Laure Sainclair est embauchée par un psychiatre (Christophe Clark), résidant à Budapest, afin d'enseigner le français à son grand fils. Elle découvre une famille très délurée au sein de laquelle elle se coule sans difficulté. Bien entendu, elle cède aux avances de tous ceux qui la désirent. Elle se refuse toutefois à son employeur qui en retire une grande frustration. Excédé, celui-ci la licencie et la renvoie à Paris. Il ne parvient toutefois pas à l'oublier complètement et continue à voir son visage à la place de celui de sa femme lorsqu'il lui fait l'amour.
« L'acmé du porno mélancolique. Une succession de fantasmes au masculin dont les beautés fracassantes finissent par se dissoudre en abandonnant le rêveur érotomane à sa solitude. Le tout mis en scène avec une grâce absolue par le mystérieux Dietrich de Velsa (alias Francis Savel / Frantz Salieri), peintre puis directeur artistique de La Grande Eugène (l'un des premiers cabarets transformistes de Paris), qui réalise ici son unique film et néanmoins chef-d'œuvre. » (Yann Gonzalez)
A group of young women is frolicking in the countryside. This leads to them having sex with each other. Then the devil appears and forces one woman to receive and perform oral sex and then have sex with him. Then the other women come and put him to flight.
Bayside: The dark, bearded Peter Fisk walks along the wooded paths of the island until reaching a beach. He strips and sunbathes on a blanket. Suddenly, out in the water, the blond naked Donovan appears and runs up onto the beach to Fisk. Fisk performs oral sex on Donovan, who then leads Fisk into the woods. Fisk grabs the blanket and follows, catching up to Donovan in a clearing. They kiss and touch each other, then Donovan takes a studded leather strap from Fisk's wrist and attaches it around Fisk's genitalia. They continue the scene, with each performing oral sex on the other and Donovan penetrating Fisk. Following Donovan's climax he returns to servicing Fisk orally and, as Fisk is climaxing, momentary flashes of previous scenes are intercut. The scene ends with Fisk taking the strap from his genitals and attaching it around Donovan's wrist. Fisk runs into the ocean and vanishes, mirroring Donovan's entrance. Donovan dons Fisk's abandoned clothes and heads off down the beach.
Poolside: The segment opens with Donovan on a pier, holding a newspaper. He returns to his house, strips by the pool and begins reading. Intrigued by an ad in the back of the paper, Donovan writes a letter in response. After a number of days pass (marked by the cliché device of fluttering calendar pages), he receives a reply in the form of a package. Inside is a tablet, which he throws into the pool. The water starts to churn and the dark-haired Danny Di Cioccio emerges to Donovan's delight. The two couple by the pool, with each performing oral sex on the other and Donovan penetrating Di Cioccio in a variety of positions. Di Cioccio turns the tables and tops Donovan until Donovan's climax. The scene closes with the two engaged in horseplay in the pool and then walking off together down a boardwalk.
German immigrant (Peter Berlin) walks around in San Francisco looking for adventure. With scenes shot in North Beach, Land's End, and all over San Francisco, Nights in Black Leather is both an erotic romp and a time capsule of gay life in San Francisco in the early 1970s.
In a pornographic take-off of Shaw's play Pygmalion (and its derivative My Fair Lady), the film is about a sexologist who tries transforming a low-skilled prostitute into a goddess of passion. While he tries to prepare her to seduce a homosexual artist, it is he for whom she develops feelings. In this film, Henry Higgins (of Pygmalion) is replaced by Dr. Seymour Love, the sexologist, played by Jamie Gillis. Eliza Doolittle (of Pygmalion) becomes Dolores "Misty" Beethoven, who is played by Constance Money, and Colonel Pickering becomes Geraldine Rich, played by Jacqueline Beudant. During the film, Misty achieves "elevation" better than Love and Rich had hoped but then cuts them off, as in George Bernard Shaw's play. However, this film then sees Misty return, take over for Dr. Love, and run the "school". Dr. Love is present but in a very subservient position. It is clearly Misty that is in charge by this time.
Considéré comme le film le plus rentable de tous les temps, Gorge profonde fut bien plus qu'une curiosité pour adultes et une réussite financière. Sorti en 1972, au moment où les Etats-Unis découvraient les mouvements pour la libération sexuelle et les valeurs de la contre-culture, ce film au contenu sexuellement explicite déclencha une tempête sociale et politique sans précédent.
Gorge profonde devint un phénomène culturel majeur, dont l'impact se ressent encore aujourd'hui. Plus de trente ans après les scandales provoqués par ce classique du cinéma porno, le documentaire Inside Deep throat examine l'incroyable abîme entre les modestes intentions des créateurs du film et l'héritage qu'ils ont involontairement laissé.
The film is based on the opera Madama Butterfly by Giacomo Puccini.
"Lt. Pinkerton" (played by mainstream French actor J. H. Forsell) is a strapping American sailor on leave in Japan. He marries the young "Madame Butterfly" (an uncredited actress) and ravishes her while Butterfly's maid, "Soosooky" (another uncredited actress) watches and masturbates. Pinkerton then abandons Butterfly. A new character, "the coolie boy" (role originally attributed to Natan), spies on Butterfly and Soosooky as they engage in lesbian sex. He masturbates while watching them.