and characterHepburn was known for being fiercely private, and would not give interviews or talk to fans for much of her career. She distanced herself from the celebrity lifestyle, uninterested in a social scene she saw as tedious and superficial, and she wore casual clothes that went strongly against convention in an era of glamour. She rarely appeared in public, even avoiding restaurants, and once wrestled a camera out of a photographer's hand when he took a picture without asking. Despite her zeal for privacy, she enjoyed her fame, and later confessed that she would not have liked the press to ignore her completely. The protective attitude thawed as she aged; beginning with a two-hour-long interview on The Dick Cavett Show in 1973, Hepburn became increasingly open with the public.
"I strike people as peculiar in some way, although I don't quite understand why. Of course, I have an angular face, an angular body and, I suppose, an angular personality, which jabs into people."
"I'm a personality as well as an actress. Show me an actress who isn't a personality and you'll show me a woman who isn't a star."
—Hepburn commenting on her personality.
Hepburn's relentless energy and enthusiasm for life is often cited in biographies, while a headstrong independence became key to her celebrity status. This self-assuredness meant she could be controlling and difficult; her friend Garson Kanin likened her to a schoolmistress, and she was famously blunt and outspoken. Katharine Houghton commented that her aunt could be "maddeningly self-righteous and bossy". Hepburn confessed to being, especially early in life, "a me me me person". She saw herself as having a happy nature, reasoning "I like life and I've been so lucky, why shouldn't I be happy?" A. Scott Berg knew Hepburn well in her later years, and said that while she was demanding, she retained a sense of humility and humanity.
The actress led an active private life, reportedly swimming and playing tennis every morning. In her eighties she was still playing tennis regularly, as indicated in her 1993 documentary All About Me. She also enjoyed painting, which became a passion later in life. When questioned about politics, Hepburn told an interviewer, "I always just say be on the affirmative and liberal side. Don't be a 'no' person." The anti-Communism hysteria in 1940s Hollywood prompted her to political activity, and her name was mentioned at the hearings of the House Un-American Activities Committee although Hepburn denied being a Communist sympathizer. Later in life, she openly promoted birth control and supported abortion. She practiced Albert Schweitzer's theory of "Reverence for Life", but did not believe in religion or the afterlife. In 1991, Hepburn told a journalist, "I'm an atheist, and that's it. I believe there's nothing we can know except that we should be kind to each other and do what we can for other people." Her public declarations of these beliefs led the American Humanist Association to award her the Humanist Arts Award in 1985.
Relationships
Hepburn's only husband was Ludlow Ogden Smith, a socialite-businessman from Philadelphia whom she met while a student at Bryn Mawr. The couple married on December 12, 1928, when she was 21 and he was 29. Hepburn had Smith change his name to S. Ogden Ludlow so that she would not be known as "Kate Smith", which she considered too plain. She never fully committed to the marriage and prioritized her career. The move to Hollywood in 1932 cemented the couple's estrangement, and in 1934, she traveled to Mexico to get a quick divorce. Hepburn often expressed her gratitude toward Smith for his financial and moral support in the early days of her career, and in her autobiography called herself "a terrible pig" for exploiting his love. The pair remained friends until his death in 1979.
Soon after moving to California, Hepburn began a relationship with her agent, Leland Hayward, although they were both married. Hayward proposed to the actress once they had each divorced but she declined, later explaining, "I liked the idea of being my own single self." They were involved for four years. In 1936, while she was touring Jane Eyre, Hepburn began a relationship with entrepreneur Howard Hughes. They first met while Hepburn was filming Sylvia Scarlett, when they were introduced by their mutual friend Cary Grant. Hughes wished to marry her, and the tabloids reported their impending nuptials, but at that time Hepburn was too focused on resurrecting her failing career. They separated in 1938, when Hepburn left Hollywood after being labeled "box office poison".
Hepburn stuck to her decision not to remarry, and made a conscious choice not to have children. She believed that motherhood should be a full-time commitment, and said it was not one she was willing to make. "I would have been a terrible mother," she told Berg, "because I'm basically a very selfish human being." She felt she had partially experienced parenthood through her much younger siblings, which fulfilled any need to have children of her own. Rumors have existed since the 1930s that Hepburn may have been a lesbian or bisexual, which she often joked about. In 2007, William J. Mann released a biography of the actress in which he argued this was the case. In response to this speculation about her aunt, Katharine Houghton said, "I've never discovered any evidence whatsoever that she was a lesbian."
Spencer Tracy
The most significant relationship of Hepburn's life was with Spencer Tracy. In her autobiography she wrote, "It was a unique feeling that I had for [Tracy]. I would have done anything for him." Lauren Bacall, a close friend, later wrote of how "blindingly" in love Hepburn was with the actor. The relationship has subsequently received much publicity, and it is often cited as one of Hollywood's legendary love affairs. Meeting when she was 34 and he was 41, Tracy was initially wary of Hepburn, unimpressed by her dirty fingernails and suspecting that she was a lesbian, but Hepburn said she "knew right away that I found him irresistible." Tracy remained married throughout their relationship; although he and his wife Louise had been living separate lives since the 1930s, there was never an official split and neither party pursued a divorce. Hepburn did not interfere, and never fought for marriage.
With Tracy determined to conceal the relationship with Hepburn from his wife, it had to remain private. They were careful not to be seen in public together, and maintained separate residences. Tracy was an alcoholic and was frequently depressed; Hepburn described him as "tortured", and she devoted herself to making his life easier. Reports from people who saw them together describe how Hepburn's entire demeanor changed when around Tracy. She mothered and obeyed him, and Tracy became heavily dependent on her. They often spent stretches of time apart due to their work, particularly in the 1950s when Hepburn was largely abroad for career commitments.
Tracy's health declined significantly in the 1960s, and Hepburn took a five-year break in her career to care for him. She moved into Tracy's house for this period, and was with him when he died on June 10, 1967. Out of consideration for Tracy's family, she did not attend his funeral. It was only after Louise Tracy's death, in 1983, that Hepburn began to speak publicly about her feelings for her frequent co-star. In response to the question of why she stayed with Tracy for so long, despite the nature of their relationship, she said, "I honestly don't know. I can only say that I could never have left him." She claimed to not know how he felt about her and that they "just passed twenty-seven years [sic] together in what was to me absolute bliss."
Final years and death
Hepburn stated in her eighties, "I have no fear of death. Must be wonderful, like a long sleep." Her health began to deteriorate not long after her final screen appearance. In the winter of 1996 she was hospitalized with pneumonia. By 1997 she had become very weak, was speaking and eating very little, and it was feared she would die. She showed signs of dementia in her final years. In May 2003, an aggressive tumor was found in Hepburn's neck. The decision was made not to medically intervene, and she died on June 29, 2003, at the Hepburn family home in Fenwick, Connecticut. She was 96 years old and was buried in Cedar Hill Cemetery in Hartford. Hepburn requested that there be no memorial service.
Hepburn's death received considerable public attention. Many tributes were held on television, and newspapers and magazines dedicated issues to the actress. American president George W. Bush said Hepburn "will be remembered as one of the nation's artistic treasures." In honor of her extensive theatre work, the lights of Broadway were dimmed for the evening of July 1, 2003. In 2004, in accordance with Hepburn's wishes, her belongings were put up for auction with Sotheby's in New York. The event garnered $5.8 million, which Hepburn willed to her family.
Best films
(1982)(Actress)
(1967)(Actress)
(1968)(Actress)
(1952)(Actress)
(1941)(Actress)
(1942)(Actress)
Usually with
Filmography of Katharine Hepburn (69 films)
| Year | Name | Job | Roles |
|---|---|---|---|
| 2010 | Cameraman: The Life and Work of Jack Cardiff | Actress | Self (archive footage) |
| 2010 | Smash His Camera | Actress | Self (archive footage) |
| 1996 | The Line King: The Al Hirschfeld Story | Actress | Self (voice) (uncredited) |
| 1996 | Long Day's Journey Into Night | Actress | |
| 1994 | Love Affair | Actress | Ginny |
| 1994 | One Christmas | Actress | Cornelia Beaumont |
| 1994 | That's Entertainment! III | Actress | (archive footage) |
| 1994 | This Can't Be Love | Actress | Marion Bennett |
| 1994 | One Christmas | Actress | Cornelia Beaumont |
| 1994 | This Can't Be Love | Actress | Marion Bennett |
| 1992 | The Man Upstairs | Actress | Victoria Brown |
| 1992 | The Man Upstairs | Actress | Victoria Brown |
| 1988 | Laura Lansing Slept Here | Actress | Laura Lansing |
| 1988 | The Making of a Legend: Gone with the Wind | Actress | Self (archive footage) |
| 1986 | Mrs. Delafield Wants to Marry | Actress | Margaret Delafield |
| 1985 | Grace Quigley | Actress | Grace Quigley |
| 1982 | On Golden Pond | Actress | Ethel Thayer |
| 1979 | The Corn Is Green | Actress | Miss Lilly Moffat |
| 1978 | Olly, Olly, Oxen Free | Actress | Miss Pudd |
| 1976 | That's Entertainment, Part II | Actress | (archive footage) |
| 1975 | Rooster Cogburn | Actress | Eula Goodnight |
| 1975 | Brother, Can You Spare a Dime? | Actress | Self (archive footage) |
| 1975 | Love Among the Ruins | Actress | Jessica Medlicott |
| 1974 | That's Entertainment! | Actress | (archive footage) (uncredited) |
| 1973 | A Delicate Balance | Actress | Agnes |
| 1973 | The Glass Menagerie | Actress | Amanda Wingfield |
| 1972 | Travels with My Aunt | Scriptwriter | |
| 1971 | The Trojan Women | Actress | Hecuba |
| 1971 | Directed by John Ford | Actress | Self |
| 1969 | The Madwoman of Chaillot | Actress | Contessa Aurelia |
| 1968 | The Lion in Winter | Actress | Eleanor of Aquitaine |
| 1967 | Guess Who's Coming to Dinner | Actress | Christina Drayton |
| 1962 | Long Day's Journey Into Night | Actress | Mary Tyrone |
| 1959 | Suddenly, Last Summer | Actress | Violet Venable |
| 1957 | Desk Set | Actress | Bunny Watson |
| 1956 | The Rainmaker | Actress | Lizzie Curry |
| 1956 | The Iron Petticoat | Actress | Captain Vinka Kovalenko |
| 1955 | Summertime | Actress | Jane Hudson |
| 1952 | The African Queen | Actress | Rose Sayer |
| 1952 | Pat and Mike | Actress | Patricia "Pat" Pemberton |
| 1949 | Adam's Rib | Actress | Amanda Bonner |
| 1948 | State of the Union | Actress | Mary Matthews |
| 1947 | The Sea of Grass | Actress | Lutie Cameron Brewton |
| 1947 | Song of Love | Actress | Clara Wieck Schumann |
| 1946 | Undercurrent | Actress | Ann Hamilton |
| 1945 | Without Love | Actress | Jamie Rowan |
| 1944 | Dragon Seed | Actress | Jade Tan |
| 1943 | Stage Door Canteen | Actress | Katharine Hepburn |
| 1943 | Keeper of the Flame | Actress | Christine Forrest |
| 1942 | Woman of the Year | Actress | Tess Harding |
| 1941 | The Philadelphia Story | Actress | Tracy Lord |
| 1941 | Women in Defense | Actress | Narrator (voice) |
| 1940 | A New Romance of Celluloid: The Miracle of Sound | Actress | Self |
| 1938 | Bringing Up Baby | Actress | Susan Vance |
| 1938 | Holiday | Actress | Linda Seton |
| 1937 | Stage Door | Actress | Terry Randall |
| 1937 | Quality Street | Actress | Phoebe Throssel |
| 1936 | Mary of Scotland | Actress | Mary Stuart |
| 1936 | Sylvia Scarlett | Actress | Sylvia/Sylvester Scarlett |
| 1936 | A Woman Rebels | Actress | Pamela 'Pam' Thistlewaite |
| 1935 | Alice Adams | Actress | Alice Adams |
| 1935 | Break of Hearts | Actress | Constance Dane Roberti |
| 1934 | The Little Minister | Actress | Barbara 'Babbie' |
| 1934 | Spitfire | Actress | Trigger Hicks |
| 1933 | Morning Glory | Actress | Eva Lovelace |
| 1933 | Little Women | Actress | Jo |
| 1933 | Christopher Strong | Actress | Lady Cynthia Darrington |
| 1933 | The Warrior's Husband | Actress | |
| 1932 | A Bill of Divorcement | Actress | Sydney Fairfield |