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Shobhna Shilotri Samarth is a Actor Indian born on 7 november 1916 at Mumbai (Inde)

Shobhna Shilotri Samarth

Shobhna Shilotri Samarth
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Birth name Saroj Shilotri
Nationality Inde
Birth 7 november 1916 at Mumbai (Inde)
Death 9 february 2000 (at 83 years) at Pune (Inde)

Shobhna Samarth (Marathi: शोभना समर्थ) (c. 1915 – 9 February 2000) was a Marathi actress who began her career in the early days of talkie movies in the Indian film industry, and continued in lead roles into the 1950s. She started in Marathi cinema. Her first Hindi film, Nigahen Nafrat was released in 1935. She is best remembered for her portrayal of Sita in Ram Rajya (1943).

She later produced and directed a pair of movies that launched the careers of her daughters, Nutan and Tanuja.

Biography

She was married to director and cinematographer Kumarsen Samarth from Vile Parle(E), Mumbai. They had three daughters and a son. Eventually the couple parted amicably and Shobhana became linked to actor Motilal. Two of her daughters, Nutan and Tanuja, also became actresses. Shobhana produced their debut films. Another daughter, Chatura, is an artist, and her daughter Reshma, who is married, currently lives in St. Louis, MO. Chatura never acted in films neither her daughter Reshma. Nutan's son Mohnish Behl is also an actor as are Tanuja's daughters Kajol & Tanisha Mukherjee. Kajol is married to actor Ajay Devgan. Other members of the dynasty include Shomu Mukherjee who married Tanuja. (See Mukherjee-Samarth family (film)).

She and daughter Nutan were estranged for more than two decades but reconciled in the year 1983 before Nutan's death from cancer in February 1991. At her own death from cancer in 2000, Shobhna had seven granddaughters, one grandson, three great-granddaughters, and two great-grandsons.

Samarth won a Filmfare Special Award in 1996.

Usually with

Source : Wikidata

Filmography of Shobhna Shilotri Samarth (23 films)

Display filmography as list

Actress

Janta Hawaldar
Directed by Mehmood Ali
Genres Drama, Crime, Romance
Actors Rajesh Khanna, Ashok Kumar, Hema Malini, Mehmood Ali, Yogeeta Bali Chakraborty, Lalita Pawar
Rating62% 3.1281953.1281953.1281953.1281953.128195
Janta, a beautiful naive simple minded young man who wants to join the police force in the following of both his grandfather and his father after getting refused then accepted him with the support of his new friends police commissure and his daughter Deepo. Janta unintentionally become very successful in his work, meets blind florist Sonana and falls in love with her. Janta gets some enemies including Sonana's uncle who is hiding a secret and scared from Janta that he will explore it will Janta escape evil plans from his enemies who want to get him fired from police? will he explore Sonana uncle secret marry Sonana? or will things turn against him?
Do Chor
Do Chor (1972)

Genres Crime
Actors Dharmendra, Tanuja, K. N. Singh (Krishan Niranjan Singh), Asit Sen, Laxmi Chhaya, Bhagwan Dada
Rating68% 3.4153353.4153353.4153353.4153353.415335
A series of mystery burglaries are taking place in the homes of four wealthy men. The burglar takes a single piece of jewelry from each of the men, but not touching the cash and other jewelry, and leaving the calling card of a swastika. The police suspect Tony (Dharmendra), generally known in the community as a thief, but he claims innocence. He tries to find out who the real burglar is and catches Sandhya (Tanuja) stealing from one of the wealthy men. She tells him that she is taking back what is really her inheritance, as these items belong to her mother (played by Tanuja's real-life mother Shobhana Samarth), since these four men swindled her mother after her father's death. Her mother is now in a mental institution. Tony and Sandhya fall in love. He helps her recover all of her items and put the wealthy men behind bars. Sandhya's mother is well again. Tony and Sandhya promise to start a life together after they finish their respective short jail stints.
Love in Simla
Genres Drama, Comedy
Actors Joy Mukherjee, Sadhana Shivdasani, Sadhana, Kishore Sahu, Kiran Kumar, Durga Khote
Rating71% 3.5513753.5513753.5513753.5513753.551375
After the untimely death of her father and step-mother, Sonia is orphaned and lives with her aunt and paternal uncle (Mrs. and General Rajpal Singh). Sonia is plain-looking as her real mother, and often invites unappreciative, taunts, and critical remarks from her aunt and cousin-sister, Sheela. Sheela has a boyfriend, Dev Kumar Mehra, and she plans to marry him. Fed-up of hearing frequent taunts and adverse remarks about her plain-looks, Sonia challenges Sheela that she will make Dev fall in love with her.
Jhansi Ki Rani, 2h28
Directed by Sohrab Merwanji Modi
Genres Drama, Historical
Themes Films based on mythology, Films about religion
Actors Mahipal Singh, Shobhna Shilotri Samarth, Mehtab
Roles Kayadhu

The Asura King Hiranyakashipu, having been granted the boon of immortality by Brahma, projects himself as Supreme Being, even beyond Vishnu, whom he wants to avenge for killing his brother Hirnayaksha. After years of penance Brahma grants Hiranyakashipu his boon where he asks not to be killed by man or animal, on earth or space, inside the house or outside, and neither at dawn or at night. In his arrogance he aims for filicide when his son Prahlada rejects him as the supreme power, worshipping only Vishnu as the true God. He makes several attempts at killing Prahlad, one of them by burning him on the pyre. Prahlad is inadvertently saved when Holika's, (sister of Hiranyakashipu) fire-proof veil lands on him and Holika gets burnt instead. Hiranyakashipu is further angered when Prahlad, on being asked if Vishnu exists in the pillar of the palace too, answers He is everywhere. Hiranyakashipu smashes the pillar and a half man half lion form appears. It is Narsimha (Vishnu’s Avatar). The enraged Narsimha stands on the threshold and places the King on his thighs. It is twilight time indicating neither day nor night making Hiranyakashipu no longer invincible. With his talons he rips Hiranyakashipu’s abdomen apart, thereby killing him. Before leaving he installs Prahlad as the new King.
Rambaan
Rambaan (1948)
, 2h35
Directed by Vijay Bhatt
Themes Films based on mythology, Films about religion
Actors Shobhna Shilotri Samarth, Prem Adib, Chandra Mohan, Amirbai Karnataki, Leela Mishra, Jankidas

Rama with his wife Sita and brother Lakshman are banished for fourteen years to the forest. Ravana the king of Lanka wants to avenge his sister Surpanakha's humiliation by Lakshman. His plan is to abduct Sita by sending Maricha as a golden-spotted deer. Sita sees the deer and wants Rama to go after it as she wants its skin to make a blouse for Lakshman's wife Urmila. A cry is heard and thinking it is Rama shouting in pain, Sita sends Lakshman in search. Lakshman, loath to go as he has promised Rama to take care of Sita finally leaves after drawing a line, the Lakshmana rekha, round the cottage to keep Sita safe. Ravan kidnaps Sita by making her step on his sandal that he places inside the Lakshman-rekha. This incident leads to Rama and Lakshman's meeting with Sugriva and Hanuman where they help in the war against Ravan to get Sita back.
Veer Kunal
Veer Kunal (1944)

Directed by Kishore Sahu
Actors Shobhna Shilotri Samarth, Durga Khote, Kishore Sahu
Roles Tishyarakshita

Emperor Ashoka's beloved wife, Asandhimitra, mother of Kunal, is dead and Ashoka is grief-stricken. Kunal is much loved by his step-mother, Kuruvaki. He is loved and admired by all in the kingdom and is Ashoka's favourite son. Over a period of time Ashoka overcomes his grief and marries a much younger, Tishyarakshita, daughter of a chieftain. Somdev, Ashoka's Prime Minister has opposed the alliance and is frequently humiliated by Tishya. When Tishya sees Kunal, she falls in love with him in spite of him having a wife, Kanchanmala, and a young son. Tishya is strongly rebuffed by Kunal. An angry Tishya has him accused of murder and put in the dungeon. She tells the guards to blind his eyes. Ashoka, enamoured of Tishya, is unable to see through her plotting. He falls ill and remains largely unaware of most incidents. Kurvaki, unable to see Kunal's plight, helps him escape. Kunal gets the help of the townspeople of Pataliputra and marches to the palace. Ashoka, on being told who is at the gates of the palace, calls for a durbar meeting. When he hears the entire story, his sense of fair play, his impartial justice, and remorse at his son's blinding help him mete out a strict punishment to Tishya, condemning her to be burnt.