The opening scene shows the troops of Agamemnon of Mycenae ready to fight against the troops of Triopas of Thessaly. Afterwards, Prince Hector of Troy and his younger brother Paris negotiate a peace treaty with Menelaus, king of Sparta, and celebrate the end of a long and bloody war. Paris, however, is having a secret love affair with Menelaus' wife, Queen Helen, and smuggles her aboard their homebound vessel, much to Hector's fury, as this could lead to war between Troy and Greece. Upon learning of this, Menelaus meets with his elder brother, King Agamemnon of Greece, and asks his help in taking Troy. Agamemnon, who has wanted to conquer Troy for a long time, agrees, since it will give him control of the Aegean Sea. On King Nestor's advice, Agamemnon has Odysseus, King of Ithaca, persuade Achilles to join them. Achilles, who strongly dislikes Agamemnon and his ways, initially refuses, but eventually decides to go after his mother, Thetis, tells him that though he will die, he will be forever remembered.
Director John Woo said in an interview with David Stratton that the film is only 50% factual. Woo decided to alter the story using modern feelings and his own feelings for a more worldly acceptance. According to Woo, historical accuracy was less important than how the audience felt about the battle.
Pelias (Douglas Wilmer), misinterpreting the prophecy given to him by the god Zeus (Niall MacGinnis), usurps the throne of Thessaly by killing King Aristo and most of his family. The infant Jason is spirited out by one of Aristo's soldiers. Pelias encounters one of the king's daughters, Briseis (Davinia Taylor), seeking sanctuary in the temple of the goddess Hera (Honor Blackman) and slays her. Because the murder has profaned her temple, the angry Hera becomes Jason's protector. She, disguised as the high Priestess, warns Pelias to beware of a man wearing one sandal.
The story begins in late 1960s Japan. A group of tanuki are threatened by a gigantic suburban development project called New Tama, in the Tama Hills on the outskirts of Tokyo. The development is cutting into their forest habitat and dividing their land. The story resumes in early 1990s Japan, during the early years of the Heisei era. With limited living space and food decreasing every year, the tanuki begin fighting among themselves for the diminishing resources, but at the urging of the matriarch Oroku ("Old Fireball"), they decide to unify to stop the development.
Centuries ago, the Amazons, a proud and fierce race of warrior women, led by their Queen, Hippolyta (voiced by Virginia Madsen), battled Ares (voiced by Alfred Molina), the god of war, and his army. During the battle, Hippolyta beheaded her son, Thrax (voiced by Jason Miller), whom Ares forcibly conceived with her, who is fighting for his father. Hippolyta then defeated Ares, but Zeus (voiced by David McCallum) stopped her from delivering the death strike. Instead, Hera (voiced by Marg Helgenberger) bound his powers with magic bracers so that he was deprived of his ability to draw power from the aura of violence and death he could instigate, effectively rendering him mortal, and only another god could release him. In compensation, the Amazons were granted the island of Themyscira, where they would remain eternally youthful and isolated from Man in the course of their duty of holding Ares prisoner for all eternity. Later, Hippolyta was granted a daughter, Princess Diana (voiced by Keri Russell), whom she shaped from the sand of the Themyscirian seashore and gave life with her own blood.
Dans cette satire politique, le président argentin Yrigoyen cherche à débarrasser Buenos Aires de l'immoralité et de la corruption à l'aide des foudres de Jupiter. La ville est bientôt en flammes.
Son Goku rencontre Bulma dans une montagne. Ensemble, ils partent à la recherche des Dragon Balls. Ils seront confrontés à la terrible armée du Red Ribon (armée du Ruban Rouge), elle aussi à la recherche des boules de cristal.
Saraswati Sabatham tells the story of a dispute between three goddesses over which has the best power. Narada (Sivaji Ganesan), a sage and celestial troublemaker, begins the fight by visiting Saraswati (Savitri), the Goddess of knowledge, and purposely annoys Her by saying that wealth is more important and abundant. Saraswati angrily said that She will prove that Her power, knowledge is more important. Narada then goes to Vaikuntha to see Lakshmi (Devika), the Goddess of wealth, and also annoys Her by saying that education is more abundant and is the best. Lakshmi also retorted that She will prove that Her power of wealth is more important. Narada finally goes to Mount Kailas, seeking Parvati(Padmini), the goddess of power and strength and annoys Her too, saying that wealth and knowledge is more important. Parvati too stressed that She will prove that Her power of strength is more important.
Following the death of her father Kazuo, Momo Miyaura and her mother Ikuko travel from Tokyo to the Seto Inland Sea. Momo carries Kazuo's unfinished letter, which contains only the words "Dear Momo." The two arrive at her mother's estate in Shio Island (汐島, Shiojima) and meet their relatives Sachio and Sae Sadahama as well as Koichi, a postman and Ikuko's friend. Momo is devastated and misses Tokyo. In the attic, she opens a present containing a rare picture book about goblins and Yōkai, collected by Sachio's father. Three droplets from the sky enter Ikuko's estate and transform into yokai consisting of Kawa, Mame, and Iwa, the group's leader.
A son is born to a young couple in pre-war Italy. The father, motivated by jealousy, takes the baby into the desert to be abandoned, at which point the film’s setting changes to the ancient world. The child is rescued, named Edipo by King Polybus (Ahmed Belhachmi) and Queen Merope (Alida Valli) of Corinth and raised as their own son. When Edipo (Franco Citti) learns of a prophecy foretelling that he will kill his father and marry his mother, he leaves Corinth believing that Polybus and Merope are his true parents.
With their power dwindling due to the absence of their leader, the remnants of Frieza's army are led by an alien named Sorbet (ソルベ, Sorube), who decides to revive their master. He then sets off to Earth with one other minion, Tagoma (タゴマ, Tagoma), where they convince Pilaf, Mai, and Shu, who have collected the Dragon Balls to let them summon Shenlong instead. As Shenlong is unable to fully revive Frieza, he brings him back to life in pieces, which his minions reassemble using their advanced technology over the following two months. Once restored, Frieza plans revenge against Goku, and then kills Tagoma when he objects to this, and learns that Goku has gotten much stronger, to the point of defeating Majin Boo and thus, he decides he too needs to become more powerful. Frieza reveals that, since his power was inborn, he had never trained a day in his life, and so he trains himself for the first time, before returning to Earth with his army four months later. Jaco the Galactic Patrolman travels to earth to warn Bulma that Frieza is approaching, and she gathers the other Z fighters to fight him. With Goku and Vegeta training on Beerus' Planet with Whis, unaware that Frieza has been revived, Gohan, Piccolo, Krillin, Master Roshi, Tien Shinhan and Jaco fight off Frieza's soldiers. Frieza, even in his base form, is more than a match for the five and almost kills Gohan with a single punch.
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives—Oscar Wilde's The Importance of Being Earnest—and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.