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Rupkothar Golpo is a Bangladais film directed by Tauquir Ahmed with Chanchal Chowdhury
Rupkothar Golpo (2006)
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Add to a movie listRupkothar Golpo: A Fairy Tale (রূপকথার গল্প) is October 25, 2006 released Bangladeshi film directed by Toukir Ahmed. Impress Telefilm Limited produced and distributed the film.
Actors
Chanchal Chowdhury
Tauquir Ahmed
(The Truck Driver)
Mosharraf Karim
(Picopocketer)
Humayun Faridi
Abul Hayat
(Doctor (Guest Appearance))
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Suggestions of similar film to Rupkothar Golpo
There are 19 films with the same actors, 2 films with the same director, to have finally 20 suggestions of similar films.If you liked Rupkothar Golpo, you will probably like those similar films :
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A team of young boys and girls plan to have a big trip across Bangladesh. They all hail from the mega city of Dhaka. In Bangladesh, being a conservative country, it is not common to the sight of a group consisting of both young, single men and women traveling together. Yet in this story, the girls are seen to try to make it against the stream. Each had a different destination in mind: like Sundarban, Cox's Bazar, Saint Martin and many more places. Finally they decide to go to Daruchini Dwip. 'Shuvro'(Riaz) has a big problem for his weak eyesight because he may be put out from the program. But finally the full team goes on a train with 'Shuvro'.
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Just as Moses was found in the river Nile, an infant is rescued from a river, and adopted by Miraj, Karim and Sajib in turns over the years, only to be abandoned at the various stages of his life. From innocence to becoming a gangster, the unpredictable currents of Jalal's journey prove that he is truly a child of the river.
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As a leader of the local community, Chairman Amin (Shahir Huda Rumi) bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village. But at the very end of the film, Television, which he hated so much, comes to the rescue and helps Chairman Amin reach a transcendental state where he and his God are unified. A new twist to the story makes him embrace IMAGE and IMAGINATION.
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