Riccardo Broschi décide de faire castrer son petit frère Carlo, futur Farinelli, en maquillant cela sous la forme d'un « accident », afin qu'il puisse conserver cette voix cristalline sensationnelle sans laquelle la musique de Riccardo, qui est compositeur, ne vaudrait rien. Le jeune homme parcourt les opéras avec son frère. Une jeune femme, Alexandra, vient un jour demander aux frères Broschi de donner une représentation dans un petit théâtre anglais en pleine faillite. Ils acceptent. C'est alors que s'engage la concurrence entre les Broschi qui veulent sauver le théâtre et Haendel, l'ancien maître des deux frères et célèbre compositeur. Le théâtre gagne considérablement en popularité, mais Haendel tente par tous les moyens de récupérer la voix exceptionnelle de Farinelli. Haendel fait une allusion à « l'accident » qui a coûté sa virilité à Farinelli. Ce dernier découvre alors la vérité et la relation privilégiée qu'il avait avec Riccardo s'efface. Farinelli et Alexandra sont amoureux. Riccardo, qui cherche à se faire pardonner et à rendre une vie « normale » à son petit frère, fait un enfant à Alexandra, puis part s'engager dans l'armée. Il disparaît de la vie de Farinelli, que l'on voit, dans l'une des dernières scènes du film, embrasser le ventre arrondi par la grossesse d’Alexandra.
In Poland in 1968, a little girl is shown the stars in the winter sky by her mother, who identifies the Christmas Eve star. In France, a little girl is shown one of the first leaves of spring by her mother, who points out the fine veins running through.
Made in 1992, Un Coeur En Hiver was French writer/director Claude Sautet's first feature film in four years. Daniel Auteuil plays lonely violin restorer Stephane, who is commissioned to produce an instrument for concert violinist Camille, who is the girlfriend of his married partner Maxime. Camille falls in love with Stephane, and leaves Maxime for him, only to find that he does not seem to return her feelings. The two men fight over her, but Camille eventually regains her composure.
Egomaniacal and temperamental Victor Fabian is the London Festival Orchestra's conductor. His wife Dolly is a harpist who acts on her husband's behalf, presenting his impossible demands to the symphony's backers, only to then find him dallying with a considerably younger musician. Dolly decides to leave him, whereupon he destroys her harp.
Jeune pianiste de talent et salué par la critique, Franz Lizst n'en reste pas moins un personnage torturé par la solitude. À l'occasion d'une tournée européenne, le jeune artiste fait la rencontre de la princesse Caroline Sayn-Wittengenstei. Tous deux entament une idylle à double tranchant puisque cette nouvelle relation a une conséquence négative sur les performances de Franz.
Everyone on staff at Tottney Castle knows that the lovely Lady Alyce Marshmorton must marry soon, so a wager is proposed as to the identity of the lucky man. With all the likely candidates already claimed, young footman Albert places a bet on a "Mr. X," someone totally out of the blue.
Marianne "Manina" Stuart (Joan Fontaine), a prominent concert pianist, meets David Lawrence (Joseph Cotten), a businessman, on a flight from Rome to New York. Their plane is diverted to Naples for engine repairs, and they decide to kill time by doing some sight-seeing.
Julie (Juliette Binoche), wife of the famous composer Patrice de Courcy, must cope with the death of her husband and daughter in an automobile accident she herself survives. While recovering in the hospital, Julie attempts suicide by overdose, but cannot swallow the pills. After being released from the hospital, Julie, who it is suggested wrote (or helped to write) much of her husband's famous pieces, destroys what is left behind of them, finishes an affair she has been having during her marriage, and closes up the house she lived in with her family. She takes an apartment in Paris without telling anyone, leaving behind all her clothes and possessions, and taking only a chandelier of blue beads that the viewer assumes belonged to her daughter.
Laura Rambotham is sent to attend boarding school in Melbourne at the turn of the century. During her second year she tells everyone about a made up romance between herself and the school's minister, Reverend Shepherd. She forms an attachment with an older girl, Evelyn. When Evelyn leaves, Laura throws herself into her studies and wins the school literary and music prizes.
During the Mozart family grand tour, a cracked carriage axle forces Leopold Mozart, his wife Anna, 14-year-old Nannerl and a rambunctious 11-year-old Wolfgang to seek shelter in the nearby Fontevraud Abbey. There Nannerl develops a friendship with 13-year-old Princess Louise of France, who is being brought up in the Abbey, along with two of her sisters. This leads to an encounter at Versailles with her brother, Louis, Dauphin of France. Nannerl, an accomplished harpsichordist and singer who helps support the family as part of a brother - sister act, yearns to compose music and play violin, but her father, Leopold, forbids it. The young, but recently widowed Dauphin takes an interest in her and her music that edges toward romance. But he breaks off the relationship when he becomes engaged to Maria Josepha Amalia of Saxony. Princess Louise enters a convent and urges Nannerl to stay away from the Dauphin who is struggling to avoid the debauchery of his father, King Louis XV. A bizarre final encounter with the Dauphin and his new wife ensues. Nannerl and Princess Louise reflect on how their fates would have differed had they been born male.
À Paris, dans les années 1920. Marguerite est une aristocrate vieillissante, passionnée de musique. Persuadée de son talent, elle a plaisir à chanter devant ses amis à son domicile, mais elle chante excessivement faux, et ni ses amis ni son mari n'osent lui dire la vérité. Un jour, elle décide de chanter à l'opéra devant un vrai public, elle engage donc comme professeur de chant Atos Pezzini, un chanteur d'opéra sur le retour.
Alma, la fiancée du vent est un film austro-germano-britannique réalisé par Bruce Beresford, sorti en 2001. Le titre du film fait directement référence à La Fiancée du vent, toile du peintre et écrivain autrichien Oskar Kokoschka, peinte au cours de sa liaison avec la jeune femme.