Ashanti is an action adventure film, set against the background of modern day slave trading, with a man who determinedly takes on a perilous journey in order to find his beautiful wife, who has been kidnapped by brutal slave traders. David and Anansa Linderby (Caine and Johnson respectively) are doctors with the World Health Organization. On a medical mission carrying out an inoculation programme, they visit a West African village. While David takes photographs of tribal dancers, Anansa goes swimming alone. She is attacked and abducted by slave traders led by Suleiman (Peter Ustinov), who mistake her for an Ashanti tribeswoman. The police can do nothing to find her and David has almost given up hope when he hears rumours that Anansa has been kidnapped by Sulieman to be sold to Arab Prince Hassan (Omar Sharif). The African authorities deny that the slave trade even exists. So David must find help in a shadowy world where the rescuers of slaves are just as ruthless as the traders themselves. As David tracks her across Africa and the Sahara desert, he is helped by a member of the Anti-Slavery League (Rex Harrison), a mercenary helicopter pilot (William Holden), and Malik (Kabir Bedi) a tribesman who is seeking revenge on Suleiman.
A drug bust is about to go down and Chicago cop Tony Church is on the case. Things go horribly wrong, though. His fellow officers get slaughtered and Church takes the blame, getting fired from the force.
In 1867, John O'Hanlan (Stewart) and Harley Sullivan (Fonda) are aging cowboys working on open cattle ranges in Texas. O'Hanlan gets a letter from an attorney in Cheyenne, Wyoming, that his disreputable and now deceased brother, DJ, left him something called The Cheyenne Social Club in his will.
Set in Rome and its surroundings, the film tells in a frighteningly realistic, ruthless and grotesque the evil of two powerful men of Italy in the seventies: a Director of illegal buildings (Vittorio Gassman), extremist fascist, and an upright judge, cynical looking in part to the Italian law (Ugo Tognazzi). Both can not stand each other, given the contrasts between the two men in any social, political and philosophical. Everyone hates each other and would like to delete it, but just because of the bad example that the two men give power to the people, many Italians are adversely affected because of cheating and rudeness of the fascist manufacturer and the communist magistrate. The director Dino Risi underlines the misdeeds and the weakness of the Italian people to react accordingly, by focusing on the story of these two men who are each other's opposite of the net.
The plot unfolds as a taut thriller that examines the characters' vulnerability and strengths. The subplot, however, explores a relationship between a woman & a girl; Rekha, the protagonist, is a sex worker who tries to rescue Nandhini, a twelve-year-old girl, from the clutches of prostitution. The journey takes us through the brutality and the hypocrisy that surrounds us, which we deliberately choose to ignore—broken homes, abuse, unfulfilled dreams, manipulation, blackmail, threat, hopelessness and paranoia. It's a dog-eat-dog world where nothing is as simple as it appears.
Pierre is a 58-year-old gay man who was a hustler in his youth. He is no longer considered desirable and now finds himself in the reverse position: He is the one paying for sex. He has trouble sleeping, has a coffee, and starts chain smoking. In the morning, he receives a visit from Marc, a young hustler. They have sex, but the joyless encounter ends quickly; Pierre has been HIV positive for 24 years and his various medications have affected his performance. Marc invites him to a drag club but Pierre rejects the offer because he would have to shave his mustache.
The story begins with the death of the parents of Mukesh, a teenager who has just graduated from senior high school. The boy's grandfather puts his most unfriendly aunt as care in charge of wealth. Mukesh, meanwhile struggles to get on with his aunt's family who refuses to provide him pocket money for his day to day expenses. He tries his best to study during his 1st year B.A. course. He also constantly worries about his two sisters who are put in a girl's home. Mukesh develops friendship with Johnny, an undertaker, in Delhi's graveyard, over the interest of playing chess. Johnny always tells him that, he has a brother in Mauritius who invites him to live there, but he cannot go as he has no money and that the day he will have enough money in hands, he will pack his bags and leave the country.
A young lady named Sun-hwa is sitting on a bench when an unusual man comes and sits by her side. She realizes that he is constantly looking at her and walks away, irritated. Her boyfriend comes and while they are talking, the silent man grabs and forcefully kisses her. Her boyfriend tries to pull him away with no results. When he stops, the woman demands an apology. He starts walking and some soldiers among the crowd that gathered due to the spectacle beat and restrain him. The woman insults him and spits on his face. He remains silent.
Baise-moi tells the story of Nadine and Manu who go on a violent spree against a society in which they feel marginalized. Nadine is a part-time sex worker, and Manu is a slacker who does anything—including occasional porn film acting—to get by in her small town in southern France.
American assassin Curtie Church (Hounsou) is completing a job in Thailand when 18-year-old child prostitute, Mae, witnesses Church killing a group of her captors, the Chang Cao gang, and afterwards framing the Jong Ang Gang for the murders.
Séverine Serizy (Catherine Deneuve), a young and beautiful housewife, is unable to share physical intimacy with her husband, Dr. Pierre Serizy (Jean Sorel), despite their love for each other. Her sexual life is restricted to elaborate fantasies involving domination, sadomasochism, and bondage. Although frustrated by his wife's frigidity toward him, he respects her wishes.
1: The Punishment Begins
Berlin, 1928. Franz Biberkopf is released after serving four years in Tegel prison for killing his girlfriend Ida. After settling into his old apartment he visits Minna, Ida’s sister. Minna succumbs to his forceful advances. In a flashback we see Franz kill Ida with a cream whip after correctly suspecting she was about to leave him. Franz later runs into his old friend Meck and has a drink with him in Max’s bar, a local place. There he meets Lina Przybilla, a young Polish woman, who moves in with him. He receives notification from the Berlin Police that he is barred from living in certain Berlin districts and surrounding municipalities, under the threat of a fine or imprisonment, Biberkopf places himself under the supervision of a charity called Prisoners' Aid, to which he must report once a month, and remain in employment. By doing this, he is able to remain in Berlin.