Durant la parenthèse de sa carrière (1975-1981), Miles Davis, à la dérive chez lui, se fait dérober une bande enregistrée. Le trompettiste se fait aider par Dave Brill, un journaliste de Rolling Stone, afin de la retrouver. Entre-temps, il se remémore ses années glorieuses sur scènes et ses années malheureuses avec son épouse Frances Taylor sous l'emprise d'alcool et de drogues avant son grand retour en 1981…
The film begins with a scene set in Brooklyn, New York in 1969. A group of four boys walk up to Bleek Gilliam's brownstone and ask him to come out and play baseball with them. Bleek's mother insists that he continue his trumpet lesson, to his chagrin. His father becomes concerned that Bleek will grow up to be a sissy, and a family argument ensues. In the end, Bleek continues playing his trumpet, and his friends go away.
Set against the backdrop of the Cold War and Soviet political repression of the early 1980s prior to perestroika, Vladimir Ivanoff (Robin Williams), a saxophonist with the Moscow circus, lives in a crowded apartment with his extended family. He stands in lines for hours to buy toilet paper and shoes. When the apparatchik assigned to the circus (Kramarov as Boris) criticizes Vladimir for being late to rehearsal and suggests Vladimir may miss the approaching trip to New York, Vladimir gives Boris a pair of shoes from the queue that made Vladimir late.
On his way to see Wild Man Moore (Louis Armstrong) at the train station, Ram Bowen (Paul Newman), a jazz musician, encounters Connie Lampson, (Diahann Carroll), a newly arrived tourist, and invites her to see him perform that night at Club 33. Connie isn't interested but her friend, Lillian (Joanne Woodward) insists they go to see him. After Ram finishes performing with his friend Eddie (Sidney Poitier) offers to take both women to breakfast. When Ram suggests that he and Connie go off and have a private breakfast together she is offended and Ram is angered at being rejected. However Lillian, undeterred that Ram prefers her friend, pursues him and the two sleep together while Connie and Eddie spend the night walking around Paris.
Set in the early 1900s in the fictional Catfish Row section of Charleston, South Carolina, which serves as home to a black fishing community, the story focuses on the titular characters, crippled beggar Porgy, who travels about in a goat-drawn cart, and the drug-addicted Bess, who lives with stevedore Crown, the local bully. While high on cocaine supplied by Sportin' Life, Crown kills Robbins after the latter vanquishes him in a craps game; Bess urges Crown to flee. Sportin' Life suggests she accompany him to New York City, an offer Bess declines. She seeks refuge with her neighbors, all of whom refuse to help her. Porgy finally agrees to let her stay with him.
Retour à Gorée raconte le périple du chanteur africain Youssou N'Dour sur les traces des esclaves noirs et de la musique qu'ils ont inventée : le jazz. Son défi: rapporter en Afrique un répertoire de jazz et le chanter à Gorée, l'île symbole de la traite négrière, en hommage aux victimes de l'esclavage. Guidé dans sa quête par le pianiste Moncef Genoud, Youssou N'Dour parcourt les États-Unis et l'Europe.
The film follows big band leader Glenn Miller (1904–1944) (James Stewart) from his early days in the music business in 1929 through to his 1944 death when the airplane he was flying in was lost over the English Channel during World War II. Prominent placement in the film is given to Miller's courtship and marriage to Helen Burger (June Allyson), and various cameos by actual musicians who were colleagues of Miller.
The concert opens with Mickey on piano. His shadow is cast dramatically on the curtain as he plays a classical interlude. Soon he transitions into a ragtime version of "St. Louis Blues." Minnie struts onstage and sings the verse "I hate to see that evening sun go down..." with Mickey accompanying. Soon an unseen band takes over the accompaniment and Mickey joins Minnie; the two mice dance and scat sing two more verses.
Le film s'ouvre dans un bar, où des garçons tentent de trouver des filles pour la nuit. Benny, au caractère un peu difficile et sensible sur son identité afro-américaine, a besoin d'argent qu'il demande à son frère Hugh plus métis. Benny est un jeune homme révolté, qui tente de jouer de la trompette, mais erre surtout de bars en bars à travers les rues de Greenwich Village et de Broadway, à la fin des années cinquante, avec ses amis Dennis et Tom, tout en acceptant des compromis avec son art pour vivre.