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Eric Potts is a Actor born on 13 september 1965

Eric Potts

Eric Potts
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Birth 13 september 1965 (58 years)

Eric Potts (born 13 September 1965), is a Scottish actor, writer and director, who had parts in Coronation Street, as eccentric baker Diggory Compton, the father of Molly Compton, and Brookside as Wrexham Football Club Supporter, Mr Moore.

Originally from Irvine, Ayrshire, Scotland, Eric transferred from law studies at Glasgow University to train at the Bristol Old Vic Theatre School from 1984–1987, then went on tour with the Theatre of Poland. Early television credits included Peak Practice and The Smiths, and then in 1998 he began a two-year stint as oddball character Mr Moore in Brookside. Subsequent appearances were in Heartbeat, The Royal, Last of the Summer Wine and Steel River Blues. In 2005 Eric also had a part in Rochdale-based film The Jealous God and an episode of Doctor Who, while still being active in theatre.

Potts appeared in the pantomime, Dick Whittington,alongside Dame Edna Everage in December 2011 at the New Wimbledon Theatre, London.

In 2013, he played Les Dawson in Cissie and Ada: A Hysterical Rectomy, based upon the characters Cissie and Ada.

Usually with

Duggie Brown
Duggie Brown
(1 films)
Andrew Dunn
Andrew Dunn
(1 films)
Frank Windsor
Frank Windsor
(1 films)
Source : Wikidata

Filmography of Eric Potts (1 films)

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Actor

Between Two Women, 1h32
Genres Drama, Romance
Themes Films about sexuality, LGBT-related films, LGBT-related films, LGBT-related film, Lesbian-related films
Actors Barbara Marten, Andrew Dunn, Bruce Alexander, Duggie Brown, Julia Deakin, Eric Potts
Roles Mr. Hathershaw
Rating62% 3.1406853.1406853.1406853.1406853.140685
Working class Ellen (Barbara Marten) makes friends with her young son’s middle-class schoolteacher, Miss Thompson (Andrina Carroll), and their growing lesbian relationship is tastefully explored as Ellen’s marriage to the clumsy factory worker, Hardy (Andrew Dunn), gradually falls apart. In the end Ellen finds the strength to follow her true path and her marriage is pretty much over. Because of the stifling social attitudes of the 1950s she and Hardy seem like they’ll pretend to still be together. The film closes on a happy note as Ellen catches a train away from the factory town where she lives, to spend time with Kathy.