Francene is abused and degraded by her husband Cardi (played by Italian actor George Eastman), and eventually she kills herself. Her sister Emanuelle then chains Cardi in a soundproof room with a two-way mirror, and tortures him by having sex with men and women, in which he cannot participate. Eventually driven mad, he proceeds to make his escape.
Jean mène une vie tout ce qu'il y a de plus correcte, avec une famille et un travail respectable, celui de directeur de la prison pour femmes de Versailles. Seulement, à partir du jour où il se penche sur le dossier d'Anna, incarcérée sous sa garde, tout change. Ils tombent éperdument amoureux, et vivent une histoire d'amour intense mais aussi impossible. Inspiré d'une histoire vraie (racontée par Florent Gonçalves dans son livre), ce film met en parallèle leur emprisonnement respectif : celui de Jean, psychologique, et celui d'Anna, plus matériel.
"Sister" Sarah Jane Butler, a hymn-humming religious fanatic who believes God has chosen her to cleanse the world of those who have sex for pleasure, seduces a bar patron, and guts him after the two leave together. Sarah then drives to Los Angeles, and lures another man to his death, scrawling "God is Love, not Sex" on a mirror afterward. While busking and preaching on the street, Sarah befriends Penelope von Prut, a naive lesbian who is being supported by her wealthy and ashamed parents. Sarah moves in with Penny, who she takes on as a disciple, and inducts into "Sister Sarah's Sacred Order of the Sisters of Complete Subjugation" by tying her to a bed, stripping her, and teasing her with a knife as they sing "Glory, Glory, Hallelujah".
For their vacation, Ash, his wife Linda, their friend Scotty, and his wife Shelly travel to an apparently abandoned cabin in the woods. In the cabin, the quartet finds a recorder, audio reels, and an old book. Scotty plays one of the reels, which were made by the cabin's owners, Professor Raymond Knowby, and his wife Henrietta. The reel reveals the professor and his wife were working on translating the book, a seemingly demonic sex guide known as the Necronomicum Ex-Mortis. While reciting a mantra he found in the Necronomicum, Knowby seemingly went insane, laughing maniacally as he repeated the words over and over again, summoning an evil force that shatters one of the cabin's windows.
"Ladies and gentlemen, welcome to violence." The narration over images of an optical audio track gives way to three go-go dancers—Billie (Lori Williams), Rosie (Haji), and Rosie’s lover, their leader, Varla (Tura Satana)—as they shimmy and shake their way through the title song before racing their sports cars across the California desert. They play a high-speed game of chicken on the salt flats and encounter a young couple out to run a time trial. After breaking the boyfriend’s (Ray Barlow) neck in a fight, Varla kidnaps and drugs his bikini-clad teenage girlfriend, Linda (Susan Bernard).
Felicity Robinson (Glory Annen) is a teen who studies at a remote Roman Catholic Church boarding school and who seeks indulgence in popular erotic novels Story of O, Emmanuelle and in a lesbian love affair with her friend Jenny (Jody Hanson). Her father arranges her holiday trip to Hong Kong where she will stay with a wealthy couple, Christine (Marilyn Rodgers) and Stephen (Gordon Charles). After a party at the couple's mansion, she is deflowered by a guest, Andrew (David Bradshaw) and Christine introduces her to libertine Me Ling (Joni Flynn). Me Ling initiates Felicity to new pleasures. However, Felicity eventually falls in love with Miles (Chris Milne) who saves her from a bunch of Chinese thugs.
Catherine (Catherine Erhardt) is a sexually unfulfilled socialite that longs for the memory of her father. She spends much of her time in the attic, masturbating in front of a gothic mirror that reminds her of her childhood and teen years with her father (Jamie Gillis). During one of her daily visits she encounters the ghost of her father in the mirror, who masturbates her and draws her into the mirror to witness several sexually charged scenarios. These pique her interest and eventually culminate in a scene where Catherine witnesses her teen self semi-reluctantly, then enthusiastically, take part in an incestuous encounter with her father. After her father is finished with the encounter, he remarks to Catherine that this was what she wanted (hinting that the sexual encounter and history of incest may or may not have been a false memory). Before returned to reality, Catherine realizes that this is not her father but a demonic figure. She tries to deny his invitation to come into the mirror's realm as a permanent resident but the demon tells her that he knows that she will return as she always have because she is bored with the world and with her husband. He tells her to return to the mirror at 1 am, but only after fulfilling a few conditions. She must not only throw all of her jewelry away, but she must also allow her daughter Jennifer to have unconditional access to the room so that the demon can watch her just as he watched Catherine grow. This upsets Catherine, as she had previously forbid her daughter from entering the room and did not want to allow the demon access to Jennifer. She tries to get out of the late night encounter by trying to leave the house and persuade her husband to take her somewhere, but is unsuccessful. Later that night Catherine returns to the room and in a dream-like state begins to masturbate. The demon exits the mirror and while initially languid upon his approach, Catherine begins to struggle against his advances. He then violently rapes Catherine, who screams, which awakens the rest of the house. She eventually passes out, awakening in a horrific world where people perform the most depraved degradation to themselves and one another. Catherine is horror struck to realize that rather than the lavish world that had been promised to her, the demon has tricked her and that she is there because she chose to focus on sexual illusions and fulfilling her deepest desires rather than try to interact more with the world around her and improve herself as a person. She discovers her father among one of the souls in the sexual hell, which further terrifies her. Dodging the many people trying to sexually assault her, Catherine tries to escape but is unable to and succumbs to the madness of the hell. The film ends with her daughter sitting in front of the mirror, becoming just as enraptured with it as her mother was.
Une jeune femme rêvant d'être chanteuse d'opéra est envoyée en Afrique par son agent. Là-bas, elle se fait passer pour une indigène. Rapidement, un homme très important dans le monde de l'opéra tombe sous son charme, la prend sous son aile et décide d'en faire une vedette aux Etats-Unis.
A married 19-year-old, Marie Allen (Eleanor Parker), is sent to prison after a botched armed robbery attempt with her equally young husband, Tom, who is killed. While receiving her initial prison physical, she finds out that she is two months pregnant.
Cult director Jesus Franco's Swiss-West German production is a women's prison tale, with Lina Romay as Maria who is jailed after killing her father, played by director Jesus Franco, who tries to rape her. Lesbian wardens, torture, nudity, sex, insanity, conspiracy and a downbeat twist ending round out the formula.
Avec l'aide de son frère, Monica Hadler, une dangereuse terroriste, s'évade de prison en compagnie de trois codétenues, Betty, Diana et Erica. Le groupe prend en otage un groupe de jeunes femmes qui se rendent en autocar à un tournoi de tennis, puis investit une villa où le frère de Monica, grièvement blessé, peut être soignée par une des otages, Claudine, étudiante en médecine.