Le 20 novembre 1945 commence, au palais de justice de Nuremberg, le premier procès intenté par une instance judiciaire internationale. Sur le banc des accusés : 24 responsables du IIIe Reich nazi. Ce film, montage des principaux moments du procès, place le spectateur au coeur des audiences...
Woodrow Wilson is a formerly high-achieving school which has encountered some difficulties bearing its new racial integration plan. Gruwell's enthusiasm is challenged when she finds her class is composed of "at-risk" students, the "untouchables," and not the eager-for-college students she expected. Her students self-segregate into racial groups within the classroom. This is problematic, as gang fights break out and, consequently, most of her students stop attending class. Not only is Gruwell challenged with gaining her students' trust on personal and academic levels, but she must do so with very little support from her professional peers and district higher-ups. For example, her department head refuses to provide Gruwell with an adequate number of books for her class because she insists they will get damaged and lost. Instead, she suggests that Gruwell focuses on instilling concepts of discipline and obedience in her classroom.
The movie follows a Texas family over a quarter century from the 1920s until after World War II. Themes of discrimination along race, class and gender lines, as well as the role they played in the social evolution of post-war Texas, are prominent.
The film tells the story of middleweight boxer Rubin "Hurricane" Carter, whose conviction for a Paterson, New Jersey triple murder was set aside after he had spent nearly 20 years in prison. Narrating Carter's life, the film concentrates on the period between 1966 and 1985. It describes his fight against the conviction for triple murder and how he copes with nearly twenty years in prison.
The series begins with the friendly relationship between James Jackson Jr. (Tim Daly), the son of the plantation owner, and one of the slaves, Easter (Jasmine Guy), at the Jackson estate, known as Forks of Cypress, near Florence in northern Alabama. James and Easter have grown up together (within the social limits of the plantation culture), and gradually their feelings for each other have developed into romance. Easter is the daughter of an African-American house slave, Captain Jack (Paul Winfield), and his true love, Annie, another slave, who is part-Cherokee, and who is no longer on the Jackson property.
Une ville allemande de taille moyenne dans les années 1920. Un fabricant juif est accusé du meurtre de son comptable. Le juge d'instruction, nationaliste allemand, qui croit que le meurtrier est un juif, veut que Blum soit l'auteur du meurtre alors que l'assassin est un ancien membre d'un corps franc. Le président de la cour, social-démocrate, nomme un officier de la police criminelle qui invalide les preuves du juge.
The introduction to Cramer is a simple shot of him stepping off a bus, carrying only a light suitcase, with innate confidence, a confidence which remains with him. On an interpersonal level, starting with the first character Cramer meets, the audience sees he is a charmer, but it is soon revealed that the character uses this charm quite professionally, in furtherance of a hard, cunning political effort to incite Caxton's existing racial tension into violence. At the same time, Cramer seeks personal pleasure with every interaction. Cramer's racist, incendiary politics are thereby proven inseparable from his pleasure.
A motorbiker (Stefan Merki), who early in the film was unable to start his motorcycle, boards a tram, and witnesses a black man (Paul Outlaw) sitting down next to an elderly white woman (Senta Moira). In the entire 12 minutes, the old woman racially abuses the black man, stating that blacks stink, are unintelligent, criminal and the perfect carrier for AIDS. The biker feels uncomfortable, but does not dare to interrupt. The black man stays quiet for the entire film, until the tram controller arrives: when the old woman produces her ticket, he grabs and swallows it. When the old woman accuses the black man of eating her ticket, he coolly shows his valid ticket to the controller; the latter nods at him and arrests the old woman. The punch line is that both the black man and the old woman are "Schwarzfahrer" now: the black man who rides a train, is a non-offensive "black rider", while the old woman now is a real law-breaking Schwarzfahrer (i.e. fare dodger). The one passenger the viewer knows who never possessed a ticket, the motorbiker, escapes without the controller checking his ticket.