Mr. Colbert, a wealthy man from Chicago who was planning to build a factory in Sparta, Mississippi, is found murdered. White police Chief Bill Gillespie (Rod Steiger) comes under pressure to quickly find his killer. African-American northerner Virgil Tibbs (Sidney Poitier), passing through town, is picked up at the train station between trains with a substantial amount of cash in his wallet. Gillespie, prejudiced against blacks, jumps to the conclusion that he has his culprit but is embarrassed to learn that Tibbs is an experienced Philadelphia homicide detective who is simply passing through town after visiting his mother. After the racist treatment that he receives, Tibbs wants nothing more than to leave as quickly as possible, but his own chief, after questioning whether Tibbs himself is prejudiced, has him stay and help. Leslie Colbert (Lee Grant), the victim's widow, already frustrated by the ineptitude of the local police, is impressed by Tibbs's expertise when he clears another wrongly accused suspect whom Gillespie has arrested on circumstantial evidence. She threatens to stop construction on the much needed factory unless Tibbs leads the investigation. Unwilling to accept help, but under orders from the town's mayor, Gillespie talks a reluctant Tibbs into working on the case.
In an alternate 1982, an alien ship inexplicably stops over Johannesburg. When investigation teams enter the ship, they discover a population of sick and malnourished extraterrestrials, derogatorily referred to as "prawns". The South African government confines the aliens to "District 9", a government camp that is located outside of Johannesburg. Twenty-eight years later, in 2010, following periodic conflict between the aliens and the locals living near District 9, the government hires private military company Multinational United (MNU) to relocate the aliens to a new internment. Wikus van de Merwe (Sharlto Copley), an Afrikaner bureaucrat, is appointed by Piet Smit (Louis Minnaar), an MNU executive and his father-in-law, to lead the relocation.
Le documentaire relate l'histoire de cinq juifs hongrois durant l'holocauste, en s'intéressant notamment à la vie dans les camps de concentration et au désir de vivre des prisonniers.
Allegedly based on a true incident reported on page 7 of a local newspaper, the film was a scathing satire on the corruption in the judicial system and the victimization of the underprivileged by the able and the powerful.
Portrecista (The Portraitist) examines the life and work of Wilhelm Brasse, who had been trained as a portrait photographer at his aunt's studio prior to World War II and passionately loved taking photographs. After his capture and imprisonment by the Nazis at Auschwitz concentration camp in 1940, at the age of 23, he was forced to take "identity pictures" of between approximately 40,000 to 50,000 other inmates between 1940 and 1945. With "courage and skill", documenting "cruelty which goes beyond all words ... for future generations", after his liberation at the end of World War II, Brasse "could not continue with his profession" and would never take another photograph.
Turkish Passport tells the story of diplomats posted to Turkish embassies and consulates in several European countries, who saved numerous Jews during the Second World War. Whether they pulled them out of Nazi concentration camps or took them off the trains that were taking them to the camps, the diplomats, in the end, ensured that the Jews who were Turkish citizens could return to Turkey and thus be saved. Based on the testimonies of witnesses who traveled to Istanbul to find safety, Turkish Passport also uses written historical documents and archive footage to tell this story of rescue and bring to light the events of the time. The diplomats saved not only the lives of Turkish Jews, but also rescued foreign Jews condemned to a certain death by giving them Turkish passports. In this dark period of history, their actions lit the candle of hope and allowed these people to travel to Turkey, where they found light. Through interviews conducted with surviving Jews who had boarded the trains traveling from France to Turkey, and talks with the diplomats and their families who saved their lives, the film demonstrates that "as long as good people are ready to act, evil cannot overcome".
Dans les années 1920, les parents de Katherine Coleman apprennent que leur fille possède un don pour les sciences, qu'elle doit parfaire en fréquentant une école pour Noirs (les Blancs étant dans des écoles séparées) car elle est dotée d'aptitudes intellectuelles supérieures. En 1962, devenue mathématicienne, Katherine Coleman (désormais Goble) travaille au sein d'un groupe de calculatrices humaines, sur le campus ouest du Centre de recherche Langley à Hampton, en Virginie, aux États-Unis, avec deux amies et collègues : l'aspirante ingénieure Mary Jackson et la superviseure d'équipe Dorothy Vaughan. À la suite du lancement réussi de Spoutnik 1, Al Harrison, directeur du Space Task Group, exige encore plus d'efforts de la part des employés sous sa supervision, de crainte que les Soviétiques ne mettent en orbite une bombe H pouvant exploser au-dessus du sol américain. Goble est envoyée dans son groupe pour vérifier les calculs, devenant la première Afro-Américaine à participer à ce groupe de recherche. Au début, elle est ignorée de ses collègues blancs et doit travailler à partir de données partiellement masquées (Goble n'ayant pas le niveau d'habilitation nécessaire) sous les ordres de Paul Stafford, un homme croyant en sa supériorité intellectuelle et refusant de reconnaître le travail de Katherine.
In 1960, Lorenzo Anello (Robert De Niro) is raising a family: he lives in the New York City Italian American neighborhood borough of The Bronx with his wife Rosina (Katherine Narducci), and his young son Calogero (Francis Capra), who takes a fascination with the local mobsters led by Sonny LoSpecchio (Chazz Palminteri). One day Calogero witnesses a murder committed by Sonny in defense of an assaulted friend in his neighborhood. When Calogero chooses to keep quiet when questioned by NYPD detectives, Sonny takes a liking to him and gives him the nickname "C". Sonny's men offer Lorenzo a better paying job. Lorenzo, preferring a law-abiding life as an MTA bus driver, politely declines. Sonny, however, befriends Calogero and introduces him to his crew. Calogero earns tips amounting to $600 working in the Mafia bar and throwing dice, and is admonished harshly by Lorenzo when he discovers it. Lorenzo speaks severely to Sonny, returns the money, and angrily warns him to keep away from Calogero.
In 1986, Eric "Eazy-E" Wright enters a crack-house to sell drugs, but, it is soon raided by the police, who gain entry into the house via a battering ram. Eazy escapes through the house's rear window. Later, Eazy goes to a club with Lorenzo "MC Ren" Patterson to see friends Andre "Dr. Dre" Young, O'Shea "Ice Cube" Jackson and Antoine "DJ Yella" Carraby, who perform the song "Gangsta Gangsta", while Eazy and Ren stand in the audience. After Dre leaves the club, he is arrested after breaking up a fight involving his brother, Tyree. Eazy bails him out the next day. The next morning, Dre talks to Eazy about investing money into a start-up record label, in order to record a track that Cube has written. Cube and Dre want rappers H.B.O.(Homeboys Only) to record the track. Eazy agrees to fund the project. After a conflict arises during the recording session, H.B.O. leaves and Dre convinces Eazy to perform the track. They record and release "Boyz-n-the-Hood". Jerry Heller approaches Eazy and asks if he can be their manager. The group accepts Heller's offer. While performing "Dopeman", they garner the attention of Bryan Turner, a producer at Priority Records, with which they sign. Afterwards, N.W.A commences recording their debut album, "Straight Outta Compton", with Heller. During one of the sessions, they are harassed by some police officers. Frustrated by the situation, Cube writes "Fuck tha Police".
Celestine is a young mouse who lives in the underground world of rodents. At the orphanage where she lives, the caretaker known as the Gray One tells scary stories about the evil nature of the bears that live in the outside world, though Celestine doubts they are entirely true. She loves to draw but must soon study dentistry, since that's what all rodents do, and to prepare, she must travel above ground to collect bear cubs' lost teeth from underneath pillows. On one such occasion, the cub's family catches Celestine in the act and chase her into a trash can where she is trapped and spends the night. The next morning, a destitute and starving bear named Ernest discovers Celestine and attempts to eat her. Celestine convinces him to let her go by helping him break into the basement of a candy shop, where he can eat his fill. He is soon caught by the store's owner, however, and arrested. Celestine, who is behind on her quota of collected teeth, agrees to free him from the police wagon if he will help her break into and rob the teeth from the office of the store owner's wife, who happens to be a dentist.
In 1964, three civil rights workers who organize a voter registry for minorities in Jessup County Mississippi, go missing. The FBI sends two agents, Rupert Anderson (Hackman) and Alan Ward (Dafoe) to investigate. The pair find it difficult to conduct interviews with the local townspeople, as Sheriff Stuckey (Sartain) and his deputies exert influence over the public and are linked to a branch of the Ku Klux Klan.