Manufacturing Consent: Noam Chomsky and the Media (1992)

Manufacturing Consent: Noam Chomsky and the Media (1992) is a documentary film that explores the political life and ideas of Noam Chomsky, a linguist, intellectual, and political activist. Created by two Canadian filmmakers, Mark Achbar and Peter Wintonick, it expands on the ideas of Chomsky's earlier book, Manufacturing Consent: The Political Economy of the Mass Media, which he co-wrote with Edward S. Herman.

The film presents and illustrates Chomsky's and Herman's thesis that corporate media, as profit-driven institutions, tend to serve and further the agendas of the interests of dominant, elite groups in the society. A centerpiece of the film is a long examination of the history of The New York Times' coverage of the Indonesian occupation of East Timor, which Chomsky says exemplifies the media's unwillingness to criticize an ally of the elite.

Until the release of The Corporation (2003), made by Mark Achbar, Jennifer Abbott and Joel Bakan, it was the most successful feature documentary in Canadian history, played theatrically in over 300 cities around the world; won 22 awards; appeared in more than 50 international film festivals; and was broadcast in over 30 markets. It has also been translated into a dozen languages.

Chomsky's response to the film was mixed; in a published conversation with Achbar and several activists, he stated that the film simply doesn't communicate his message, leading people to believe that he is the leader of some movement that they should join. In the same conversation, he criticizes The New York Times review of the film, which mistakes his message for being a call for voter organizing rather than media critique.



^ Noam Chomsky (2002). An Exchange on Manufacturing Consent. In Understanding Power. The New Press.

Synopsis

Partant du point de vue de Noam Chomsky, célèbre linguiste, sur les médias, et s'appuyant sur ses réflexions réunies dans ses deux récents ouvrages "Illusions nécessaires" et "la Fabrication du consentement", ce film se penche surtout sur les sociétés démocratiques dont les populations non contraintes par la force sont soumises à des formes plus subtiles d'oppression idéologique. Il examine le pouvoir de l'information et les forces qui, dans la société, s'exercent sur sa formulation et sa propagation.

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