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I Live Again is a British film of genre Musical directed by Arthur Maude with Noah Beery Sr.
I Live Again (1936)
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Add to a movie listI Live Again (alternate title: Live Again) is a 1936 British musical film directed by Arthur Maude and starring Noah Beery, Bessie Love, and John Garrick. It was made at Elstree Studios.
^ Low 1985, p. 347
^ Wood 1986, p. 91
Actors
Noah Beery Sr.
(Morton Meredith)
Bessie Love
(Kathleen Vernon)
John Garrick
(John Wayne)
Frank Stanmore
(Magistrate)
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Suggestions of similar film to I Live Again
There are 227 films with the same actors, 14 films with the same director, 6275 with the same cinematographic genres, 6250 films with the same themes, to have finally 70 suggestions of similar films.If you liked I Live Again, you will probably like those similar films :
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, 1h23Directed by Ray Enright
Origin USA
Genres Drama, Comedy, Comedy-drama, Musical
Themes Films about music and musicians, Théâtre, Musical films, Films based on plays
Actors Walter Woolf King, Noah Beery Sr., Lupino Lane, Marion Byron, Edward Martindel, Nina Quartero
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The story takes place in colonial Africa, where Vivienne Segal (as Dawn), plays the part of a white girl who was kidnapped in infancy and is being brought up by a black native, played by Alice Gentle, as her own. Alice Gentle runs a canteen in the now German colonial settlement. Segal falls in love with Walter Woolf King, a British rubber planter who is now a prisoner of war. Noah Beery, who is the native black leader of the tribes in that region, is also in love with Segal and becomes extremely jealous when he heard of Segal's love for King. King, however, is sent back to Britain by the Germans for attempting to steal Segal, whom they believe is half black. Eventually, the British regain control of the territory and drive out the Germans. King returns to the colony. When the settlement experiences a drought, Beery attempts to incite the natives against Segal, claiming that their native God is angry because Segal has dared to love a white man. King is unable to save Segal because the colonial authorities refuse to act unless they have proof that Segal is one hundred percent white. Eventually Gentle confesses that she is not Segal's real mother and that her real (white) father confirms what she confessed is true and that her mother was white. King quickly brings the British troops just as the natives are about to sacrifice Segal. During the ceremony however, one of the virgin priestesses of the native God, revels that Beery has been lying about Segal. The God is not interested in Segal since she is pure white. Furthermore she reveals that Beery had violated her chastity and claims that their native God was angry because of this sacrilegious act. Beery is sacrificed to the anger of the natives and the drought quickly ends as rain pours down. In the end, Segal and King, happily reunited, sail back to England together.
The Broken Melody (1934)
Directed by Bernard Vorhaus
Genres Drama, Musical
Themes Films about music and musicians, Musical films
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Rating58%
Chu Chin Chow (1934)
, 1h35Directed by Walter Forde
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They Learned About Women (1930)
, 1h35Directed by Jack Conway, Sam Wood
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Genres Drama, Musical
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Rating53%
This script must be run from the command line
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, 1h49Directed by David Butler
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Genres Science fiction, Comedy, Fantasy, Musical, Comic science fiction
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In 1980, J-21 (John Garrick) sets his aircraft on "hover" mode in New York, lands and converses with the beautiful LN-18 (Maureen O'Sullivan). He describes how the marriage tribunal had refused to consider J-21's marital filing and applications, and LN-18 is going to be forced to marry the conceited and mean MT-3 (Kenneth Thomson). J-21 plans to visit LN-18 that night.
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, 1h33Directed by Nick Grinde, Charles Walters
Origin USA
Genres Comedy, Musical
Themes Dance films, Films about music and musicians, Sports films, American football films, Musical films, Films based on plays, Films based on musicals
Actors June Allyson, Peter Lawford, Bessie Love, Rosemary Lane, Cliff Edwards, Joan McCracken
Rating66%
The film is set in 1927 at fictional Tait College, where football is all the rage. ("Tait Song"/"Good News")
Under a Texas Moon (1930)
, 1h22Directed by Michael Curtiz
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Frank Fay, as a Mexican named Don Carlos, rides into a small Texas border settlement on the Fourth of July in the early 1880s. He is accompanied by his two inseparable companions, played by Georgie Stone and George Cooper. The day is being celebrated in the style of a Spanish fiesta. Fay challenges a rough Texan, played by Noah Beery, to a duel, only to find himself invited to undertake the dangerous task of capturing a cattle rustler who has been stealing cattle from the Lazy Y Ranch. He accepts the task on the promise of receiving seven thousand dollars in gold if he can return both the thief and the stolen cattle within ten days. During the next nine days, Fay spends his time making love to every pretty girl he meets, serenading many of theme by singing the theme song to the film while playing his guitar, while his two companions join in the harmonizing. He lies to them all, telling each girl exactly what she wishes to hear. Throughout all this time he does nothing towards earning his reward. On the tenth day, he captures the cattle rustler and turns up the cattle to everyone's surprise by using a simple method that no one had thought of. He rides back to Mexico with his latest conquest in his arms.
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, 1h40Directed by Charles Reisner
Origin USA
Genres Drama, Comedy, Comedy-drama, Romantic comedy, Musical, Romance
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Rating59%
Carlie and Terry constitute a vaudeville team in a traveling musical show; also in the company are Eddie, the stage manager; Bonnie, a comedienne; and Polly, the wardrobe mistress. Terry's habit of constantly falling in love with the leading lady causes him to marry Daphne, a two-timing songstress. When he finds her with another man, Eddie threatens to kill himself, but his little partner reassures him that "Happy Days Are Here Again," and the show goes on.
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, 1h24Directed by Michael Curtiz
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Genres Drama, Comedy, Musical
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Rating59%
The story deals with the joys and tribulations of a travelling minstrel troupe known as the Merry Meadow Minstrels. Al Jolson plays as a blackface endman while Lowell Sherman plays as the interlocutor. Hobart Bosworth plays as the owner of the show, while his daughter, played by Lois Moran, serves as Al Jolson's love interest in the picture. Sherman's character, however, is also in love with Moran's. The show is in a miserable state until Jolson entertains a sheriff and manages to convince him to invest in the show. The show becomes very successful thanks to this investment and Jolson is eventually able to visit his mother. Some time after he returns, he tells Moran that he loves her and this causes Sherman to become jealous. After a heated argument between Jolson and Sherman over Moran, a character played by Mitchell Lewis, who is upset because he was caught cheating at cards, puts real bullets in Jolson's stage gun. Since Jolson pretends to shoot Sherman in the minstrel show act, Lewis knows that this will result in Sherman's death and that Jolson will be blamed for the murder. After Sherman is shot, Jolson is arrested but manages to escape and take a freight train out of town. Eventually, Lewis confesses to the crime and Jolson is thereby proven to be innocent.
Bright Lights (1930)
, 1h13Directed by Michael Curtiz
Origin USA
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Rating56%
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