Ground Operations follows the story of combat veterans who operated in the armed forces, and served in Iraq and Afghanistan. This documentary goes through each individual’s story from joining their respective branches, to how the war has changed them personally. It also follows each person's story as they transition to civilian life, and struggle with a highly flawed Department of Veterans Affairs. This leads them all unknowingly to the world of organic farming, which helps them heal from their traumatic emotional scars. The farming serves as a duel purpose to fix a damaged agricultural system, and helps calm the PTSD exacerbated by War Traumas, and the Department of Veterans Affairs.
An autobiographical documentary film that goes beyond the barriers of the genre and is something between videoart, experimental film and home video and seeks to throw light on the consequences of the Armenian Genocide of 1915, which forced the director´s family to emigrate to France. In the spirit of Bertolt Brecht´s theory of art and distanciation, Khazarian frees himself from reality, combining in the film amateur films about his own family and contemporary footage from the battlefield in Nagorno-Karabakh. His film is not a recapitulation of historical fact, but rather a visual meditation on the fetishist aesthetics of war, diverse sexual orientations and the consequences of emigration. The film deals with topics such as war, destruction and sexuality, which, in the director´s view are indissolubly linked.
Preet is a shy young journalist visiting a convent for aged nuns in Meerut to do a story on conversions. His meeting with Sister Agatha, a Malayalee nun who manages the convent, rekindles the memories of an incident that took place in the convent way back in 1984, taking the narrative in the flashback. A young Sikh woman, Amarjeet Kaur, along with her 8-year old son Jaggi, escaping from marauding rioters seeks refuge in the convent. The nuns give them a place to hide making the mother wear nun's robes and cutting the boy's long hair to conceal their identities. The young boy gradually settles in and becomes part of the convent life giving the nuns something to look forward to in their staid daily routine. The nuns refuse to give in to constant threats from the pursuers plotting Amarjeet's and Jaggi's escape. The plot moves to and for in time to reveal how Preet makes peace with his troubled past while re-claiming the outward symbol of his identity. The film concludes showing Preet wearing a turban.
Olfat is raising her children in hardship. She has one daughter and one son called Yonos who works in Kerman copper mine. Olfat used to go to the mine and give some food to her son. One day, she finds a note at home with this massage "My friends and I are going to enter the war as soldiers". After reading this note, Olfat and his friend's parents got worried about their sons. When operation Valfajr failed, they received news about Yonos's friend. Olfat is waiting for her son too. As she finds out that the Iraqi radio announces the Iranian captives' names, she ties a radio on her back and carries it everywhere.