Moi, Van Gogh propose une vision tout à fait nouvelle de l'artiste.
Cette vision est celle de Peter Knapp et de François Bertrand qui ont voulu un film à la fois centré sur le travail du peintre, construisant une relation intime avec l'homme, et résolument spectaculaire dans son traitement graphique grâce au procédé 70 mm/15 perforations - IMAX.
In early 1920s Copenhagen, the illustrator and artist Gerda Wegener (Alicia Vikander) asks her husband, Einar Wegener (Eddie Redmayne), to stand in for a female model. The popularity of the portraits leads to Gerda painting her husband in further pictures as a woman. Einar develops an attraction for a female physical appearance and begins living as a woman named Lili Elbe. Ultimately Elbe becomes the first ever recipient of male to female sex reassignment surgery, and Gerda supports her decision, although their marriage becomes strained when Gerda comes to the realization that Lili is no longer the person she married. A childhood friend of Lili, Hans Axgil (Matthias Schoenaerts), shows up and forms a complex love triangle with the couple.
Michelangelo Buonarroti, a sculptor from Florence, is first commissioned to craft the Pope's tomb in Rome. Instead, Pope Julius II orders him to paint frescoes on the Sistine Chapel ceiling depicting the Twelve Apostles. After his first attempt at painting the Apostles, he destroys his work and flees to Carrara to quarry Carrara marble. He evades the pope's guard and flees into the mountains, where he becomes inspired.
Vicky (Rebecca Hall) and Cristina (Scarlett Johansson) visit Barcelona for the summer, staying with Vicky's distant relative Judy (Patricia Clarkson) and her husband Mark (Kevin Dunn). While the two are great friends, Vicky is practical and traditional in her approach to love and commitment and is engaged to the reliable Doug (Chris Messina), whereas Cristina imagines herself to be a nonconformist, spontaneous but unsure of what she wants from life or love.
It begins with the Korean artist being suspicious of a Japanese art-lover who values his work. The story then goes back to his man's early years. Beginning as a vagabond with a talent for drawing, he has a talent for imitating other people's art, but is urged to go on and develop a style of his own. This process is painful and he often behaves very badly, getting drunk and being hostile to those who care about him and try to help him.
Le film, comme le titre l'indique, est une biographie du peintre hollandais du XVII siècle, qualifié de « plus grand peintre de tous les temps » dans le texte qui défile à l'écran en guise de préambule. Rembrandt, au moment où l'histoire commence, est un peintre adulé, sollicité par les plus riches, mais dont le plus grand plaisir consiste à réaliser des portraits de son épouse Saskia. Celle-ci, cependant, tombe brusquement malade et meurt, laissant le peintre désemparé. Plutôt que d'assister aux funérailles de sa femme, il tâche de peindre d'elle au moins un dernier portrait, tant que son image ne s'est pas encore tout à fait éteinte dans son souvenir ; à partir de cet événement tragique, la vie du peintre, progressivement, va se désagréger…
Le film se déroule en 1890 et présente les 67 derniers jours de la vie du peintre postimpressionniste Vincent van Gogh, depuis son arrivée en train à Auvers-sur-Oise, où il est soigné et protégé par le docteur Gachet, à sa mort consécutive à sa tentative de suicide.
In the summer of 2007, Kim Seong-nam, a painter in his forties, travels to Paris, France to escape arrest for smoking marijuana, leaving his wife behind in Korea. While there he meets an ex-girlfriend, Min-seon, and is introduced to a small community of Korean artists.
A famous painter named Claude Zoret falls in love with one of his models, Michael, and for a time the two live happily as partners. Zoret is considerably older than Michael, and as they age, Michael begins to drift from him, although Zoret is completely blind to this. When a bankrupt countess comes to Zoret to have a portrait made — with the real intent of seducing him and swindling his money — she finds Michael to be more receptive to her advances. At her lead, the two quickly become a couple and she immediately begins using Michael to steal from Zoret. When Zoret discovers what has been going on, he is crushed and his work suffers terribly.
A painter returns from Paris to his childhood home in rural France. Looking for a gardener, he meets a former schoolmate. He discovers a simple, open character, with a lot of common sense.
Le film s’ouvre sur un texte de Lucebert : "J'essaie sur le mode poétique, c'est-à-dire les lumineuses eaux de la simplicité, d’exprimer l’espace du vivre complet".
Stefano (Lino Capolicchio) arrives in a village of the Valli di Comacchio area where he has been employed to restore a fresco depicting what appears to be the martyring of Saint Sebastian, which has been painted on a rotting wall of the local church by a mysterious, long-dead artist. While temporarily taking up residence in the house that had been previously owned by the two sisters of the deceased painter, Stefano begins a romance with a new, beautiful schoolteacher, Francesca (Francesca Marciano), meanwhile learning from various townspeople that the painter had been a madman who had derived his art from real life. Specifically, Stefano learns that the artist — assisted by his two equally-insane sisters — had been a killer who brutally tortured people through to death as inspiration for his horrific paintings — a practice that had likely been used for the very painting he is in process of restoring. As Stefano is discouraged for his task throughout the town, some of the villagers are brutally killed — including his employer — and he comes to suspect that their murderer is trying to deter him from discovering the full truth behind the artist and his ominous legacy within the sleepy community.
A mysterious figure known only as "The Visitor" appears in the lives of a typical bourgeois Italian family. His arrival is heralded at the gates of the family's Milanese estate by an arm-flapping postman. The enigmatic stranger soon engages in sexual affairs with all members of the household: the devoutly religious maid, the sensitive son, the sexually repressed mother, the timid daughter and, finally, the tormented father. The stranger gives unstintingly of himself, asking nothing in return. He stops the passionate maid from committing suicide with a gas hose and tenderly consoles her; he befriends and sleeps with the frightened son, soothing his doubts and anxiety and endowing him with confidence; he becomes emotionally intimate with the overprotected daughter, removing her childish innocence about men; he seduces the bored and dissatisfied mother, giving her sexual joy and fulfillment; he cares for and comforts the despondent and suffering father, who has fallen ill.
In 1958, Margaret leaves her husband and takes her young daughter Jane to North Beach, San Francisco. Supporting her daughter alone, Margaret gets a job painting illustrations at a furniture factory. While creating portraits at an outdoor art show, Margaret meets Walter Keane, who is selling his Parisian street scene paintings. Soon, Walter proposes to her and they marry.