In 2044, 25-year-old Joe works for a Kansas City crime syndicate as a "looper." Since technology in the future has made it almost impossible to successfully dispose of murdered bodies, the syndicates use time travel which was invented in 2074 and subsequently outlawed. Managed by a man sent from the future named Abe, loopers kill and dispose of victims sent back in time whose faces are hidden by a bag. They are paid with bars of silver strapped to the target. To prevent connections to the use of illegal time travel, when a looper is retired, his future self is sent back to 2044 as a target for his younger self, but with gold bars as a payment. This event is referred to as "closing the loop" and signals the end of a looper's contract. Failing to close the loop is punishable by execution.
Upon reaching the train station to death, a dejected soul is informed that he is 'lucky' and will have another chance at life though he does not want it. He is placed in the body of a 14-year-old boy named Makoto Kobayashi, who has just committed suicide by an overdose of pills. Watched over by a neutral spirit named Purapura in the form of a little boy, the soul must figure out what his greatest sin and mistake in his former life was before his six-month time limit in Makoto's body runs out. He also has a number of other lesser duties he must complete, such as understanding what led Makoto to commit suicide in the first place and learning how to enjoy his second chance at life.
Alfred Redl, a Ruthenian boy from Galicia in the Austria- Hungary Empire, wins an appointment to a prestigious military academy in spite of being the son of a mere peasant farmer. At his departure from home, his mother installs in him eternal gratitude towards the Emperor Franz Josef. Redl is never to forget that he owes to the emperor his promising career.
The film recounts the last few days in the life of Elvira (Volker Spengler), a transsexual woman formerly known as Erwin. After being beat up for trying to buy sex in a park, she returns home to her longtime lover Christoph (Karl Scheydt), who's been away for six weeks. Christoph abuses her verbally and physically, and when he announces he's leaving for good, she desperately tries to stop him, only to be rescued by her friend Zora (Ingrid Caven). We watch as Elvira and Zora visit a slaughterhouse and the orphanage where Elvira grew up, and her later contacts with her family and former lover Anton Saitz (Gottfried John), as she attempts to come to terms with the consequences of her decision to change her sex.
Le film raconte les dernières années d'Amedeo Modigliani, de la fin de la Première Guerre mondiale à sa mort en 1920, à Montparnasse, qui est à l’époque en plein essor artistique.
Rick (Zach Galligan) is the apple of his father's eye; smart, handsome, and idolized by his younger siblings (River Phoenix and Heather O'Rourke). By stark contrast, Lonnie (Molly Ringwald) is a troubled and withdrawn girl, struggling to put the painful memory of a failed suicide attempt behind her. Both teenagers are dealing with loneliness and family pressures when they begin to find solace in each other, and a young romance develops. As Rick and Lonnie's bond begins to grow stronger, and they become increasingly withdrawn from their friends and families, their protective parents begin to worry that the young lovers are becoming too involved and grow increasingly uncomfortable with the teenagers' relationship. Finally, when Rick's parents (Ellen Burstyn and Len Cariou) decide that Lonnie is a bad influence on their son, and Lonnie's parents (Marsha Mason and Paul Sorvino) decide that boarding school would be the best place for their troubled daughter, Rick and Lonnie, desperate not to be separated, make a tragic decision to take their own lives. In the wake of the young lovers' fatal suicide pact, the two devastated families are left to try and pick up the pieces of their shattered lives and must somehow find a way to go on.
The movie revolves around four senior citizens living in a hillside village. Kim Man-seok is a cranky milkman with a short fuse and a foul mouth. He wakes the village early each morning with his noisy, battered motorcycle. He meets Song Ee-peun, who scavenges for scrap paper while roaming around the town at daybreak. As they meet again and again, they slowly develop feelings for each other.
In April 1967, 18-year-old Susanna Kaysen (Winona Ryder), a depressed and unmotivated girl is checked into Claymoore psychiatric hospital, after having a nervous breakdown and taking an overdose of aspirin. She denies the accusation from many that she was attempting to commit suicide, claiming that she was only trying to get rid of her headache. Susanna's mother and father, along with the nurses and therapists, are surprised when Susanna confesses that she does not actually want to go to college and would like to become an independent, free spirited writer.
The history of the butcher, who doesn't have any other name, is narrated through voice-over and a montage of still photographs. Orphaned at a young age, he's sexually abused by a priest. As a teenager, he doesn't have the opportunity to study and learn a profession of his choice. So he reluctantly embraces the career of butcher specialized in horse meat, a profession already frowned upon at the time in France. After several years of hard work, he's finally able to open his own horse meat butcher shop, and his girlfriend gives birth to a daughter. But when the woman realizes the infant is not a boy, she leaves the young father alone with the child. Embracing it as fate, the butcher decides to take care of his daughter alone. But as loneliness grows on the single father, he becomes overprotective and develops incestuous feelings for his child. When he sees blood on her skirt, he stabs the man who he thinks raped his daughter. He later understands that the stains were only menstrual blood. He is sentenced to prison and forced to sell his shop to a Muslim butcher, and his troubled daughter is sent to an institution. In prison, the butcher has sex with a cellmate. Upon his release, he vows to forget it all happened. He finds a job working as a bartender for the woman who owns the tavern where he was a regular customer. They begin dating, and soon she becomes pregnant. As they start making plans for their future together, she sells her business and they move to northern France, where she said she would buy a butcher shop for him.
Two men with opposing beliefs confront each other in an apartment.
The film starts out with Black (Samuel L. Jackson) and White (Tommy Lee Jones) conversing about White's attempted suicide. White feels as though everything ends up in death, and that his life is minuscule in the throes of time.
The quiet life of a Paris family is disturbed when they receive a series of surveillance tapes of the exterior of their residence from an anonymous source. Georges Laurent is the successful host of a French literary television program, living with his wife Anne, a book publisher, and their 12-year-old son Pierrot. Unmarked videocassettes arrive on their doorstep, tapes that show extended observation of their home's exterior from a static street camera that is never noticed. At first passive and harmless, but later accompanied by crude, disturbing crayon drawings, the tapes lead to questions about Georges' early life that disrupt both his work and marriage. But because the tapes do not contain an open threat, the police refuse to help the family.
Paloma is an 11-year-old girl quietly and unhappily living in a luxurious Paris apartment with her family. She is intelligent and observant and, in sensing disappointment and despair in adulthood, decides to end her life before she reaches it, on her next birthday, 165 days from where the story begins. Her dad's old camera in hand, she records telling moments in the lives of the inadequate humans around her: her antidepressant-dependent mother; her moody sister; petulant dinner guests. As Paloma prepares to finish her days, it is Mrs. Michel, the gruff-looking, reclusive concierge, who manages the building where Paloma and her family live. She hides her passion for literature from her bourgeois employers but is found out by the new resident, Mr. Ozu, widowed and Japanese, as a beautiful bibliophile in elegant disguise. A fiercely tender attraction grows between the three like-minds, showing Paloma a more lovely side of life than she originally thought possible and forcing her to reconsider her plan of suicide.
A group of radicalised young British Muslim men aspire to be suicide bombers. They are Omar (Riz Ahmed), who is deeply critical of Western society and imperialism; his dim-witted friend, Waj (Kayvan Novak); Barry (Nigel Lindsay), a bad-tempered and extremely rash white convert to Islam; and the naive Faisal (Adeel Akhtar), who tries to train crows to be used as bombers. While Omar and Waj go to a terrorist training camp in Pakistan, Barry recruits a reluctant fifth member, Hassan (Arsher Ali). The visit to the training camp ends in disaster, with Omar misfiring a rocket backwards that kills fellow jihadists; however, he uses the experience to assert authority on his return to Britain.
The story opens in the 1950s, after the Korean War; it has been more than a decade since James Whale, director of Frankenstein and Bride of Frankenstein, has retired. He lives with his long-time housemaid, Hanna, who loyally cares for him but disapproves of his homosexuality. Whale has suffered a series of strokes that have left him fragile and tormented by memories: growing up as a poor outcast, his tragic World War I service, and the filming of The Bride of Frankenstein. Whale slips into his past, and indulges in his fantasies, reminiscing about gay pool parties and also sexually teasing an embarrassed, starstruck fan who comes to interview him. Whale battles depression, at times contemplating suicide, as he realizes his life, his attractiveness, and his health are slipping away.