Search a film or person :
FacebookConnectionRegistration
Home > All films > Films based on operas

Films with theme "Films based on operas", sorted by rating

Sort by
Revenue | Name | Release | Rating
Filter by countries
Filter by genre
Filter by decade
The Story of Carmen
The Story of Carmen (1944)
, 2h4
Directed by Christian-Jaque
Origin France
Genres Drama, Musical
Themes Films about music and musicians, Musical films, Films based on operas
Actors Viviane Romance, Jean Marais, Julien Bertheau, Lucien Coëdel, Marguerite Moreno, Bernard Blier

En 1820 à Séville en Andalousie, l'histoire devenue célèbre de Don José (Jean Marais), brigadier des dragons, amoureux fou de Carmen (Viviane Romance), une belle et provocante gitane qui l'a séduit au point qu'il déserte pour elle. Dans un excès de jalousie, Don José tue son commandant et s'enfuit avec elle dans les montagnes, devenant lui-même le chef d'une bande de contrebandiers. Carmen parvient à aider certains de ses amis contrebandiers dont Garcia (Lucien Coëdel). Mais Carmen se lasse vite de cet amant qu'elle estime un peu trop transi et s'échappe avec le séduisant toréador Lucas (Julien Bertheau). Don José parvient à la retrouver et, une fois de plus aveuglé par la jalousie, commet l'irréparable en tuant Carmen.
Lowlands
Lowlands (1954)
, 1h38
Directed by Leni Riefenstahl, Harald Reinl
Genres Drama
Themes Films about music and musicians, Sports films, Musical films, Films based on plays, Films based on operas
Actors Bernhard Theodor Henry Minetti, Leni Riefenstahl, Aribert Wäscher, Maria Koppenhöfer, Frida Richard

Pedro, a shepherd, is sleeping in his Pyrenean mountain hut when his herd is attacked by a lone wolf. He awakens to defend his sheep, and strangles the wolf. In the Catalan lowlands (northeastern Spain), the construction of a canal is completed and diverts water from the farms and fields of the peasants to support the prized bulls of the landowner, Don Sebastian, marquis of Roccabruno. The request of the peasants for water is arrogantly rejected. He has, however, significant debts and needs money. The rich Amelia plans to marry him, but he offends her.
Dalibor
Dalibor (1956)
, 1h46
Directed by Václav Krška
Genres Drama, Musical
Themes Films about music and musicians, Musical films, Films based on operas
Actors Karel Fiala

Voir la fiche de l'opéra : Dalibor
The Desert Song
The Desert Song (1953)
, 1h50
Directed by H. Bruce Humberstone
Origin USA
Genres Musical, Romance
Themes Films set in Africa, Films about music and musicians, Musical films, Films based on operas, Operetta films
Actors Kathryn Grayson, Gordon MacRae, Raymond Massey, Steve Cochran, Dick Wesson, William Conrad

The original plot is more-or-less adhered to, with some significant alterations. Benny is depicted as a comic Bob Hope-like coward, but not as a sissy. El Khobar's alter ego is that of a mild-mannered (but not squeamish) Latin tutor and anthropologist, whom Birabeau (Ray Collins) hires to keep Margot (Kathryn Grayson) from flirting with his regiment.
The Bohemian Girl
The Bohemian Girl (1922)

Directed by Josef von Sternberg, Harley Knoles
Origin United-kingdom
Genres Romance
Themes Musical films, Films based on operas
Actors Gladys Cooper, Ivor Novello, C. Aubrey Smith, Ellen Drew, Ellen Terry, Constance Collier

Arline is the little daughter of Count Arnheim, governor of an Austrian province who lives in feudal splendor near a forest where a Gypsy Queen and her tribe encamp, with her lieutenant, Devilshoof. He comes by chance upon Thaddeus, a young Polish refugee pursued by Austrian soldiers. Devilshoof protects the youth and offers him the concealment of gypsy garb. Arline escapes from the castle and is saved from a bear by Thaddeus, who with Devilshoof returns her to her father. It is in the midst of a banquet, that Thaddeus, a Pole, refuses to drink a toast to the Austrian emperor. Thaddeus is ejected in disgrace and Devilshoof vows to be revenged. He returns and, when the chance comes, carries Arline away. Twelve years of wandering finds Thaddeus part of the gypsy caravan and Arline grown to beautiful womanhood. Their love is discovered by the Gypsy Queen and because of her desire to wed Thaddeus she swears to accomplish the downfall of Arline. Count Florestein, a friend of Arline's father, is robbed of a medallion by the gypsies, who yield it to their Queen. This jewel the Queen gives to Arline when the girl sets out for a fair where she tells fortunes. Among her patrons is Florestein, who recognizes his medallion and orders the arrest of Arline. She is taken to the castle for trial, where, her own father is her judge. Count Arnheim is moved to gentleness he cannot understand and when the gypsy girl tells him her name he tremblingly summons the old nurse, who instantly recognizes her lost darling.
The Knight of the Rose
The Knight of the Rose (1925)

Directed by Robert Wiene
Genres Drama, Comedy, Musical
Themes Films about music and musicians, Musical films, Films based on operas
Actors Michael Bohnen, Paul Hartmann, Jaque-Catelain, Friedrich Feher

À la cour d'Autriche, un mariage se profile entre le baron Ochs et la fille d'un riche marchand. Comme la coutume l'exige, le baron doit trouver quelqu'un qui apporte à la jeune femme une rose d'argent pour lui signifier sa demande. Son amie la Maréchale l'incite à désigner Octavian Rofrano, qui n'est autre que son jeune amant.
The Beggar's Opera
The Beggar's Opera (1953)
, 1h34
Directed by Peter Brook
Origin United-kingdom
Genres Historical, Musical, Crime
Themes Films about music and musicians, Théâtre, Musical films, Films about capital punishment, Films based on plays, Films based on operas
Actors Laurence Olivier, Dorothy Tutin, Hugh Griffith, George Rose, Stuart Burge, Stanley Holloway

In the 1700s, a beggar is tossed into London's Newgate jail, along with a pile of papers upon which his unfinished opera is scribbled. The beggar boasts to the other prisoners that his opera, unlike others of the day, is about a real person, the dashing highwayman Captain Macheath, who, dressed in a red coat, holds off the world with a pistol in each hand, seduces women with five notes of a tune, and generally leaps from misfortune. To the beggar's disappointment, the other prisoners point out that his hero Macheath is among them, in irons and behind bars, and Macheath, who is scheduled to be executed the next morning, admits that there is "no arguing with reality." Taking the first page of the opera, Macheath begins singing, and the beggar, encouraged by Macheath's good voice, urges him to continue, until the following story, the beggar's opera, is sung for the prison inmates: While riding to London, feeling merry and free, Macheath robs a carriage, and steals a kiss and a locket from a maiden. Later, in London, Macheath's wife, Polly Peachum, pines for him. Polly's parents, shopkeepers Mr. Peachum and his wife, are scandalized to learn from their employee Filch that Polly has secretly married the highwayman. To make the best of the situation, as they are always eager to make money, they urge her to lure Macheath into a trap and collect the reward for his capture. Meanwhile, outside of town, Macheath encounters a carriage ridden by Newgate's jailor Mr. Lockit, Lockit's daughter Lucy and Mrs. Trapes, whom Lockit is wooing. Lucy, who met Macheath when he was once imprisoned, scolds him for taking her virtue without making good on his promise to wed. When Macheath rides off, Mrs. Trapes suggests that Lucy betray him for the reward and give the money to her father. Later, during a tryst in a hayloft, Polly warns Macheath that her parents are mounting an ambush. Macheath escapes with Polly's help after a swashbuckling fight, then hides in a back room of a tavern, where he is unable to resist socializing with the prostitutes, whom he considers friends. However, prostitute Jenny Diver has been bribed by Peachum and Lockit to betray him, and with the help of her colleagues, Macheath is soon captured. From his jail cell, Macheath urges Lucy to steal the jail keys and set him free, promising to marry her in return, but then Polly shows up and he is forced to introduce the women to each other. During the night, Lucy steals the keys and releases him, but later Polly sneaks back and, finding Macheath gone from the cell, screams in anguish without thinking, thus drawing attention to his escape. Meanwhile, Macheath disguises himself in the stolen cape and gloves of a lord and slips into a gaming house to avoid making good his promise to unite with Lucy. However, the proprietor recognizes the cape and alerts Lockit and Peachum about the impostor wearing it. Back at the jail, Polly is accused of freeing Macheath and is locked in Lucy's room, where Lucy, after losing track of Macheath, attempts to drug her. When they hear the recaptured Macheath being returned to prison, Lucy and Polly proceed to Macheath's cell and demand that he choose between them. He refuses, as he will soon be hanged and sees no reason to disappoint either of them. The next morning, riding atop his coffin as it is carted through the streets to the gallows, Macheath waves farewell to the friendly crowd that has gathered to see him off. At the gallows, after kissing both Lucy and Polly goodbye, Macheath is blindfolded and awaits his fate, and the opera comes to its incomplete end. The real Macheath, who is still in the jail, protests that he should not have to hang twice. After pondering the complaint, the beggar agrees and yells for Macheath's reprieve. The rest of the prisoners join in the chant and mob the turnkey, who comes to investigate the ruckus, allowing Macheath to escape. The highwayman steals a horse from the cart containing his coffin and when safely out of London, sings that his freedom has been returned because of a beggar's opera.