Paths of lives are crossed in one village in the West Bank. Along the broken water pipelines, villagers walk on their courses towards an indefinite future. Israel that controls the water, supplies only a small amount of water, and when the water streams are not certain nothing can evolve. The control over the water pressure not only dominates every aspect of life but also dominates the spirit. Bil-in, without spring water, is one of the first villages of the West Bank where a modern water infrastructure was set up. Many villagers took it as a sign of progress, others as a source of bitterness. The pipe-water was used to influence the people so they would co-operate with Israel’s intelligence. The rip tore down the village. Returning to the ancient technique of collecting rainwater-using pits could be the villagers’ way to express independence but the relations between people will doubtfully be healed.
The film follows a married couple, Leah (Chava Alberstein) and Ya'akov (Alexander Peleg), who live on a kibbutz in the 1970s. Over a period of ten years, all of their attempts to conceive a child have been unsuccessful and their marriage begins to disintegrate as each suffers silently and blames the other. Their difficulties are compounded – and the damaging effects of the lack of privacy in an insular communal environment underscored – when their inability to conceive becomes a matter of public knowledge and gossip among the kibbutz members.