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Marik Vos-Lundh is a Production Design and Costume Design Suédoise born on 3 june 1923 at Saint Petersburg (Russie)
Among those, 2 have good markets following the box office.
Here are the best films classified by number of entries :
Directed by Ingmar Bergman
Origin Suede
Genres Drama, Fantasy
Themes Films about children, Films about families, Christmas films, Films about religion, Films about Jews and Judaism
Actors Börje Ahlstedt, Anna Bergman, Lena Olin, Harriet Andersson, Gunn Wållgren, Bertil Guve
Roles Costume Designer
Rating80%
The story is set during 1907–09 (with an epilogue in 1910), in the Swedish town of Uppsala where Alexander (Bertil Guve), his sister Fanny (Pernilla Allwin) and their well-to-do family, the Ekdahls, live. The siblings' parents are both involved in theater and are happily married until their father, Oscar (Allan Edwall), suddenly dies from a stroke. Shortly thereafter, their mother, Emilie (Ewa Fröling), marries Edvard Vergérus (Jan Malmsjö), the local bishop and a widower, and moves into his ascetic home where he lives with his mother, sister, aunt and maids.
Directed by Ingmar Bergman
Origin Suede
Genres Drama
Themes Films about families
Actors Harriet Andersson, Kari Sylwan, Ingrid Thulin, Liv Ullmann, Inga Gill, Erland Josephson
Roles Production Design
Rating79%
Cries and Whispers takes place in a lavish mansion in the 19th century, filled with red carpets and white statuary. It depicts the final days of Agnes (Harriet Andersson), who is near death due to cancer. Her sisters Maria (Liv Ullmann) and Karin (Ingrid Thulin) have returned to the family home to be with her. However the two women remain distant and awkward, struggling to comfort their sister while dealing with the shock and the fear of mortality Agnes' death may bring. The deeply religious maid Anna (Kari Sylwan), whose own daughter died at an early age, is the only person in the house able to comfort the dying woman. At length Agnes dies and during her wake the priest (Anders Ek) declares Agnes' faith was stronger than his own. In a dream-like sequence that follows Agnes seemingly returns to life for a short moment and asks her sisters one last time for the love and care denied her during her lifetime. For a moment Karin, Maria and Agnes grow closer to each other, but this is short-lived when the two sisters realize that Agnes is actually dead, with Karin declaring such acts "morbid" and "disgusting." Once again only Anna is able to embrace and comfort Agnes.
Marik Vos-Lundh
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Among those, 2 have good markets following the box office.
Here are the best films classified by number of entries :
Costume and makup
Add to a movie listFanny and Alexander (1982)
, 3h8Directed by Ingmar Bergman
Origin Suede
Genres Drama, Fantasy
Themes Films about children, Films about families, Christmas films, Films about religion, Films about Jews and Judaism
Actors Börje Ahlstedt, Anna Bergman, Lena Olin, Harriet Andersson, Gunn Wållgren, Bertil Guve
Roles Costume Designer
Rating80%
The story is set during 1907–09 (with an epilogue in 1910), in the Swedish town of Uppsala where Alexander (Bertil Guve), his sister Fanny (Pernilla Allwin) and their well-to-do family, the Ekdahls, live. The siblings' parents are both involved in theater and are happily married until their father, Oscar (Allan Edwall), suddenly dies from a stroke. Shortly thereafter, their mother, Emilie (Ewa Fröling), marries Edvard Vergérus (Jan Malmsjö), the local bishop and a widower, and moves into his ascetic home where he lives with his mother, sister, aunt and maids.
Art
Cries and Whispers (1972)
, 1h31Directed by Ingmar Bergman
Origin Suede
Genres Drama
Themes Films about families
Actors Harriet Andersson, Kari Sylwan, Ingrid Thulin, Liv Ullmann, Inga Gill, Erland Josephson
Roles Production Design
Rating79%
Cries and Whispers takes place in a lavish mansion in the 19th century, filled with red carpets and white statuary. It depicts the final days of Agnes (Harriet Andersson), who is near death due to cancer. Her sisters Maria (Liv Ullmann) and Karin (Ingrid Thulin) have returned to the family home to be with her. However the two women remain distant and awkward, struggling to comfort their sister while dealing with the shock and the fear of mortality Agnes' death may bring. The deeply religious maid Anna (Kari Sylwan), whose own daughter died at an early age, is the only person in the house able to comfort the dying woman. At length Agnes dies and during her wake the priest (Anders Ek) declares Agnes' faith was stronger than his own. In a dream-like sequence that follows Agnes seemingly returns to life for a short moment and asks her sisters one last time for the love and care denied her during her lifetime. For a moment Karin, Maria and Agnes grow closer to each other, but this is short-lived when the two sisters realize that Agnes is actually dead, with Karin declaring such acts "morbid" and "disgusting." Once again only Anna is able to embrace and comfort Agnes.