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W. C. Fields is a Actor, Director and Scriptwriter American born on 29 january 1880 at Philadelphia (USA)
William Claude Dukenfield (January 29, 1880 – December 25, 1946), better known as W. C. Fields, was an American comedian, actor, juggler and writer. Fields' comic persona was a misanthropic and hard-drinking egotist, who remained a sympathetic character despite his snarling contempt for dogs and children.
His career in show business began in vaudeville, where he attained international success as a silent juggler. He gradually incorporated comedy into his act, and was a featured comedian in the Ziegfeld Follies for several years. He became a star in the Broadway musical comedy Poppy (1923), in which he played a colorful small-time con man. His subsequent stage and film roles were often similar scoundrels, or else henpecked everyman characters.
Among his recognizable trademarks were his raspy drawl and grandiloquent vocabulary. The characterization he portrayed in films and on radio was so strong it was generally identified with Fields himself. It was maintained by the publicity departments at Fields' studios (Paramount and Universal) and was further established by Robert Lewis Taylor's biography, W.C. Fields, His Follies and Fortunes (1949). Beginning in 1973, with the publication of Fields' letters, photos, and personal notes in grandson Ronald Fields' book W.C. Fields by Himself, it was shown that Fields was married (and subsequently estranged from his wife), and financially supported their son and loved his grandchildren.
The couple had a son, William Claude Fields, Jr. (July 28, 1904 - Feb. 16, 1971) and although Fields was an avowed atheist—who, according to James Curtis, "regarded all religions with the suspicion of a seasoned con man"—he yielded to Hattie's wish to have their son baptized.
By 1907 he and Hattie separated; she had been pressing him to stop touring and settle into a respectable trade, but he was unwilling to give up show business. They never divorced. Until his death, Fields continued to correspond with Hattie and voluntarily sent her a weekly stipend.
While performing in New York City at the New Amsterdam Theater in 1916, Fields met Bessie Poole, an established Ziegfeld Follies performer whose beauty and quick wit attracted him, and they began a relationship. With her he had another son, named William Rexford Fields Morris (August 15, 1917 – November 30, 2014). Neither Fields nor Poole wanted to abandon touring to raise the child, who was placed in foster care with a childless couple of Bessie's acquaintance. Fields' relationship with Poole lasted until 1926. In 1927, he made a negotiated payment to her of $20,000 upon her signing an affidavit declaring that "W. C. Fields is NOT the father of my child". Poole died of complications of alcoholism in October 1928, and Fields contributed to her son's support until he was 19 years of age.
Fields met Carlotta Monti (1907–1993) in 1933, and the two began a sporadic relationship that lasted until his death in 1946. Monti had small roles in two of Fields' films, and in 1971 wrote a biography, W.C. Fields and Me, which was made into a motion picture at Universal Studios in 1976. Fields was listed in the 1940 census as single and living at 2015 DeMille Drive (Cecil B. DeMille lived at 2000, the only other address on the street).
Alcohol, dogs, and children
Fields' screen character often expressed a fondness for alcohol, a prominent component of the Fields legend. Fields never drank in his early career as a juggler, because he did not want to impair his functions while performing. Eventually, the loneliness of constant travel prompted him to keep liquor in his dressing room as an inducement for fellow performers to socialize with him on the road. Only after he became a Follies star and abandoned juggling did Fields begin drinking regularly. His role in Paramount Pictures' International House (1933), as an aviator with an unquenchable taste for beer, did much to establish Fields' popular reputation as a prodigious drinker. Studio publicists promoted this image, as did Fields himself in press interviews.
Fields expressed his fondness for alcohol to Gloria Jean (playing his niece) in Never Give a Sucker an Even Break: "I was in love with a beautiful blonde once, dear. She drove me to drink. That's the one thing I am indebted to her for." Equally memorable was a line in the 1940 film My Little Chickadee: "Once, on a trek through Afghanistan, we lost our corkscrew...and were forced to live on food and water for several days!" The oft-repeated anecdote that Fields refused to drink water "because fish fuck in it" is unsubstantiated.
On movie sets Fields famously shot most of his scenes in varying states of inebriation. During the filming of Tales of Manhattan (1942), he kept a vacuum flask with him at all times and frequently availed himself of its contents. Phil Silvers, who had a minor supporting role in the scene featuring Fields, described in his memoir what happened next:
One day the producers appeared on the set to plead with Fields: "Please don't drink while we're shooting — we're way behind schedule" ... Fields merely raised an eyebrow. "Gentlemen, this is only lemonade. For a little acid condition afflicting me." He leaned on me. "Would you be kind enough to taste this, sir?" I took a careful sip — pure gin. I have always been a friend of the drinking man; I respect him for his courage to withdraw from the world of the thinking man. I answered the producers a little scornfully, "It's lemonade." My reward? The scene was snipped out of the picture.
In a testimonial dinner for Fields in 1939, the humorist Leo Rosten remarked of the comedian that "any man who hates dogs and babies can't be all bad". The line—which Bartlett's Familiar Quotations later erroneously attributed to Fields himself—became famous, and reinforced the popular perception that Fields hated children and dogs. In reality, Fields was somewhat indifferent to dogs, but occasionally owned one. He was fond of entertaining the children of friends who visited him, and doted on his first grandchild, Bill Fields III, born in 1943. He sent encouraging replies to all of the letters he received from boys who, inspired by his performance in The Old Fashioned Way, expressed an interest in juggling.
Source : Wikidata
W. C. Fields
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Birth name William Claude Dukenfield
Nationality USA
Birth 29 january 1880 at Philadelphia (USA)
Death 25 december 1946 (at 66 years) at Pasadena (USA)
Nationality USA
Birth 29 january 1880 at Philadelphia (USA)
Death 25 december 1946 (at 66 years) at Pasadena (USA)
William Claude Dukenfield (January 29, 1880 – December 25, 1946), better known as W. C. Fields, was an American comedian, actor, juggler and writer. Fields' comic persona was a misanthropic and hard-drinking egotist, who remained a sympathetic character despite his snarling contempt for dogs and children.
His career in show business began in vaudeville, where he attained international success as a silent juggler. He gradually incorporated comedy into his act, and was a featured comedian in the Ziegfeld Follies for several years. He became a star in the Broadway musical comedy Poppy (1923), in which he played a colorful small-time con man. His subsequent stage and film roles were often similar scoundrels, or else henpecked everyman characters.
Among his recognizable trademarks were his raspy drawl and grandiloquent vocabulary. The characterization he portrayed in films and on radio was so strong it was generally identified with Fields himself. It was maintained by the publicity departments at Fields' studios (Paramount and Universal) and was further established by Robert Lewis Taylor's biography, W.C. Fields, His Follies and Fortunes (1949). Beginning in 1973, with the publication of Fields' letters, photos, and personal notes in grandson Ronald Fields' book W.C. Fields by Himself, it was shown that Fields was married (and subsequently estranged from his wife), and financially supported their son and loved his grandchildren.
Biography
Fields married a fellow vaudevillian, chorus girl Harriet "Hattie" Hughes (1879-1963), on April 8, 1900. She became part of Fields' stage act, appearing as his assistant, whom he would entertainingly blame whenever he missed a trick. Hattie was well educated and tutored Fields in reading and writing during their travels. Fields became an enthusiastic reader and habitually traveled with a trunkful of books that included grammar books, translations of Homer and Ovid, and works by authors ranging from Shakespeare to Dickens to Twain.The couple had a son, William Claude Fields, Jr. (July 28, 1904 - Feb. 16, 1971) and although Fields was an avowed atheist—who, according to James Curtis, "regarded all religions with the suspicion of a seasoned con man"—he yielded to Hattie's wish to have their son baptized.
By 1907 he and Hattie separated; she had been pressing him to stop touring and settle into a respectable trade, but he was unwilling to give up show business. They never divorced. Until his death, Fields continued to correspond with Hattie and voluntarily sent her a weekly stipend.
While performing in New York City at the New Amsterdam Theater in 1916, Fields met Bessie Poole, an established Ziegfeld Follies performer whose beauty and quick wit attracted him, and they began a relationship. With her he had another son, named William Rexford Fields Morris (August 15, 1917 – November 30, 2014). Neither Fields nor Poole wanted to abandon touring to raise the child, who was placed in foster care with a childless couple of Bessie's acquaintance. Fields' relationship with Poole lasted until 1926. In 1927, he made a negotiated payment to her of $20,000 upon her signing an affidavit declaring that "W. C. Fields is NOT the father of my child". Poole died of complications of alcoholism in October 1928, and Fields contributed to her son's support until he was 19 years of age.
Fields met Carlotta Monti (1907–1993) in 1933, and the two began a sporadic relationship that lasted until his death in 1946. Monti had small roles in two of Fields' films, and in 1971 wrote a biography, W.C. Fields and Me, which was made into a motion picture at Universal Studios in 1976. Fields was listed in the 1940 census as single and living at 2015 DeMille Drive (Cecil B. DeMille lived at 2000, the only other address on the street).
Alcohol, dogs, and children
Fields' screen character often expressed a fondness for alcohol, a prominent component of the Fields legend. Fields never drank in his early career as a juggler, because he did not want to impair his functions while performing. Eventually, the loneliness of constant travel prompted him to keep liquor in his dressing room as an inducement for fellow performers to socialize with him on the road. Only after he became a Follies star and abandoned juggling did Fields begin drinking regularly. His role in Paramount Pictures' International House (1933), as an aviator with an unquenchable taste for beer, did much to establish Fields' popular reputation as a prodigious drinker. Studio publicists promoted this image, as did Fields himself in press interviews.
Fields expressed his fondness for alcohol to Gloria Jean (playing his niece) in Never Give a Sucker an Even Break: "I was in love with a beautiful blonde once, dear. She drove me to drink. That's the one thing I am indebted to her for." Equally memorable was a line in the 1940 film My Little Chickadee: "Once, on a trek through Afghanistan, we lost our corkscrew...and were forced to live on food and water for several days!" The oft-repeated anecdote that Fields refused to drink water "because fish fuck in it" is unsubstantiated.
On movie sets Fields famously shot most of his scenes in varying states of inebriation. During the filming of Tales of Manhattan (1942), he kept a vacuum flask with him at all times and frequently availed himself of its contents. Phil Silvers, who had a minor supporting role in the scene featuring Fields, described in his memoir what happened next:
One day the producers appeared on the set to plead with Fields: "Please don't drink while we're shooting — we're way behind schedule" ... Fields merely raised an eyebrow. "Gentlemen, this is only lemonade. For a little acid condition afflicting me." He leaned on me. "Would you be kind enough to taste this, sir?" I took a careful sip — pure gin. I have always been a friend of the drinking man; I respect him for his courage to withdraw from the world of the thinking man. I answered the producers a little scornfully, "It's lemonade." My reward? The scene was snipped out of the picture.
In a testimonial dinner for Fields in 1939, the humorist Leo Rosten remarked of the comedian that "any man who hates dogs and babies can't be all bad". The line—which Bartlett's Familiar Quotations later erroneously attributed to Fields himself—became famous, and reinforced the popular perception that Fields hated children and dogs. In reality, Fields was somewhat indifferent to dogs, but occasionally owned one. He was fond of entertaining the children of friends who visited him, and doted on his first grandchild, Bill Fields III, born in 1943. He sent encouraging replies to all of the letters he received from boys who, inspired by his performance in The Old Fashioned Way, expressed an interest in juggling.
Usually with
Filmography of W. C. Fields (46 films)
| Year | Name | Job | Roles |
|---|---|---|---|
| 1976 | That's Entertainment, Part II | Actor | (archive footage) |
| 1975 | Brother, Can You Spare a Dime? | Actor | Self (archive footage) |
| 1968 | The Movie Orgy | Actor | Self (archive footage) |
| 1957 | The Golden Age of Comedy | Actor | |
| 1944 | Follow the Boys | Actor | W. C. Fields |
| 1944 | Sensations of 1945 | Actor | W.C. Fields |
| 1944 | Song of the Open Road | Actor | W.C. Fields |
| 1943 | Show-Business at War | Actor | Self |
| 1942 | Tales of Manhattan | Actor | Professor Pufflewhistle |
| 1941 | Never Give a Sucker an Even Break | Actor, Story | The Great Man |
| 1940 | The Bank Dick | Actor, Scriptwriter | Egbert Sousé |
| 1940 | My Little Chickadee | Actor, Scriptwriter | Cuthbert J. Twillie |
| 1939 | You Can't Cheat an Honest Man | Actor, Story | Larson E. Whipsnade |
| 1938 | The Big Broadcast of 1938 | Actor | T. Frothingill Bellows / S.B. Bellows |
| 1936 | Poppy | Actor | Eustace McGargle |
| 1935 | David Copperfield | Actor | Wilkins Micawber |
| 1935 | Mississippi | Actor | Commodore Jackson |
| 1935 | Man on the Flying Trapeze | Actor, Director, Story | Ambrose Wolfinger |
| 1934 | It's a Gift | Actor, Story | Harold Bissonette |
| 1934 | Mrs. Wiggs of the Cabbage Patch | Actor | Mr. Stubbins |
| 1934 | The Old-Fashioned Way | Actor, Story | The Great McGonigle / Squire Cribbs in 'The Drunkard' |
| 1934 | Six of a Kind | Actor | Sheriff John Hoxley |
| 1934 | You're Telling Me! | Actor, Scriptwriter | Sam Bisbee |
| 1933 | Alice in Wonderland | Actor | Humpty-Dumpty |
| 1933 | International House | Actor | Professor Quail |
| 1933 | The Pharmacist | Actor, Writer | Mr. Dilweg |
| 1933 | Tillie and Gus | Actor | Augustus Winterbottom |
| 1933 | The Barber Shop | Actor, Writer | Cornelius O'Hare |
| 1933 | The Fatal Glass of Beer | Actor, Writer | Mr. Snavely |
| 1932 | The Dentist | Actor, Writer | Dentist |
| 1932 | If I Had a Million | Actor | Rollo La Rue |
| 1932 | Million Dollar Legs | Actor | The President |
| 1931 | Her Majesty, Love | Actor | Bela Toerrek |
| 1930 | The Golf Specialist | Actor, Writer | J. Effingham Bellweather |
| 1928 | Tillie's Punctured Romance | Actor | Ring Master |
| 1928 | Fools for Luck | Actor | Richard Whitehead |
| 1927 | Running Wild | Actor | Elmer Finch |
| 1927 | The Potters | Actor | Pa Potter |
| 1927 | Two Flaming Youths | Actor | Gabby Gilfoil |
| 1926 | So's Your Old Man | Actor | Samuel Bisbee |
| 1926 | It's the Old Army Game | Actor | Elmer Prettywillie |
| 1925 | Sally of the Sawdust | Actor | Professor Eustance McGargle |
| 1925 | That Royle Girl | Actor | Professor Royle |
| 1924 | Janice Meredith | Actor | A British Sergeant |
| 1915 | Pool Sharks | Actor, Writer | |
| 1914 | His Lordship's Dilemma | Actor |