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The Rat is a British film of genre Drama directed by Graham Cuts with Mae Marsh

The Rat (1925)

The Rat
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Length 1h14
Directed by
Genres Drama,    Crime
Rating69% 3.484563.484563.484563.484563.48456

The Rat is a 1925 British silent film drama, directed by Graham Cutts and starring Ivor Novello, Mae Marsh and Isabel Jeans. The film is based on a play written by Novello and Constance Collier, set in the Parisian criminal underworld. The film's louche settings and melodramatic storyline proved popular with audiences, and its success spawned two sequels, The Triumph of the Rat (1926) and The Return of the Rat (1929).

Synopsis

Zélie de Chaumet (Jeans) is a bored, sensation-seeking demimondaine, living with her older lover and keeper Herman Stetz (Robert Scholtz) in a lavish apartment in a wealthy area of Paris. By contrast career criminal Pierre Boucheron (Novello), known as The Rat, lives with his casual girlfriend Odile (Marsh) in a run-down room in a squalid part of the city.

Actors

Mae Marsh

(Odile Etrange)Ivor Novello

(Pierre Boucheron)Isabel Jeans

(Zelie de Chaumet)Marie Ault

(Mere Colline)Julie Suedo

(Mou Mou)
Trailer of The Rat

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Source : Wikidata

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Suggestions of similar film to The Rat

There are 105 films with the same actors, 30 films with the same director, 65774 with the same cinematographic genres (including 8423 with exactly the same 2 genres than The Rat), to have finally 70 suggestions of similar films.

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Pierre and Zélie are now married, but it is clear that the union has hit trouble. The latest manifestation of Zélie's restless, capricious nature is heavy gambling, to Pierre's disapproval. He nags her about her habit, but is ignored. Having tamed Pierre, Zélie now finds herself bored with him and starts to flirt openly with the wealthy Henri (Bernard Nedell). Her dismissive attitude towards Pierre, coupled with her continual desire to put him down and belittle him, finally causes him to leave her and return once again to his old haunt, the White Coffin Club.
The Triumph of the Rat
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The film opens with Pierre comfortably ensconced as the kept man of his old sparring-partner Zélie, who has apparently made good on her previous claims that she could transform him from a criminal ruffian into a gentleman accepted by the upper echelons of Parisian society. While he appears to relish his new-found social status, Zélie attempts to keep him on a tight rein by constantly reminding him that just as she pulled him up from the gutter, so can she send him back there if he displeases her.
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The Passionate Adventure (1924)

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