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Max Ophüls is a Director, Scriptwriter, Producer and Assistant Director Allemand born on 6 may 1902 at Saarbrücken (German)
Maximillian Oppenheimer (6 May 1902 – 26 March 1957) – known as Max Ophüls – was an influential German-born film director who worked in Germany (1931–33), France (1933–40), the United States (1947–50), and France again (1950–57). He made nearly 30 films, with those from the last period being especially notable: La Ronde (1950), Le Plaisir (1952), The Earrings of Madame de... (1953) and Lola Montès (1955).
(1950)
(Director)
Source : Wikidata
Max Ophüls
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Birth name Maximillian Oppenheimer
Nationality German
Birth 6 may 1902 at Saarbrücken (German)
Death 26 march 1957 (at 54 years) at Hamburg (German)
Nationality German
Birth 6 may 1902 at Saarbrücken (German)
Death 26 march 1957 (at 54 years) at Hamburg (German)
Maximillian Oppenheimer (6 May 1902 – 26 March 1957) – known as Max Ophüls – was an influential German-born film director who worked in Germany (1931–33), France (1933–40), the United States (1947–50), and France again (1950–57). He made nearly 30 films, with those from the last period being especially notable: La Ronde (1950), Le Plaisir (1952), The Earrings of Madame de... (1953) and Lola Montès (1955).
Best films
(1950)(Director)
Usually with
Filmography of Max Ophüls (27 films)
| Year | Name | Job | Roles |
|---|---|---|---|
| 1958 | The Lovers of Montparnasse | Director, Writer | |
| 1955 | Lola Montès | Director, Writer | |
| 1953 | The Earrings of Madame de... | Director, Scriptwriter | |
| 1952 | Le Plaisir | Director, Adaptation | |
| 1950 | La Ronde | Director, Writer | |
| 1950 | Vendetta | Director | |
| 1949 | Caught | Director | |
| 1949 | The Reckless Moment | Director | |
| 1948 | Letter from an Unknown Woman | Director, Scriptwriter | |
| 1947 | The Exile | Director | |
| 1940 | From Mayerling to Sarajevo | Director | |
| 1940 | There's No Tomorrow | Director, | |
| 1940 | L'École des femmes | Director | |
| 1938 | The Novel of Werther | Director, Adaptation | |
| 1937 | Yoshiwara | Director, Scriptwriter | |
| 1936 | Everybody's Woman | Director, Scriptwriter | |
| 1936 | The Trouble with Money | Director, Dialogue | |
| 1936 | The Tender Enemy | Director, Scriptwriter, Producer | |
| 1936 | Grand Waltz Brilliant by Chopin | Director | |
| 1935 | Divine | Director, Writer | |
| 1934 | A Man Has Been Stolen | Director | |
| 1933 | Liebelei | Director, Writer | |
| 1933 | Laughing Heirs | Director, Adaptation | |
| 1932 | The Bartered Bride | Director, Scriptwriter | |
| 1932 | The Company's in Love | Director | |
| 1931 | I'd Rather Have Cod Liver Oil | Director, Writer | |
| 1931 | No More Love | Assistant Director |