La Badil (No Other Choice) is an undercover documentary film produced and directed by British filmmaker Dominic Brown, about the struggle of the indigenous Sahrawi people of Western Sahara.
There are 1 films with the same director, 8861 with the same cinematographic genres, 10900 films with the same themes (including 106 films with the same 5 themes than La Badil), to have finally 70 suggestions of similar films.
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The film tells the story of both sides claiming the same land as their own. The Ndolilas family’s land was taken by the apartheid government in the 1970s without compensation, and ever since then they have been on a quest to get it back. Standing in their way are working class black homeowners who purchased portions of the Ndolila's land during apartheid. For the homeowners, the land and houses they have legally purchased are a reward for their hard work and the fulfillment of their hopes and dreams for a better life in the new democracy. For the Ndolilas, the land is part of their family legacy and hence deeply intertwined with their identity. Both sides have a legitimate right to the land, and the film encourages viewers to think about whose rights should prevail.
Paths of lives are crossed in one village in the West Bank. Along the broken water pipelines, villagers walk on their courses towards an indefinite future. Israel that controls the water, supplies only a small amount of water, and when the water streams are not certain nothing can evolve. The control over the water pressure not only dominates every aspect of life but also dominates the spirit. Bil-in, without spring water, is one of the first villages of the West Bank where a modern water infrastructure was set up. Many villagers took it as a sign of progress, others as a source of bitterness. The pipe-water was used to influence the people so they would co-operate with Israel’s intelligence. The rip tore down the village. Returning to the ancient technique of collecting rainwater-using pits could be the villagers’ way to express independence but the relations between people will doubtfully be healed.
In the 1950s South Africans realized that their freedom struggle had to be built in four arenas of action: mass action, underground organization, armed struggle, and international mobilization. Have You Heard From Johannesburg takes viewers inside that last arena, the movement to mobilize worldwide citizen action to isolate the apartheid regime. Inspired by the courage and suffering of South Africa’s people as they fought back against the violence and oppression of racism, foreign solidarity groups, in cooperation with exiled South Africans, took up the anti-apartheid cause. Working against heavy odds, in a climate of apathy or even support for the governments of Hendrik Verwoerd, John Vorster and P.W. Botha, campaigners challenged their governments and powerful corporations in the West to face up to the immorality of their collaboration with apartheid.