The documentary begins by showing the transfer of elephants from a train; the narrator states that "the elephants need our help". It proceeds with Joyce Poole, an elephant biologist, discussing some of the characteristics of an elephant, including mirror recognition capability. Cynthia Moss and Katy Payne explain some of the habits of elephants. While discussing anthropomorphism of elephants, Indian scientist Raman Sukumar states that elephants have a love–hate relationship with human society. The documentary then describes elephant capture for public display in circuses and zoos.
The documentary is narrated by Chai, who presents the results of her year-long research mostly in the form of a lecture, reminiscent of Al Gore's An Inconvenient Truth. As well as data, she reveals footage from factory visits and interviews with government officials, environmental experts and business owners. She also speaks with officials from London and Los Angeles on how their respective cities have managed to deal with historic issues of pollution.
When the half-naked bodies of brilliant physicist, Dr Gilbert Bogle, and his lover, Mrs Margaret Chandler, were found in bizarre circumstances on a Sydney riverbank in 1963, it set into play an unprecedented forensic investigation.
While raiding Berk's Squab Farm, Mr. Fox and his wife Felicity trigger a fox trap and become caged. Felicity reveals to Fox that she is pregnant and pleads with him to find a safer job if they escape. Two years later, the Foxes and their sullen son Ash are living in a hole. Fox, now a newspaper columnist, moves the family into a better home in the base of a tree, ignoring the warnings of his lawyer Badger about how dangerous the area is for foxes. The tree is located very close to facilities run by three farmers: Walter Boggis, Nathaniel Bunce, and Franklin Bean. Soon after the Foxes move in, Felicity's nephew Kristofferson Silverfox comes to live with them, as his father has fallen ill with double pneumonia. Ash finds this situation intolerable; his soft-spoken cousin is apparently superior to him at almost everything, and everyone, including Fox, is charmed by Kristofferson at Ash's expense. Longing for his days as a thief, Fox and his friend Kylie Opossum steal produce and poultry from the three farms.
Over the course of a calendar year, Earth takes the viewer on a journey from the North Pole in January to the South in December, revealing how plants and animals respond to the power of the sun and the changing seasons. The film focuses on three particular species, the polar bear, African bush elephant and humpback whale.
Voyage sur terre à l'echelle du centimètre. Ses habitants: insectes et autres animaux de l'herbe et de l'eau. Grand prix de la commission supérieure technique, Festival de Cannes 1996.
Depuis l'enfance, Rob Stewart se passionne pour les requins. À tel point qu'il est devenu biologiste et photographe sous-marin afin de pouvoir nager avec eux, décrypter leur mystère et déconstruire le mythe du requin mangeur d'hommes. Ce mythe, entièrement fabriqué, serait selon lui responsable de l'indifférence qui entoure, un peu partout dans le monde, le massacre de la population de requins à des fins commerciales. Du Costa Rica aux Îles Galapagos en passant par le Guatemala, Stewart et l'équipage de l'activiste des mers Paul Watson tentent de dénoncer et de mettre en échec les braconniers à la solde de mafias asiatiques soutenues par des gouvernements corrompus. Il y va de l'équilibre écologique de la planète.
En 2012, dans la revue Nature, Anthony Barnosky, Elizabeth Hadly et 20 autres scientifiques annoncent qu'une partie de l'humanité pourrait disparaître avant 2100, du fait de l'impact de l'espèce humaine sur les écosystèmes, entraînant la fin des conditions de vie stables sur Terre. La surpopulation, le manque d'eau, le manque d'énergies fossiles, le dérèglement climatique vont lancer des millions de pauvres désespérés à l'assaut des pays nantis.
Pig lives alone in a windmill on the outskirts of town. The windmill sits atop a massive wall and continually blows away a dark fog that perpetually looms outside the wall. Every day, Pig winds the windmill to keep it turning, just like his father before him.