Ashanti is an action adventure film, set against the background of modern day slave trading, with a man who determinedly takes on a perilous journey in order to find his beautiful wife, who has been kidnapped by brutal slave traders. David and Anansa Linderby (Caine and Johnson respectively) are doctors with the World Health Organization. On a medical mission carrying out an inoculation programme, they visit a West African village. While David takes photographs of tribal dancers, Anansa goes swimming alone. She is attacked and abducted by slave traders led by Suleiman (Peter Ustinov), who mistake her for an Ashanti tribeswoman. The police can do nothing to find her and David has almost given up hope when he hears rumours that Anansa has been kidnapped by Sulieman to be sold to Arab Prince Hassan (Omar Sharif). The African authorities deny that the slave trade even exists. So David must find help in a shadowy world where the rescuers of slaves are just as ruthless as the traders themselves. As David tracks her across Africa and the Sahara desert, he is helped by a member of the Anti-Slavery League (Rex Harrison), a mercenary helicopter pilot (William Holden), and Malik (Kabir Bedi) a tribesman who is seeking revenge on Suleiman.
A drug bust is about to go down and Chicago cop Tony Church is on the case. Things go horribly wrong, though. His fellow officers get slaughtered and Church takes the blame, getting fired from the force.
Carmen, a young Spanish woman who is engaged to be married, has her hen night at a French restaurant in London. She is invited to participate in the observance of an old custom which allows her to kiss the stranger of her choice before the marriage, symbolically "kissing her single life goodbye" and bringing luck for the future. The man she chooses is Kit and both enjoy the kiss far more than they have intended. They fall in love, which creates a "love triangle" among Carmen, her fiancé Barnaby, and Kit.
Set in Rome and its surroundings, the film tells in a frighteningly realistic, ruthless and grotesque the evil of two powerful men of Italy in the seventies: a Director of illegal buildings (Vittorio Gassman), extremist fascist, and an upright judge, cynical looking in part to the Italian law (Ugo Tognazzi). Both can not stand each other, given the contrasts between the two men in any social, political and philosophical. Everyone hates each other and would like to delete it, but just because of the bad example that the two men give power to the people, many Italians are adversely affected because of cheating and rudeness of the fascist manufacturer and the communist magistrate. The director Dino Risi underlines the misdeeds and the weakness of the Italian people to react accordingly, by focusing on the story of these two men who are each other's opposite of the net.
Herbert Lyutak est un psychologue spécialisé dans le domaine de la criminologie, et de ce fait il collabore régulièrement avec la police. Mais ce dernier est également un tueur en série amateur de jeunes femmes. Il vient de commettre son septième crime en l'espace d'un an. Impuissant avec son épouse Marzia, il retrouve sa virilité à travers ses pulsions sadiques qui le poussent à commettre des crimes. Frigide et vierge, Marzia trouve du réconfort dans les bras de son amie lesbienne Joaquine et sa bonne. Pourtant, l'étau se resserre autour de son mari. En fouillant dans ses affaires, Marzia découvre un linge tâché de sang, confirmant ce qu'elle avait deviné : il est un meurtrier. Quant à lui, alors qu'il seconde la police sur les meurtres qu'il a lui-même commis, un témoin le met en danger. Le patron d'un rade au juke-box, dans lequel Lyutak a fait connaissance avec sa dernière victime avant de partir avec elle, vient témoigner et assure que le psychiatre lui a proposé de la conduire chez elle. Désormais suspect, il est serré par ses collègues policiers. Mais, très vite, un nouveau meurtre va le sortir de cette mauvaise posture. Une jeune femme est retrouvée étranglée dans une cabine téléphonique. Possédant un alibi en béton, puisqu'il était en compagnie des policiers au moment du meurtre, Lyutak décide de mener sa propre enquête pour démasquer le deuxième tueur qui s'inspire de son modus operandi pour assassiner ses victimes. Pendant ce temps, une indic de la police, Dorothée Heindrich, retrouve un couteau appartenant Lyutak mais elle est sauvagement tuée lors d'un jeu sado-masochiste.
The plot unfolds as a taut thriller that examines the characters' vulnerability and strengths. The subplot, however, explores a relationship between a woman & a girl; Rekha, the protagonist, is a sex worker who tries to rescue Nandhini, a twelve-year-old girl, from the clutches of prostitution. The journey takes us through the brutality and the hypocrisy that surrounds us, which we deliberately choose to ignore—broken homes, abuse, unfulfilled dreams, manipulation, blackmail, threat, hopelessness and paranoia. It's a dog-eat-dog world where nothing is as simple as it appears.
Pierre is a 58-year-old gay man who was a hustler in his youth. He is no longer considered desirable and now finds himself in the reverse position: He is the one paying for sex. He has trouble sleeping, has a coffee, and starts chain smoking. In the morning, he receives a visit from Marc, a young hustler. They have sex, but the joyless encounter ends quickly; Pierre has been HIV positive for 24 years and his various medications have affected his performance. Marc invites him to a drag club but Pierre rejects the offer because he would have to shave his mustache.
Valentina Rosselli (Isabelle De Funès) is a Milanese photographer. One night, on her way home, she meets a middle-aged blonde seductress who calls herself "Baba Yaga" (Carroll Baker). The following day, Baba Yaga visits Valentina, showing an ostensibly sexual interest in her. After a series of events, Valentina becomes suspicious of Baba Yaga's supernatural powers and goes to her house. Baba Yaga gives her a doll dressed in leather fetish wear. It is soon revealed that Baba Yaga has started to control Valentina through the doll.
A young lady named Sun-hwa is sitting on a bench when an unusual man comes and sits by her side. She realizes that he is constantly looking at her and walks away, irritated. Her boyfriend comes and while they are talking, the silent man grabs and forcefully kisses her. Her boyfriend tries to pull him away with no results. When he stops, the woman demands an apology. He starts walking and some soldiers among the crowd that gathered due to the spectacle beat and restrain him. The woman insults him and spits on his face. He remains silent.
Baise-moi tells the story of Nadine and Manu who go on a violent spree against a society in which they feel marginalized. Nadine is a part-time sex worker, and Manu is a slacker who does anything—including occasional porn film acting—to get by in her small town in southern France.
In the 1950s, Catherine toys with her older sister, Marie-Anne, by reading her the story of Bluebeard which scares her. As Catherine rereads the story, the film moves to 1697, where two sisters, Marie-Catherine and Anne, have just lost their father. With the loss of their father the two have no dowries, and so agree to attend a party thrown by Lord Bluebeard, in his search for a new wife. Although it is rumored that Bluebeard has murdered all of his previous wives, as they all disappeared within a year after the marriage, Lord Bluebeard and Marie-Catherine, the younger sister, develop a connection and are soon married. Despite their age difference, the two develop a close bond, and Bluebeard dotes on his new young wife. He must leave her periodically to attend to far off business and when he does he gives her the keys to the castle and tells her to enjoy herself while he is gone. She appears to miss him terribly and is overjoyed when he returns.
A retired rock star, Johnny Boz, is stabbed to death with an ice pick during sex by a mysterious blonde woman at his apartment. Homicide detective Nick Curran investigates, and the only suspect is Catherine Tramell, Boz's bisexual girlfriend and a crime novelist who has written a novel that mirrors the crime. It is concluded that Catherine herself did it or someone who is trying to frame her out of spite. Tramell is uncooperative and taunting in the investigation, smoking in the interrogation room and exposing her bare genitalia in front of the officers. She presents alibis and passes a lie detector test. Nick discovers that Catherine has a habit of befriending murderers, including her girlfriend Roxy, who is later shown to have murdered several young boys on impulse, and Hazel Dobkins, who murdered her family.
Set in London, the film opens with American best-selling author Catherine Tramell in a speeding car with her companion, Kevin Franks, a famous English football star. Tramell takes the man's hand and begins masturbating with it, all the while increasing her vehicle's speed. At the point of orgasm, Tramell veers off the road and crashes into the West India Docks in Canary Wharf. She attempts to save her partner but, as she says while being questioned by the police, "When it came down to it, I guess my life was more important to me than his".
Le corps sans vie de Lily Sampson, un mannequin connu, est retrouvé par la police dans une douche. Clark et Fabrice, les deux enquêteurs chargés de l'affaire, commencent par fouiller dans le passé de la victime. A leur plus grande surprise, ils découvrent une cassette vidéo troublante. Ils y voient la belle pratiquer des jeux d'adulte avec un photographe de renom. Les deux hommes ne doivent pas se laisser guider par leurs sentiments et garder leur sang-froid pour retrouver le coupable. En effet, leur enquête est jalonnée d'obstacles et de tentations érotiques auxquelles ils doivent résister. Ils suspectent naturellement l'homme aperçu sur la cassette.