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Ramchandra PN is a Director, Scriptwriter, Producer and Editor Indian born on 1965 at Udupi (Inde)
Ramchandra P. N. is an award winning filmmaker making feature films, short films, documentaries and TV programs. He is a Kannadiga and a Tuluva based in Mumbai.
Source : Wikidata
Ramchandra PN
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Filmography of Ramchandra PN (8 films)
Director
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Haal E Kangaal (2014)
, 1h45Directed by Ramchandra PN
Actors Niraj Sah, Hemant Mahaur
Two struggling filmmakers meet after a gap of fifteen years and amidst celebration, enmity and jealousy realise that they are as bankrupt as every before - in all sense of the word.
Lohit Diary (2014)
, 1h16Directed by Ramchandra PN
Lohit River Valley, the picturesque eastern most remote part of Arunachal Pradesh in India, the land of Mishimi community, is showing signs of prosperity. Epitomized by its colorful flowers that bloom all over is the crop that is responsible, the banned opium. Traditionally, cultivated for rituals and medicinal purposes, today a large portion of the harvest consumed by the cultivators themselves and the rest sold locally to opium addicts to meet the economic needs of the planters.
BV Karanth:Baba (2012)
, 1h33Directed by Ramchandra PN
Genres Biography
B V Karanth runs away as a child from his house in Babukodi in Karnataka to learn music in Mysore; instead he joins Gubbi Company, a professional theater company run by the legendary theater and film personality Gubbi Veeranna. Quest for knowledge first takes him to Banaras in North India where he learns Hindi language and Indian classical music and then to Delhi where he joins the second batch of the theater course at the National School of Drama. He later travels all over India conducting workshops and training people in modern theater. Films beckon him and his films gain critical acclaim and awards in India. He returns to Delhi to head the National School of Drama. Restlessness leads him to Bhopal in Madhya Pradesh where he starts the Rang Mandal, a professional theater repository for the Bharat Bhavan under the Government of Madhya Pradesh. A controversy in Bhopal where is was accused of setting fire to a co artist cut shot his stint there. He returned to Mysore to start the Rangayana, yet another theater repertory, this time Kannada language based. B V Karanth continues to work till his death due to cancer in 2002.
Rice and Rasam (2012)
Directed by Ramchandra PN
The film deals with the two troupes of professional theater artist Rajanna Jewargi as they struggle to adapt to times, remain relevant and survive. Gubbi Nagesh, a member of the erstwhile Gubbi Company, his wife Gubbu Manjula, son Prashant Gubbi, daughter Sweta Gubbi are also part of this entourage. The film shows the dismantling and reconstruction of the theater; and the condition in which the artists live.
Putaani Party (2009)
, 1h18Directed by Ramchandra PN
Themes Children's films
Rating66%
A Gram Panchayat (village governing body) in rural India facilitates the functioning of the Makkala Samiti (Children’s Committee) – a children’s body elected by the children themselves.
The Cleansing Rites (2005)
, 1h45Directed by Ramchandra PN
Themes Films based on plays
Rating71%
Suddha depicts the death of the feudal system that existed among the Tulu speaking community in coastal Karnataka for many years, and the impact of The Land Ceiling Act which was ushered during the sixties and seventies, had on its social structure. It is the story of modern India - of changing caste equations and a realization of this reality among the land owning class, albeit a bit late. Though the film is set in a remote village near Mangalore, it could well have happened in any other village elsewhere in India.
, 1h16Directed by Ramchandra PN
[[File:|thumb|200px|left|Miyar House]] The filmmaker’s 200-year-old ancestral house is dismantled, giving him an opportunity to undertake a journey into a past. It is a past that he shares not only with his extended family, but also with successive generations of India’s rural population. Armed with a cranky digital camera, he and his friend Ajay Raina sets out to document the dismantling process. They meet the four owners of the house – the uncles and aunt of the filmmaker - and gather from them what it means to undergo the process of change and migration. A sense of nostalgia and loss; as well as the excitement and the insecurity of the future accompany this process; the essence of which is transition. A realization of the inevitability of this transition marks this journey. It could well have been the journey of a country that has propelled itself into modernity. As plans are on for the house to get reconstructed elsewhere in an open-air museum, out of its original context – for the filmmaker, the fossilization seems to be complete. The film ends with the tile that says that the filmmaker's father has expired in Mumbai in 2010.
Scriptwriter
Haal E Kangaal (2014)
, 1h45Directed by Ramchandra PN
Actors Niraj Sah, Hemant Mahaur
Two struggling filmmakers meet after a gap of fifteen years and amidst celebration, enmity and jealousy realise that they are as bankrupt as every before - in all sense of the word.
Rice and Rasam (2012)
Directed by Ramchandra PN
The film deals with the two troupes of professional theater artist Rajanna Jewargi as they struggle to adapt to times, remain relevant and survive. Gubbi Nagesh, a member of the erstwhile Gubbi Company, his wife Gubbu Manjula, son Prashant Gubbi, daughter Sweta Gubbi are also part of this entourage. The film shows the dismantling and reconstruction of the theater; and the condition in which the artists live.
BV Karanth:Baba (2012)
, 1h33Directed by Ramchandra PN
Genres Biography
B V Karanth runs away as a child from his house in Babukodi in Karnataka to learn music in Mysore; instead he joins Gubbi Company, a professional theater company run by the legendary theater and film personality Gubbi Veeranna. Quest for knowledge first takes him to Banaras in North India where he learns Hindi language and Indian classical music and then to Delhi where he joins the second batch of the theater course at the National School of Drama. He later travels all over India conducting workshops and training people in modern theater. Films beckon him and his films gain critical acclaim and awards in India. He returns to Delhi to head the National School of Drama. Restlessness leads him to Bhopal in Madhya Pradesh where he starts the Rang Mandal, a professional theater repository for the Bharat Bhavan under the Government of Madhya Pradesh. A controversy in Bhopal where is was accused of setting fire to a co artist cut shot his stint there. He returned to Mysore to start the Rangayana, yet another theater repertory, this time Kannada language based. B V Karanth continues to work till his death due to cancer in 2002.
Putaani Party (2009)
, 1h18Directed by Ramchandra PN
Themes Children's films
Rating66%
A Gram Panchayat (village governing body) in rural India facilitates the functioning of the Makkala Samiti (Children’s Committee) – a children’s body elected by the children themselves.
The Cleansing Rites (2005)
, 1h45Directed by Ramchandra PN
Themes Films based on plays
Rating71%
Suddha depicts the death of the feudal system that existed among the Tulu speaking community in coastal Karnataka for many years, and the impact of The Land Ceiling Act which was ushered during the sixties and seventies, had on its social structure. It is the story of modern India - of changing caste equations and a realization of this reality among the land owning class, albeit a bit late. Though the film is set in a remote village near Mangalore, it could well have happened in any other village elsewhere in India.
, 1h16Directed by Ramchandra PN
[[File:|thumb|200px|left|Miyar House]] The filmmaker’s 200-year-old ancestral house is dismantled, giving him an opportunity to undertake a journey into a past. It is a past that he shares not only with his extended family, but also with successive generations of India’s rural population. Armed with a cranky digital camera, he and his friend Ajay Raina sets out to document the dismantling process. They meet the four owners of the house – the uncles and aunt of the filmmaker - and gather from them what it means to undergo the process of change and migration. A sense of nostalgia and loss; as well as the excitement and the insecurity of the future accompany this process; the essence of which is transition. A realization of the inevitability of this transition marks this journey. It could well have been the journey of a country that has propelled itself into modernity. As plans are on for the house to get reconstructed elsewhere in an open-air museum, out of its original context – for the filmmaker, the fossilization seems to be complete. The film ends with the tile that says that the filmmaker's father has expired in Mumbai in 2010.
Producer
BV Karanth:Baba (2012)
, 1h33Directed by Ramchandra PN
Genres Biography
Roles Executive producer
B V Karanth runs away as a child from his house in Babukodi in Karnataka to learn music in Mysore; instead he joins Gubbi Company, a professional theater company run by the legendary theater and film personality Gubbi Veeranna. Quest for knowledge first takes him to Banaras in North India where he learns Hindi language and Indian classical music and then to Delhi where he joins the second batch of the theater course at the National School of Drama. He later travels all over India conducting workshops and training people in modern theater. Films beckon him and his films gain critical acclaim and awards in India. He returns to Delhi to head the National School of Drama. Restlessness leads him to Bhopal in Madhya Pradesh where he starts the Rang Mandal, a professional theater repository for the Bharat Bhavan under the Government of Madhya Pradesh. A controversy in Bhopal where is was accused of setting fire to a co artist cut shot his stint there. He returned to Mysore to start the Rangayana, yet another theater repertory, this time Kannada language based. B V Karanth continues to work till his death due to cancer in 2002.