Le film s'ouvre sur une série de chèques signés pour faire un film (acteurs, techniciens, laboratoire...). La voix off explique que pour faire un film, il faut de l'argent et que pour avoir de l'argent, il faut des stars. Le film nous montre alors Yves Montand (lui) et Jane Fonda (elle, Suzanne) et explique que ces deux personnages sont en couple.
Un hold-up sanglant est commis le 15 avril 1920, dans le Massachusetts. Deux anarchistes d'origine italienne, Nicola Sacco et Bartolomeo Vanzetti sont arrêtés. Malgré le manque de preuves formelles, ils sont condamnés à mort et envoyés à la chaise électrique.
The film is a biography of anarchist Sakae Ōsugi, who was assassinated by the Japanese military in 1923. The story tells of his relationship with three women: Hori Yasuko, his wife; Noe Itō, his third lover, who was to die with him; and his jealous, second lover, Masaoka Itsuko, a militant feminist who attempts to kill him in a tea house in 1916. Parallel to the telling of Ōsugi’s life, two students (Eiko and Wada) do research on the political theories and ideas of free love that he upheld. Some of the characters from the past and from the present meet and engage the themes of the movie.
Composing the film's main narrative thread are several long, uninterrupted shots of The Rolling Stones in a sound studio, recording and rerecording various parts to "Sympathy for the Devil." The dissolution of Stone Brian Jones is vividly portrayed, and the chaos of 1968 is made clear when a line referring to the killing of John F. Kennedy is heard changed to the plural after the assassination of Robert F. Kennedy in June.
Le film raconte les activités de Jules Bonnot dans les années 1910. Entourés d'asociaux et d'idéalistes, il se livre à des faits criminels qui mettent la France dans la tourmente.
The movie opens with shots from the Spanish Civil War, and a line of Spanish refugees crossing the border into France after defeat by the Francoists, Manuel Artiguez (Gregory Peck) turns away from the border and back towards Spain. His friends stop him, saying "Manuel, the war is over!".
Manor Farm is a formerly prosperous farm that has fallen on hard times, and suffers under the now-ineffective leadership of its drunken and aggressive owner, Mr. Jones. One night, Old Major, the prize boar and the second-oldest on the farm, calls the animals on the farm for a meeting, where he compares the humans to parasites and encourages the animals to break free from their tyrant's influence, while reminding them that they must hold true to their convictions after they have gained freedom. With that, he teaches the animals a revolutionary song, before collapsing dead mid-song to the animals' horror.
On the 10th anniversary of the assassination of the king, his reclusive widow, the Queen, arrives to spend the night at the castle of Krantz. Stanislas, a young anarchist poet who seeks to assassinate her, enters her room, wounded; he looks exactly like the dead king, and the Queen shelters him instead of handing him over to the police. She sees him as the welcome embodiment of her own death, calling him Azrael (the angel of death). An ambiguous love develops between them, uniting them in a bid to outwit the machinations of the court politicians, represented by the Comte de Foëhn, the chief of police, and Édith de Berg, the Queen's companion. In order to remain true to their ideals and to each other, the Queen and Stanislas have to play their parts in a bizarre private tragedy, which the world will never understand.
Imbued with the spirit of the left-wing political movement, Popular Front, which would have a major political victory that year, the film chronicles the story of M. Lange (René Lefèvre), a mild-mannered clerk at a publishing company who dreams of writing Western stories. He gets his chance when Batala (Jules Berry), the salacious head of the company, fakes his own death and the abandoned workers decide to form a cooperative. They have great success with Lange's stories about the cowboy, Arizona Jim — whose stories parallel the real-life experiences of the cooperative. At the same time, Lange and his neighbor, Valentine (Florelle), fall in love.
Le film se passe dans le monde du spectacle. C'est l'histoire de Pablo, un boxeur amoureux de son épouse Aurora. Cette dernière entretient une relation adultère avec un chanteur de cabaret. Quand Pablo surprend les amants, il demande le divorce et entre dans une profonde dépression qui l'amènera à perdre un combat de boxe. C'est alors qu'il connaît Marlène, une artiste de variété, dont le rôle consiste en danser dénudée dans une cage avec quatre lions, et qui est unie sentimentalement à son compagnon de travail, le dompteur Marck.