The film depicts four short stories from Pirandello's 15-volume series Novelle per un anno, which play around his birthplace in the 19th century. A raven, which in the introduction is shown to get a bell around his neck from locals, leads one from one story to the next.
Un hold-up sanglant est commis le 15 avril 1920, dans le Massachusetts. Deux anarchistes d'origine italienne, Nicola Sacco et Bartolomeo Vanzetti sont arrêtés. Malgré le manque de preuves formelles, ils sont condamnés à mort et envoyés à la chaise électrique.
The brothers Antonio (Totò) and Peppino (Peppino De Filippo) Caponi are boorish landowners living in southern Italy. Antonio is lavish and steals his stingy brother's money.
À l'occasion d'une éclipse de Lune qu'ils vont observer depuis la terrasse de leur appartement romain, Eva et Rocco reçoivent à dîner leurs amis de toujours : Bianca et Cosimo, Carlotta et Lele et enfin Peppe, le divorcé de la troupe qui doit leur présenter sa nouvelle copine. Mais Peppe arrive seul, prétextant que son amie est souffrante. À l'apéritif, ils évoquent un couple d'amis récemment séparé à la suite d'une tromperie découverte par un texto. Ils réalisent que les téléphones sont devenus notre boîte noire, et se demandent alors combien de couples se sépareraient si chacun avait accès au téléphone de l'autre. Eva propose, malgré la gêne perceptible de certains, de jouer au jeu de la vérité le temps de la soirée : chacun pose son téléphone sur la table et toute conversation, message ou appel reçu sera lu et écouté de tous…
Rome, Year of our Lord 1809. The Pope Pius VII with his cardinals and ministers manages both temporal and spiritual power of the Papal States in Italy. The Marquis Onofrio del Grillo is one of his favorites, but even the worst of all the nobility. As a privileged and protected nobleman, Onofrio feels free to play his pranks on the poor people without any fear of the consequences. On one occasion, when he is arrested at a dinner with common criminals, he turns to the populace in a vulgar speech, claiming that his nobility allows him to do what he wants, and that they, being poor, are not worth anything. Memorable is the dispute between the poor Jew Aaron Piperno and the Marquis for the payment of a salary. Aaron is amazed when Onofrio refuses to pay with the argument that his creditor being a Jew is a murderer of Jesus. Aaron brings his case to court, but Onofrio wins the lawsuit by corrupting the judges and the cardinals. Piperno is condemned and mocked by the people, and Onofrio announces to the Pope that justice has just died in his States.
The story centers on Cesira (Loren), a widowed Roman shopkeeper, and Rosetta (Brown), her devoutly religious twelve-year-old daughter, during World War II. To escape the Allied bombing of Rome, Cesira and her daughter flee southern Lazio for her native Ciociaria, a rural, mountainous province of central Italy.
At dawn on Monday 10 July 1961, a young literary translator, Vittoria (Monica Vitti), breaks off her relationship with Riccardo (Francisco Rabal) in his apartment in the EUR residential district of Rome, following a long night of conversation. Riccardo tries to persuade her to stay, saying he wants to make her happy, but she turns out the lights in his apartment, tells him she no longer loves him, and leaves. As she walks the deserted early-morning streets past the EUR water tower, Riccardo catches up and walks with her through a wooded area to her apartment building at 307 Viale dell'Umanesimo, where they say their final goodbyes.
The film opens in 1950, five years after the capture of Puyi by the Red Army when the Soviet Union entered the Pacific War in 1945 and his having been kept in their custody. In the recently established People's Republic of China Puyi arrives as a political prisoner and war criminal at the Fushun Prison. Soon after his arrival, Puyi attempts suicide, which only renders him unconscious.
Bellissima centers on a working-class mother in Rome, Maddalena (Anna Magnani), who drags her young daughter (Tina Apicella) to Cinecittà to attend an audition for a new film by Alessandro Blasetti. Maddalena is a stage mother who loves movies and whose efforts to promote her daughter grow increasingly frenzied.
Anna (Lea Massari) meets her friend Claudia (Monica Vitti) at her father's villa on the outskirts of Rome prior to leaving on a yachting cruise on the Mediterranean. They drive into Rome to Isola Tiberina near the Pons Fabricius to meet up with Anna's boyfriend, Sandro (Gabriele Ferzetti). While Claudia waits downstairs, Anna and Sandro make love in his house. Afterwards Sandro drives the two women to the coast where they join two wealthy couples and set sail south along the coast.
As an old man nearing the end of his life, Adso, youngest son of the Baron of Melk recounts how, as a young novice in 1327, he accompanied his mentor, the Franciscan friar William of Baskerville to a Benedictine abbey in Northern Italy. The abbey had been chosen as the site for a theological debate between the Franciscan order and the Pope on the poverty of Christ. The abbey is already home to a famed scriptorium where scribes copy, translate or illuminate books. The mysterious recent death of the monk Adelmo of Otranto - a young but famous illuminator - has stirred fears among the abbey's devout inhabitants. The Abbot seeks help from William, known for his deductive powers. The illuminator's death cannot be dismissed as a suicide because the body was found at the foot of a tower having only a window which cannot be opened. William is reluctant to involve himself, though he is persuaded not only because of the intellectual challenge, but also because of his desire to disprove fears of a demonic culprit in Adelmo's death. William is also motivated to act by his fears that the Abbot will summon officials of the inquisition if the mystery remains unsolved.
The film opens with a quote from Céline's Journey to the End of the Night: "To travel is very useful, it makes the imagination work, the rest is just delusion and pain. Our journey is entirely imaginary, which is its strength." The main character is an aging socialite, Jep Gambardella, who once wrote a famous novel in his twenties, only to retire into a comfortable life writing cultural columns and throwing parties in Rome. After his 65th birthday party, he walks through the ruins and city streets, encountering the various characters, reflecting on his life, his first love, and sense of unfulfillment.
The film tells the grotesque story of a large Apulian family living in an extremely poor shantytown of the periphery of Rome. The protagonist is one-eyed patriarch Giacinto (Manfredi). Four generations of his sons and relatives are cramped together in his shack, managing to get by mainly on thieving and whoring, among other things more or less respectable.
The movie opens with a small Italian village being stormed by a band of Hungarian pillagers. When the murders and rapes are over, a German knight arrives and bravely kills the bandits. However, as he is healing his wounds he is attacked by two of the surviving villagers and one of the thieves. They throw the wounded knight into a river.
Henry Pollicut, a corrupt Utahn banker, has Gordon, a man with evidence against him, and his wife murdered by two bounty killers. Fearing that Gordon's son will give them away, one of the killers slices his throat, rendering him permanently mute. Years later, the son, armed with a Mauser C96, extracts his revenge by assassinating the bounty killer and shooting Pollicut’s right-hand thumb.