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Long Distance Wireless Photography is a french film of genre Science fiction directed by Georges Méliès with Fernande Albany

Long Distance Wireless Photography (1908)

Long Distance Wireless Photography
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Directed by
OriginFrance
Genres Science fiction,    Comedy
Rating57% 2.897842.897842.897842.897842.89784

Photographie électrique à distance est un film muet de Georges Méliès sorti en 1908.

Synopsis

Dans un atelier dont le plafond est une verrière, un inventeur est entouré des dispositifs mécaniques d'une machine compliquée. Les domestiques de l'inventeur font entrer une dame et un monsieur bien habillés. L'inventeur les accueille et commence à leur montrer son invention. Mettant la machine en marche, il déroule un grand écran et place une petite image des Trois Grâces sur une chaise. Grace à la machine, les Grâces sont projetées à taille réelle sur l'écran où elles prennent brièvement vie avant de disparaître. Ensuite, l'inventeur et son équipe donnent une autre démonstration en projetant un modèle en costume grec. Comme précédemment, l'image projetée prend sa propre vie, saluant le visiteur.

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Trailer of Long Distance Wireless Photography

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Source : Wikidata

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Suggestions of similar film to Long Distance Wireless Photography

There are 142 films with the same actors, 410 films with the same director, 40993 with the same cinematographic genres (including 1470 with exactly the same 2 genres than Long Distance Wireless Photography), to have finally 70 suggestions of similar films.

If you liked Long Distance Wireless Photography, you will probably like those similar films :
The Impossible Voyage, 24minutes
Directed by Georges Méliès
Origin France
Genres Science fiction, Comedy, Fantasy, Adventure
Themes Transport films, Rail transport films, Films based on plays
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Rating74% 3.7425153.7425153.7425153.7425153.742515
Since the film is silent and has no intertitles, the proper names and quotations below are taken from the English-language description of the film published by Méliès in the catalog of the Star Film Company's New York Branch.
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Directed by Georges Méliès
Origin France
Genres Science fiction, Comedy, Fantasy, Adventure
Themes Transport films, Aviation films
Actors Georges Méliès, Fernande Albany
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At an International Congress at an Aero Club, explorers from around the world argue about the best way to fly to the North Pole. All are in disagreement until the congress's president, the engineer Maboul of France, explains his plans for an "Aero-Bus," an airplane with a passenger car and a huge figurehead in the shape of a bird head. The proceedings are interrupted by a group of militant suffragettes, who announce their intention to go to the Pole themselves. When they have been chased off, the Congress nominates an international group of experts to accompany Maboul to the Pole: Run-Ever of England, Bluff-"Allo"-Bill of America, Choukroutman of Germany, Cerveza of Spain, Tching-Tchun of China, and Ka-Ko-Ku of Japan. Maboul takes his colleagues to his office to study the model of his invention, and then to the electricity-powered factory where the real thing is being constructed. The leader of the suffragettes moves on with her own plans to get to the Pole, building a machine fitted with propellers and a multitude of toy balloons, but it fails to get off the ground.
Tunneling the English Channel, 23minutes
Directed by Georges Méliès
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Genres Fantastic, Adventure
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Actors Georges Méliès, Fernande Albany, Jehanne d'Alcy
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Le roi Édouard VII et le président Armand Fallières rêvent dans leurs chambres contigües. Grâce à eux, on inaugure le fameux tunnel. Mais deux trains entrent en collision et le tunnel est détruit. Ce n'était heureusement qu'un cauchemar.
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Genres Science fiction, Fantastic, Comedy
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The film features Méliès in a room which is intended to be a cell and he finds ways to cure his boredom by performing tricks, such as vanishing and magically appearing picture frames and sudden appearing fireplaces and dinner tables with wine. Towards the end of the film he appears as Satan and tricks his guards by disappearing in a blanket.
The Inventor Crazybrains and His Wonderful Airship
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Genres Science fiction, Fantastic, Comedy, Fantasy
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Dans son atelier, un inventeur exulte d'avoir créé un dirigeable. Soudain, des créatures apparaissent (deux nymphes et deux singes) et saccagent les lieux. Dans la deuxième scène, la demeure de l'inventeur est détruit, et il voit au loin son dirigeable voler, alors que des sirènes passent non loin. Puis, une boule de feu se dirige vers l'engin et le fait exploser. L'inventeur semble alors se réveiller et se retrouve dans son atelier du début, normal. Mais pris de colère, il envoie valser le plan du dirigeable.
The Man with the Rubber Head, 2minutes
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A chemist in his laboratory places upon a table his own head, alive; then fixing upon his head a rubber tube with a pair of bellows, he begins to blow with all his might. Immediately the head increases in size and continues to enlarge until it becomes truly colossal while making faces. The chemist, fearing to burst it, opens a cock in the tube. The head immediately contracts and resumes its original size. He then calls his assistant and informs him of his discovery. The assistant, wishing to experiment for himself, seizes the bellows and blows into the head with all his might. The head swells until it bursts with a crash, knocking over the two experimenters. The chemist then literally kicks his assistant from the lab in anger.
A Trip to the Moon, 14minutes
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At a meeting of the Astronomic Club, its president, Professor Barbenfouillis, proposes a trip to the Moon. After addressing some dissent, five other brave astronomers—Nostradamus, Alcofrisbas, Omega, Micromegas, and Parafaragaramus—agree to the plan. They build a space capsule in the shape of a bullet, and a huge cannon to shoot it into space. The astronomers embark and their capsule is fired from the cannon with the help of "marines", most of whom are played by a bevy of young women in sailors' outfits. The Man in the Moon watches the capsule as it approaches, and it hits him in the eye.
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Sorcellerie culinaire est un film de Georges Méliès sorti en 1904 au début du cinéma muet.