Joan Crawford (Faye Dunaway) is a driven actress and compulsively clean housekeeper who tries to control the lives of those around her as tightly as she controls herself. To prepare for a work day at MGM Studios, she rises at 4:00 a.m. and engages in a strict morning ritual: scrubbing her face and arms with soap and boiling hot water, then plunging her face into a bowl of rubbing alcohol and ice to close the pores. When Helga (Alice Nunn), a new maid, thinks she has Joan's living room in spotless condition, Joan finds one minor detail that she overlooked and loses her temper.
The film follows documentary filmmaker Alex Gibney as he examines the abuse of power in the Catholic Church system through the story of four deaf men — Terry Kohut, Gary Smith, Pat Kuehn and Arthur Budzinski — who set out to expose the priest who abused them during the mid-1960s. Each of the men brought forth the first known case of public protest against clerical sex abuse, which later lead to the sex scandal case known as the Lawrence Murphy case. Through their case the film follows a cover-up that winds its way from the row houses of Milwaukee, Wisconsin, through Ireland's churches, all the way to the highest office of the Vatican.
At her eleventh birthday, Angeliki commits suicide by jumping off the balcony. She was found with a smile on her face. While the authorities are trying to find out what led little Angeliki to death, her family insists that her death was an accident.
When a Hartford couple turns to psychiatry for help with their marriage, things quickly spiral out of control. Couples counseling, individual and group therapy and 24-hour marathon sessions ensue. Their four children suffer and are given their own psychiatrists. Pills are prescribed, people are institutionalized, shock-therapy is administered. This is an intimate story in the family’s own words, from an extraordinary collection of audio recordings and home movies, illuminating a difficult and extraordinary time.
The first scene of the film is a reenactment of a kidnapping. A girl is kidnapped and brought to the apartment of a criminal organization, where she is confined with other girls in a room with a creaky ceiling lit by a flickering lightbulb. The girls are naked and cry from fear as men examine them and shout commands and threats at them. One girl is dragged away into another room. The girls are then brutally abused until they become sexually submissive. These events take place in a small European town, possibly in Moldova. The film asserts that 10% of the population of Moldova has been sexually trafficked. From there, the film tracks the girls through Serbia and Croatia to Amsterdam's red-light district and markets in Berlin and Las Vegas. Among legal prostitution in cities, the slavery goes undetected. Slaves are depicted in confinement, at their places of work, and as they are sold. Many of the girls are orphans and all are either initially kidnapped or tricked into forced prostitution. The methods that the traffickers use to keep the girls include hard drugs, mind control, and both sexual and physical abuse.
Bill Nugent, an anthropology professor, awakens in the hospital he was brought to after having been found in the woods with his face mutilated; Nugent had ventured into the wilderness in search of Bigfoot with five of his pupils, all of whom are missing. An inspector interviews Nugent, who begins his story, which starts with Carla Thomas, the daughter of one of the cryptid's victims, asking to accompany Nugent and four of his students on their expedition to find proof of Bigfoot's existence. A flashback depicts Nugent showing Carla and his class recovered footage of Bigfoot attacking a picnicking family, whose remains were never found. Bigfoot's involvement in the disappearance of the family was deemed a hoax by the authorities, who have also labeled evidence suggesting the monster's involvement in other deaths in the area fake. Carla addresses the classroom, reveals the evidence of Bigfoot's involvement in her father's murder appears to have been tampered with, and tells of one woman's account of witnessing the creature maul her lover, who was dragged from the vehicle they were having sex in, and left to die on the windshield.
The film opens on Shelley, a college student, sitting outside a Japanese style house near a koi pond. Her pet cat is near the pond, and after hearing a strange noise there, Shelley goes to investigate. A hand reaches out of the pond and grabs Shelley, pulling her under. Seconds later, the same hand drags the cat down to its death. A red hard candy floats to the surface of the pond.
Ce film dépeint les pratiques cruelles et déshumanisantes de la traite des êtres humains et de l'esclavage moderne à l'échelle mondiale. Filmé sur cinq continents, dans une douzaine de pays, "Not My Life" emmène le spectateur dans un monde où des millions d'enfants sont exploités via un panel stupéfiant de pratiques, incluant le travail forcé, le tourisme sexuel, l'exploitation sexuelle, et les enfants soldats.
Florida Justice Transitions abrite 120 délinquants sexuels condamnés. Comme dans de nombreux autres États américains, les délinquants sexuels ne sont pas autorisés à vivre à moins de 300 mètres des lieux fréquentés par les enfants. Pour cette raison, de nombreux délinquants sexuels vivent sous des ponts ou dans des bois – ou dans le parc à roulottes Florida Justice Transitions – connu sous le nom de Pervert Park. Les crimes commis par les résidents vont de simples délits à des actes horribles insupportables à envisager.
In the early 1900s, a young orphan named Pete flees his abusive adoptive hillbilly family, the Gogans. As Lena Gogan and company pursue him ("The Happiest Home in These Hills"), an unseen force, which Pete calls Elliott, knocks them into a mud pit. The next morning, Pete and Elliott, a green and purple dragon who has the power of invisibility, share breakfast ("I Love You, Too") and visit Passamaquoddy, a village where the unseen Elliott, performing clumsy antics, causes Pete to be labeled a source of ill luck. Lampie, the drunken old lighthouse keeper, stumbles out of a tavern and encounters Pete. A mischievous Elliott makes himself visible, and a terrified Lampie runs into the saloon to warn the townsfolk ("I Saw a Dragon"). In a seaside cave, Pete scolds Elliott for causing trouble. Just as they make up, Lampie's daughter Nora appears, having spotted Pete earlier. She says that due to the ongoing tides from the sea, that it's unsafe for Pete to stay, thus leaving Elliott to remain there. She offers him shelter at the lighthouse, and they talk ("It's Not Easy"). Pete learns the story of Nora's fiancé, Paul, whose ship was reported lost at sea the previous year. Pete promises to ask Elliott about Paul, and Nora accepts, believing Elliott to be an imaginary friend.
Les policiers de la brigade de protection des mineurs (BPM) de Paris luttent contre les innombrables sévices subis par des mineurs : traque de pédophiles, appréhensions de parents soupçonnés de maltraitance, suivi d'adolescents pickpockets, adolescents en dérive sexuelle, protection de mineurs sans domicile, mineurs victimes de viol, etc. Plongés dans cet univers éprouvant, ces policiers très impliqués et soudés tentent de préserver leur vie privée et leur santé psychique. Une jeune photographe est envoyée faire un reportage photo dans l'unité chargée des affaires de mœurs.