Hans: Het Leven voor de dood (Hans, Life Before Death) is a 1983 Dutch documentary feature film by Louis van Gasteren about the life of the young composer Hans van Sweeden (nl) (1939-1963) and those who knew him intimately. The film deals intimately with the children of the Nazis. It won the Golden Calf for Best Feature Film in 1983. Award of the Dutch film critics, 1983; the Belgian film critics Award, 1984; Best Dutch Documentary 1980-1990. 35 mm, b/w & color, 155 min.
The film is about the harrowing life of the musician, poet and actor Hans van Sweeden (1939-1963), who ended his life at the age of 24. Simultaneously, the film offers a poignant portrait of his contemporaries in the turbulent fifties and sixties. Louis van Gasteren received a Golden Calf.
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The film begins in 1967 with extremely exotic and unusual scenes of a mast (a kind of Sufi God-intoxicated person that Baba worked with), followed by a scene of Baba washing the feet of lepers. Next the filmmaker greets Baba with a bougainvillea branch and proceeds to interview him on God-realization, drugs, and cinema. The film ends with a much older Van Gasteren returning to India three decades later in a reunion with Eruch Jessawala who originally interpreted Baba's gestures. Meher Baba has long died as the now more mature men exchange words and photos. Also in the final scenes, Louis van Gasteren dons a red turban that Meher Baba had given him during their meeting in 1967 and which he had not worn for 30 years. The turban was later donated to the Meher Spiritual Center in Myrtle Beach.
As the film opens, a ninety-year-old Louis van Gasteren—a documentary filmmaker and artist famed in the Netherlands—is seated in a video editing suite, watching scenes of himself in the 1960s, a time when “anything was possible.” He reflects on how much he has changed, and that he is that same person and yet is not.
, 1h18 GenresComedy, Documentary ThemesDocumentaire sur une personnalité ActorsLenny Clarke, Janeane Garofalo, Bobcat Goldthwait, Denis Leary, Colin Quinn, Steven Wright Rating63% Produced by Chad Sahley,the film portrays the smart yet gritty comedy of Boston, a veritable melting pot of people of very different backgrounds: the multi-ethnic working class and the hip, learned college crowd. In an interview for the film, Solimita commented that "Those two things right next to each other created an odd vibe - really smart people who also understand a dollar earned. The comedy just sort of percolated."