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Nadiya Ke Paar is a film directed by Kishore Sahu with Dilip Kumar
Nadiya Ke Paar (1948)
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Add to a movie listDirected by Kishore Sahu
Rating71%
Nadiya Ke Paar (Hindi: नदिया के पार , "Across the river") is a 1948 Indian Bollywood film directed by Kishore Sahu. It was the sixth highest grossing Indian film of 1948.
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Suggestions of similar film to Nadiya Ke Paar
There are 129 films with the same actors, 21 films with the same director, to have finally 70 suggestions of similar films.If you liked Nadiya Ke Paar, you will probably like those similar films :
Sawan Aya Re (1948)
Directed by Kishore Sahu
Actors David Abraham, Kishore Sahu
Anand (Kishore Sahu) lives in Nainital with his mother (Pratima Devi). They meet the Mathur family who have recently arrived there for holidays. The father wants to get his three daughters Asha, Sudha and Rama married and is hoping to find some suitable boys for them. When Asha and Anand meet they form a friendship, which is readily accepted by the two families who decide to get them married. However, Asha finds out that Anand and Sudha are in love with each other.
Big Boss (1957)
, 1h34Directed by Kishore Sahu
Genres Drama
Actors Kamini Kaushal, Durga Khote, Kishore Sahu, Agha, Gope, K. N. Singh (Krishan Niranjan Singh)
An elderly lady Rashmi (Kamini Kaushal), starts telling her story to a newly married couple she's giving shelter to as their car has broken down. The story in flashback, is set twenty years earlier. The wealthy landowner, Zamindar Mansingh, is oppressive and demanding of the people in his state. Rashmi and her family have just arrived in Gangapur as guests of Mansingh. Rashmi is captured by the dreaded dacoit Black Bandit. The Bandit releases Rashmi but keeps her jewellery. She notices a mark on the bandit's hand, which is also present on Pratap's hand. Pratap is the oldest son of Mansingh, and Rashmi realises that he's the bandit. Pratap also suffers from a heart problem unknown to the others. It's soon revealed that Pratap is the bandit and his father asks him to leave the house. When Pratap has a heart attack, his father relents and hands over the running of the property to him. Rashmi stays by his side and they get married. The flashback ends with the couple asking about Pratap's fate. Pratap is shown opening the gate of the house, returning from a fishing trip, having managed to survive the doctor's prognosis given twenty years back.
Kavalai Vendam (2016)
Directed by Kishore Sahu
Genres Drama, Comedy, Romance
Actors Jiiva, Kajal Agarwal, Bobby Simha, Nikki Galrani, Sunaina, Mayilsamy
Rating50%
The Black Cloud (1951)
Directed by Kishore Sahu
Actors Kishore Sahu, Bina Rai, Jeevan, Amirbai Karnataki
Rating27%
Mayurpankh (1954)
Directed by Kishore Sahu
Genres Drama, Romance
Actors Kishore Sahu, Jankidas, Helen Khan, Seema Deo, Abbas
Rating59%
Dil Apna Aur Preet Parai (1960)
Directed by Kishore Sahu
Genres Drama, Romance
Actors Raaj Kumar, Meena Kumari, Florence Ezekiel Nadira, Sulochana, Tun tun (Uma Devi Khatri), Helen Khan
Rating65%
Sushil Verma (Raaj Kumar) is a surgeon in the Shimla Hospital. He lives on the hospital grounds in a doctor's house with his ageing mother and younger sister Munni (Kumari Naaz). Sushil's father died and his father's close friend paid for his medical school fees, thus creating a debt that Sushil's mother feels needs to be fulfilled.
Yaamirukka Bayamey (2014)
, 2h2Directed by Kishore Sahu
Genres Comedy, Horror comedy, Horror
Themes Comedy horror films
Actors Kreshna, Rupa Manjari, Oviya, Bobby Simha, Anaswara Kumar, Karunakaran
Rating68%
Kiran (Kreshna) is a television telemarketer, who gets into trouble after one of his products has an opposite effect than what was intended, on the son of a local thug. That is also precisely the moment when he discovers that his ‘real’ father left him a bungalow on an estate in a small town. He cons the son of the don, escapes with the money along with his girlfriend Smitha (Rupa Manjari), renovates the run down mansion into a hotel with the help of a local caretaker Sharath (Karunakaran) who was under the care of Kiran's father before and his bombshell sister Saranya (Oviya). Customers begin trickling in, but strangely most of them wind up dead. Baffled, Kiran tries to uncover the mystery behind the deaths, which eventually leads him to believe that the house is haunted. His suspicions are confirmed when things start going awry in the house, indicating some supernatural presence and when he discovers that the people who checked in to his hotel were all previous owners of the land and interestingly all dead themselves. They soon go to seek help from brother Adaikalam, who is actually a cheat. They kidnap him and bring him to the house. The foursome catch an old man inside the house assuming he is a thief. However, the old man says that he and the others will die if they leave the hotel. He narrates that the house was haunted by a ghost - Mohini (Anaswara Kumar) who would kill the owner of the house. Soon the ghost starts to possess the people in the house and attacks Kiran. The gang is finally cornered with no chance of escape. It is said that they would die by midnight. Hearing someone banging on the door, Kiran opens the door to find the don, his son and his thugs. The don asks for the house in return for the money he conned from him. Feeling pity for them, Kiran warns them about the spirit. Not listening to Kiran, the don forces him to sign the papers for the house. Kiran and his friends are let go and they see the spirits of the previous owners on their way out. Just as they go out, they find the don and his thugs outside. Knowing that the ghost has killed the don's group since it is midnight, Kiran and his group walk away.
Kunwara Baap (1941)
Directed by Kishore Sahu
Actors Nana Palsikar, Kishore Sahu
Prannath (Kishore Sahu) goes to the jeweller’s to buy a ring for his to-be fiancée. While he is in the store, an unwed mother leaves her infant in the back of Prannath’s car. When he comes out he realises he’s stuck with the baby much to his discomfiture as his betrothed refuses to believe his story. The situation gives rise to several funny sequences till the villainous father of the child admits to being the real father and agrees to marry the mother of the abandoned child.