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László Krasznahorkai is a Scriptwriter Hongrois born on 1 may 1954 at Gyula (Hongrie)

László Krasznahorkai

László Krasznahorkai
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Nationality Hongrie
Birth 1 may 1954 (69 years) at Gyula (Hongrie)
Awards Kossuth Prize

László Krasznahorkai ([ˈlaːsloː krɒsnɒhorkɒ.i]; born 5 January 1954) is a Hungarian novelist and screenwriter who is known for critically difficult, demanding postmodernist novels with dystopian and melancholic themes. Several of his works, notably his novels Satantango (Sátántangó) (1985) and The Melancholy of Resistance (Az ellenállás melankóliája) (1989) have been turned into feature films by Hungarian film director Bela Tarr.

Biography

Early life and education
Krasznahorkai was born in Gyula in the Republic of Hungary on 5 January 1954. He is the son of Gyorgy Krasznahorkai, a lawyer, and Julia Palinkas, a social security administrator.

After completing his secondary education in 1972 at the Erkel Ferenc high school where he specialized in Latin, he studied law from 1973 to 1976 at József Attila University (JATE) (now the University of Szeged) and from 1976 to 1978 at the Eötvös Loránd University (ELTE) (formerly the University of Budapest). After completing these law studies, he sought a degree in Hungarian language and literature from Eötvös Loránd University. As a requirement of his degree work, he submitted a formal thesis on the work and experiences of Hungarian writer and journalist Márai Sándor (1900–1989) after he fled Hungary in 1948 to escape the Communist regime that seized power after World War II (Sándor lived in exile in Italy and later San Diego, California). During his years as a university student in Budapest, Krasznahorkai worked at Gondolat Könyvkiadó, a publishing company. Krasznahorkai received his degree in 1983.


Career as writer
After completing his university studies, Krasznahorkai has supported himself as an independent author since then. When in 1985 his first major publication Satantango achieved success, he was immediately thrust into the forefront of Hungarian literary life.

He travelled outside of Communist Hungary for the first time in 1987, spending a year in West Berlin as a recipient of a DAAD fellowship. Since the collapse of the Soviet bloc, he has lived in a variety of locations. He returns often to both Germany and Hungary, but he has also spent and spends varying lengths of time in France, Spain, the USA, England, the Netherlands, Italy, Greece, China and Japan.

In 1993, his novel The Melancholy of Resistance received the German “Bestenliste-Prize” for the best literary work of the year. From the United States to Japan, critics have acknowledged the importance of his writing. According to Susan Sontag, he is “the contemporary Hungarian master of apocalypse who inspires comparison with Gogol and Melville”. W. G. Sebald had this to say: “The universality of Krasznahorkai's vision rivals that of Gogol's Dead Souls and far surpasses all the lesser concerns of contemporary writing.” In 1996, he was a guest of the Wissenschaftskolleg in Berlin. While completing the novel War and War, he travelled widely across Europe. The American poet Allen Ginsberg was of great assistance in completing the work; Krasznahorkai resided for some time in Ginsberg’s New York apartment, and the poet’s friendly advice was invaluable in bringing the book to life.

In 1990, for the first time, he was able to spend a longer period in East Asia. Krasznahorkai renders an account of his experiences in Mongolia and China in his works The Prisoner of Urga and Ruin and Sorrow beneath the Heavens. From this point, he has returned many times to China. In 1996, 2000 and 2005 he spent six months in Kyoto, Japan.

Since 1985, the renowned director and the author's good friend Béla Tarr has made films almost exclusively based on Krasznahorkai's works, including Sátántangó and Werckmeister Harmonies. His collaboration with Tarr continues to this day: Krasznahorkai writes the screenplays, and assists the director in all important decisions.

Krasznahorkai has been honoured with numerous literary prizes, among them the highest award of the Hungarian state, the Kossuth Prize.


Personal life
After residing in Berlin, Germany for several years as the S. Fischer Guest Professor at the Free University of Berlin, Krasznahorkai currently resides "as a recluse in the hills of Szentlászló" in Hungary. After divorcing his first wife, Aniko Pelyhe whom he married in 1990, he married his second wife, Dora Kopcsanyi, a sinologist and graphic designer, in 1997. He has three children: Kata, Agnes and Panni.

Usually with

Béla Tarr
Béla Tarr
(6 films)
Mihály Víg
Mihály Víg
(6 films)
János Derzsi
János Derzsi
(5 films)
Hédi Temessy
Hédi Temessy
(2 films)
Source : Wikidata

Filmography of László Krasznahorkai (6 films)

Display filmography as list

Scriptwriter

The Turin Horse, 2h26
Directed by Béla Tarr
Origin Hongrie
Genres Drama
Themes Films about animals, Films about horses, Mise en scène d'un mammifère
Actors Volker Spengler, János Derzsi
Roles Author
Rating76% 3.849183.849183.849183.849183.84918
"In Turin on 3rd January, 1889, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Alberto. Not far from him, the driver of a hansom cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene, throwing his arms around the horse’s neck, sobbing. His landlord takes him home, he lies motionless and silent for two days on a divan until he mutters the obligatory last words, 'Mutter, ich bin dumm!' ['Mother, I am stupid!' in German] and lives for another ten years, silent and demented, cared for by his mother and sisters. We do not know what happened to the horse.
The Man from London, 2h19
Directed by Béla Tarr, László Nemes
Origin Hongrie
Genres Drama, Thriller, Crime
Actors Tilda Swinton, Miroslav Krobot, János Derzsi, Volker Spengler
Rating69% 3.49893.49893.49893.49893.4989
The film concerns a middle-aged railway pointsman, Maloin (Miroslav Krobot), who lives in a decrepit apartment in a port town with his highly-strung wife Camélia (Tilda Swinton) and his daughter Henriette (Erika Bók). One night while in his viewing tower at the port's rail terminus, Maloin witnesses a fight on the dockside. One of the shady combatants is knocked into the water along with the briefcase he carries; when the other flees the dark quayside, Maloin makes a clandestine descent from the tower and retrieves the briefcase, which he finds full of sodden English banknotes. Maloin conceals the money and tells no-one of what he has seen. The next morning, he visits a tavern where he plays chess with the barkeep (Gyula Pauer). On his way home, he stops by the butcher's where his daughter works, and finds to his indignation that they have her washing the floor. Later, from the window of his apartment, he notices Brown (János Derzsi) watching him from below. At dinner, Maloin is increasingly irascible, addressing Henriette brusquely and arguing with Camélia. Meanwhile Brown searches the water at the dock's edge without success before noticing the watchtower overlooking the quayside, and Maloin within.
Werckmeister Harmonies, 2h25
Directed by Béla Tarr, Tommy Wiseau
Origin Hongrie
Genres Drama
Actors Hanna Schygulla, Đoko Rosić, János Derzsi, Ferenc Kállai
Roles Writer
Rating79% 3.9969953.9969953.9969953.9969953.996995
The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times.
Satantango
Satantango (1994)
, 7h30
Directed by Béla Tarr
Origin Hongrie
Genres Drama
Actors Mihály Víg, László Lugossy, Peter Berling, János Derzsi, Ferenc Kállai
Roles Novel
Rating81% 4.0974454.0974454.0974454.0974454.097445
In a desolate village, after the collapse of a collective farm, Futaki (Miklós Székely B.) is having an affair with Mrs. Schmidt (Éva Almássy Albert), as he is awakened at dawn by the ringing of church bells, even though the nearest church had been destroyed long ago. Mr. Schmidt (László Lugossy) conspires with a group of co-workers to steal the villagers' money and flee to another part of the country. Futaki ambushes Schmidt and discovers his plans, after which he demands to become part of the scheme—all of this being watched by a lonely drunk man known as the Doctor (Peter Berling), who writes the events down in a notebook. However, the conspiracy is terminated when rumors spread across the village that the charismatic and manipulative Irimiás (Mihály Vig), a former co-worker who had been presumed dead, is returning. Meanwhile, Irimiás and his friend Petrina (Putyi Horváth) make a secret deal with a Hungarian military officer somewhere else that involves his return to the village and manipulation of its community.
Damnation
Damnation (1988)
, 1h56
Directed by Béla Tarr
Origin Hongrie
Genres Drama, Musical, Crime, Romance
Actors György Cserhalmi, Hédi Temessy
Roles Writer
Rating75% 3.7978553.7978553.7978553.7978553.797855
Damnation tells the story of Karrer (Miklós B. Székely), a depressed man in love with a married torch singer (Vali Kerekes) from a local bar, the Titanik. The singer broke off their affair, because she dreams of becoming famous. Karrer is offered smuggling work by Willarsky (Gyula Pauer), the bartender at the Titanik. Karrer offers the job to the singer's husband, Sebestyén (György Cserhalmi). This gets him out of the way, but things don't go as Karrer plans. Betrayals follow. Karrer despairs.
Autumn Almanac, 2h25
Directed by Béla Tarr
Origin Hongrie
Genres Drama
Actors Hédi Temessy, János Derzsi
Rating71% 3.591073.591073.591073.591073.59107
In a grim, claustrophobic apartment owned by a rich elderly woman, the inhabitants desperately try to relate to each other as they go about their bleak lives revealing their darkest secrets, fears, obsessions and hostilities. They include besides her, her son, her nurse, her nurse's discontented lover, and a new lodger.