The film intersperses documentary film from German Concentration Camps Factual Survey, the 1945 documentary, with recent interviews with survivors and liberators. The producers, editors and cameramen who produced the 1945 documentary are featured, and its long delay is explored.
Staff Sgt. Raphael "Gingy" Moked is ordered by his company commander, Captain Shamgar, to retrieve Sergio Constanza, a deserter from reserve service. On his way he meets his girlfriend Yaeli and offers to talk to her father, Victor Hasson, to get a blessing for their relationship. Hasson gives his blessing, believing that Moked came for his older daughter Shifra, but throws him out of the house after finding out this was not so. Yaeli does not wish to part from Moked, and sneaks into a suitcase in his jeep. Meanwhile, Constanza tricks several other gamblers into losing thousands of dollars, which he intends to use to repay his debt to Mr. Hasson. The gamblers find out about the plot however, which leaves Sergio with no choice but to run away to the army with Moked.
God creates the universe. Lucifer mocks God for the shortcomings of humanity, which he predicts will soon aspire to become God. As the primaeval spirit of negation, he claims to be as old as God and demands his share of the world, which he is granted in the Tree of Knowledge and the Tree of Immortality.
Three very different brothers – Alon (34), a no-nonsense Israeli Army officer; Benni (30), a brilliant electrician; and Idan (22), a wimpy field trip guide – navigate obstacles in an attempt to bury their beloved grandmother in the cemetery of her kibbutz, the fictional Asisim. Because Alon has a secret security operation set for that same day, they have to work on a tight schedule, so he plans it like a military operation (hence the title). A series of mistakes and mishaps complicate things.
"La famille de Nicky" est l'histoire extraordinaire de Nicholas Winton, surnommé le Schnindler britannique, qui avant le début de la seconde guerre mondiale, entre mars et août 1939, a sauvé 669 enfants tchèques et slovaques, pour la plupart juifs, du génocide nazi. Le film mêle fiction, documents d'archives inédits, et témoignages émouvants des protagonistes de cette histoire, parmi lesquels Nicholas Winton en personne et Joe Schlesinger, journaliste à la CBC et narrateur du film. La "famille" de Nicholas Winton compte aujourd'hui plus de 5 000 personnes dans le monde entier, qui lui doivent la vie.
Joseph, a Hebrew, is an Egyptian slave to Potiphar, chief of Pharaoh's palace guard. When Joseph is placed under the charge of Ednan, Potiphar's overseer, Ednan torments Joseph for his refusal to show deference for the Egyptian god Amun. But Joseph eventually earns Ednan's respect when he reveals that he knows how to read, and Ednan starts relying more and more on Joseph.
Pharaoh Rameses I of Egypt has ordered the death of all firstborn Hebrew males after hearing the prophecy of the Deliverer, but a Hebrew woman named Yoshebel saves her infant son by setting him adrift in a basket on the Nile. Bithiah, the Pharaoh's daughter, who had recently lost her husband and the hope of ever having children of her own, finds the basket and decides to adopt the boy even though her servant, Memnet, recognizes the child is Hebrew and protests.
Set in contemporary West Berlin (at the time still enclosed by the Berlin Wall), Wings of Desire follows two angels, Damiel and Cassiel, as they roam the city, unseen and unheard by its human inhabitants, observing and listening to the diverse thoughts of Berliners: a pregnant woman in an ambulance on the way to the hospital, a painter struggling to find inspiration, a broken man who thinks his girlfriend no longer loves him. Their raison d'être is, as Cassiel says, to "assemble, testify, preserve" reality. In addition to the story of two angels, the film is also a meditation on Berlin's past, present, and future. Damiel and Cassiel have always existed as angels; they existed in Berlin before it was a city, and before there were even any humans.
Le documentaire relate l'histoire de cinq juifs hongrois durant l'holocauste, en s'intéressant notamment à la vie dans les camps de concentration et au désir de vivre des prisonniers.
There are five cameras — each with its own story. When his fourth son, Gibreel, is born in 2005, self-taught cameraman Emad Burnat, a Palestinian villager, gets his first camera. At the same time in his village of Bil’in, the Israelis begin bulldozing village olive groves to build a barrier to separate Bil'in from the Jewish Settlement Modi'in Illit. The barrier's route cuts off 60% of Bil'in farmland and the villagers resist this seizure of more of their land by the settlers.
Portrecista (The Portraitist) examines the life and work of Wilhelm Brasse, who had been trained as a portrait photographer at his aunt's studio prior to World War II and passionately loved taking photographs. After his capture and imprisonment by the Nazis at Auschwitz concentration camp in 1940, at the age of 23, he was forced to take "identity pictures" of between approximately 40,000 to 50,000 other inmates between 1940 and 1945. With "courage and skill", documenting "cruelty which goes beyond all words ... for future generations", after his liberation at the end of World War II, Brasse "could not continue with his profession" and would never take another photograph.
Turkish Passport tells the story of diplomats posted to Turkish embassies and consulates in several European countries, who saved numerous Jews during the Second World War. Whether they pulled them out of Nazi concentration camps or took them off the trains that were taking them to the camps, the diplomats, in the end, ensured that the Jews who were Turkish citizens could return to Turkey and thus be saved. Based on the testimonies of witnesses who traveled to Istanbul to find safety, Turkish Passport also uses written historical documents and archive footage to tell this story of rescue and bring to light the events of the time. The diplomats saved not only the lives of Turkish Jews, but also rescued foreign Jews condemned to a certain death by giving them Turkish passports. In this dark period of history, their actions lit the candle of hope and allowed these people to travel to Turkey, where they found light. Through interviews conducted with surviving Jews who had boarded the trains traveling from France to Turkey, and talks with the diplomats and their families who saved their lives, the film demonstrates that "as long as good people are ready to act, evil cannot overcome".